African percussion ensemble concert performed at the UNT College of Music Voertman Hall.

Authors Bob Alexander and Donaly E. Brice grappled with several issues when deciding how to relate a general history of the Texas Rangers. Should emphasis be placed on their frontier defense against Indians, or focus more on their role as guardians of the peace and statewide law enforcers? What about the tumultuous Mexican Revolution period, 1910-1920? And how to deal with myths and legends such as One Riot, One Ranger? Texas Rangers: Lives, Legend, and Legacy is the authors’ answer to these questions, a one-volume history of the Texas Rangers. The authors begin with the earliest Rangers in the pre-Republic years in 1823 and take the story up through the Republic, Mexican War, and Civil War. Then, with the advent of the Frontier Battalion, the authors focus in detail on each company A through F, relating what was happening within each company concurrently. Thereafter, Alexander and Brice tell the famous episodes of the Rangers that forged their legend, and bring the story up through the twentieth century to the present day in the final chapters.

This case study examines some perspectives on the recording industry, particularly as it relates to musicians navigating the new landscape heavily impacted by digital service providers. The study begins with an investigation of digital streaming models and continues by surveying traditional record labels in light of advancements in the digital realm. The reader then encounters the company ArtistShare, which offers recording artists a chance to cultivate relationships with a close circle of patrons, in contrast to the global, less personalized reach of streaming media. The case concludes with consideration of what the industry presents to a performer committed to a musical niche.

Consists of notes to use when teaching the case study entitled After Monetization: The New Recording Landscape for Artists

This case examines the plans developed by the administration of the New World Symphony for its new home, in particular the operating cost projections for using the facility once it was built.

Consists of notes to be used when teaching the case study entitled Building on Trust at the New World Symphony.

Groupmuse provides musical events for young audiences in intimate listening environments. Prompted by an external study of the organization, the group’s CEO is considering rolling out Groupmuse into the Los Angeles market. Without contacts and staff in Los Angeles however, the CEO is concerned that expansion into this market would mean losing a grip on the tightly managed nature of Groupmuse. This case explores the philosophy behind Groupmuse and the rationale to expand into new markets.

Consists of notes to use when teaching the case study entitled My House is Your House: Groupmuse’s Revival of Chamber Music.

The case study details the early success of The Industry, free from the shackles of a permanent space, and unfolds the three-year strategic plan to guide the enterprise. Amid plans for continued operations, the executive director of The Industry is presented with the opportunity to hold a residency at a new museum in Los Angeles, one very much in line with the opera company’s contemporary cachet. This study outlines the prospects of the proposed museum residency, but questions at the board level remain about how an organization that has grown up without a home base for productions should react to the chance to forge a relationship with an institution that could bolster—or hinder—its success.

Consists of notes to be used when teaching the case study entitled No Place Like Home: The Industry at a Crossroads.

Recital performed at the UNT College of Music Recital Hall.

Faculty recital performed at the UNT College of Music Kenton Hall.

Guest artist recital presented at the UNT College of Music Voertman Hall.

Guest artist recital performed at the UNT College of Music Voertman Hall.

Guest artist recital performed at the UNT College of Music Recital Hall.

Audio log for a recording of an interview with Catherine Bell, public employee and community activist, about her experiences with the Denton Women's Interracial Fellowship.

Audio log for a recording of an interview with community activist Betty Kimble from Denton, Texas, for the Denton Women’s Interracial Fellowship Oral History Project. In the interview Kimble discusses her involvement with the Denton Women’s Interracial Fellowship, desegregation in Denton, experiences with discrimination and segregation, contemporary prejudice, lifelong friendships of Fellowship members, and her continued community involvement.

In this debut collection, Anna Lena Phillips Bell explores the foothills of the Eastern U.S., and the old-time Appalachian tunes and Piedmont blues she was raised to love. With formal dexterity—in ballads and sonnets, Sapphics and amphibrachs—the poems in Ornament traverse the permeable boundary between the body and the natural world. The contents include: Midafternoon -- Qualifications for one to be climbed by a vine -- Trillium -- Ornament -- Piedmont -- Pears -- Fall swim -- Trifoliate orange -- Unhomemaking -- Mapping -- Girl at the state line -- I'm going back to North Carolina -- Unfinished story -- Limax maximus -- Knot -- The waxweed girl -- Wand -- Proem -- Strapless -- Dishwashing -- Shade -- Crosses -- Bonaparte crossing the Rhine -- Strike -- Green man -- And not look back -- Girl at the state line -- Stitch -- To do in the new year -- The royal typewriter company delivers by parachute, 1927 -- Sunday -- Nesting -- When the fire comes down from heaven -- Honeysuckle -- Early blackberries -- Roustabout -- Overture -- June swim -- Sprout wings and fly -- Hush.

Early Music concert performed at the UNT College of Music Voertman Hall.

Faculty recital presented at the UNT College of Music Voertman Hall.

This version of the Asangba Nongjabi (Crimson Rainclouds) is in Manipuri using the Roman script.

Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree.

Tuba-Euphonium Ensembles concert performed at the UNT College of Music Recital Hall.

Faculty recital presented at the UNT College of Music Voertman Hall.