Powerpoint presentation created by UNT College of Visual Arts & Design Texas Fashion Collection director Myra Walker, outlining the exhibition "American Brides." The exhibition, curated by Walker, was mounted in the summer of 2015 at the Denton Visual Arts Center, and the presentation was likely given by Walker in the fall 2015.

Photograph of wall art on Fry Street in Denton near the UNT campus. Paintings include images of Moe Szyslak (bartender character on The Simpsons) and a blonde woman throwing playing cards and dice toward the viewer.

Photograph of Texas Fashion Collection director and UNT College of Visual Arts and Design fashion design professor Myra Walker.

Photograph of the Texas Fashion Collection workspace. There are cabients and drawers filled with artifacts from the collection, a few shoes are on the shelves in the open. This image was taken at the Texas Fashion Collection's facilities in Welch Street Complex 1.

Photograph of the Texas Fashion Collection workspace. Three mannequins to the right are dressed in artifacts in the digitization area. On the clothes rack are more artifacts on hangers. To the left of the workspace is a Mac workstation. This image was taken at the Texas Fashion Collection's facilities in Welch Street Complex 1.

Photograph of the Texas Fashion Collection workspace in the dark. The storage area where the artifacts are held are lit. This image was taken at the Texas Fashion Collection's facilities in Welch Street Complex 1.

Photograph of an array of artifacts from the Texas Fashion Collection hanging on mounts and stacked on shelves, in acid free boxes and containers. This image was taken at the Texas Fashion Collection's facilities in Welch Street Complex 1.

Photograph of an array of mannequins, some dressed in aritfacts from the Texas Fashion Collection and a few that are still bare off to the side. Three of the mannequins are in front of a gray background for digitization. This image was taken at the Texas Fashion Collection's facilities in Welch Street Complex 1.

Photograph of the Texas Fashion Collection storage facility where multiple rows of artifacts are on hanging on the racks. This image was taken at the Texas Fashion Collection's facilities in Welch Street Complex 1.

Photograph of an array of artifacts from the Texas Fashion Collection hanging on mounts and stacked on shelves. In the foreground are three mannequins dressed in a few artifacts. This image was taken at the Texas Fashion Collection's facilities in Welch Street Complex 1.

Photograph of Kyoto Costume Institute director Akiko Fukai and Cincinnati Museum of Art fashion curator Cynthia Amneus (with Texas Fashion Collection graduate volunteer Heather) observing a late nineteenth-century dressing gown held by TFC director Myra Walker in TFC collection storage in Welch Street Complex 1.

Photograph of Kyoto Costume Institute director Akiko Fukai and Texas Fashion Collection director Myra Walker looking at TFC artifacts (including a black ensemble by Hubert de Givenchy previously owned by Audrey Hepburn) in a TFC workspace in Welch Street Complex 1.

Photograph of Kyoto Costume Institute director Akiko Fukai, Cincinnati Museum of Art fashion curator Cynthia Amneus, and Texas Fashion Collection director Myra Walker looking at garments by designer Kenzo on a hanging rack in a TFC workspace in Welch Street Complex 1.

Photograph of Kyoto Costume Institute director Akiko Fukai observing an Issey Miyake "Pleats Please" blouse on a table in a Texas Fashion Collection workspace in Welch Street Complex 1.

Photograph of Texas Fashion Collection graduate area assistant and UNT College of Visual Arts and Design art history masters student Annette Becker and TFC collections assistant Janelle McCabe work on mounting a Charles James evening dress in front of a photo backdrop as part of TFC collection digitization in a workspace in Welch Street Complex 1.

Photograph of a flyer or invitation for an Open House at the Hillsboro City Library. The flyer reads, "We request the honor of your presence at an Open House; "From Post Office to Library"; Celebrating 100 years of Service 1915-2015; Refreshments, Photo Display/Slide Show; 118 South Waco Street Hillsboro, Texas; Friday, February 13, 2015; 4:00-6:00 p.m." An image of the front façade of the Hillsboro City Library is shown. The building is modeled off of Tuscan architecture with beige colored brick, terracotta shingle roof, four Corinthian-style columns and five barrel vaults, two of which are entryways with stairs.

Photograph of the Denton Courthouse on the Square during a snowfall. The view of the courthouse is from Hickory Street facing north. The Confederate memorial is visible in front of the courthouse as are several cars parked on the street.

Photograph of a melting snowman outside the Eagle Student Service Center on the UNT campus.

Photograph of graffiti reading "SPINACH" on a building across W. University Avenue from Rayzor Ranch.

Photograph of Texas Fashion Collection graduate area assistant and UNT College of Visual Arts and Design art history masters student Annette Becker standing next to a Christian Dior dress in a TFC workspace in Welch Street Complex 1.

Photograph of Texas Fashion Collection collections assistant Janelle McCabe puts away an accessories box alongside a graduate student assistant inside TFC collection storage in Welch Street Complex 1.

Photograph of Laverne Cox, a transgender actress known for Orange is the New Black, speaking at UNT.

Photograph of UNT College of Visual Arts and Design Associate Professor of Art History Denise Baxter and art history graduate student and Texas Fashion Collection student assistant Annette Becker in the exhibition "White House Style." Together they were photographed in a gallery in the UNT Art Building. Baxter served as advisor for Becker's MA research project.

Photograph of Texas Fashion Collection designs from the 1960s in the exhibition "White House Style" mounted in a gallery in the UNT Art Building by UNT College of Visual Arts and Design art history graduate student and Texas Fashion Collection student assistant Annette Becker in conjunction with her MA project.