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Degree Department
Department of Instrumental Studies
19
Department of Keyboard Studies
4
College of Music
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Department of Instrumental Studies
19
Department of Keyboard Studies
4
College of Music
2
Department of Conducting and Ensembles
2
Department of Musical Arts
2
Department of Jazz Studies
1
Department of Music
1
Department of Vocal Studies
1
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2015
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First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza
The Devil and the Details: Negotiating Virtuosity, Agency, and Authenticity in Karlheinz Stockhausen’s Kathinkas Gesang als Luzifers Requiem for Solo Flute
The Modern Trombone in the African American Church: Shout Bands and the African American Preacher in the United House of Prayer
Modern Forms of an Ancient Art: A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form
Critical Study of Two Piano Transcriptions by August Stradal and the Transcriptions’ Sources: Alterations to the Score Based on Historical Evidence and Artistic Judgment
Evoking the Mystery: A Pedagogical Method to Enable an Advanced Violinist to Master George Crumb’s Four Nocturnes (Night Music II)
An Instructional Guide to Teaching Kurtág’s Játékok Volume I to Beginning and Intermediate Piano Students
Collaborative Crossover: Identifying Classical Vocal Collaborative Piano Practices in Jazz Vocal Accompanying
Was There a Trumpet Sonata Before the Trumpet Sonata? an Investigation of Girolamo Fantini’s Trumpet Sonatas with Respect to Other Stile Moderno Solo Instrumental Sonatas
The Comparative Analysis of Slovakian Folk Elements From Béla Bartók’s for Children in Paul Schoenfield’s Slovakian Children’s Songs
Learning From the Autograph: a New Critical Approach to Performing Liszt’s Sonata in B Minor
Singing in English in the 21St Century: a StudyComparing and Applying the Tenets of Madeleine Marshall and Kathryn Labouff
A Guide to Arranging Late Eighteenth and Early Nineteenth Century Harmoniemusik in an Historical Style
Physical Problems in Vibrato Amongst First-year College Violinists: a Descriptive Study
The Mystery of the “Althorn (Alto Horn) Sonata” (1943) by Paul Hindemith
The Bass Clarinetist’s Pedagogical Guide to Excerpts From the Wind Band Literature
The “Avant-pop” Style of Jacob Ter Veldhuis: Annotated Bibliography of Boombox Pieces with an Analysis of “Pimpin’” for Baritone Saxophone and Boombox
Tubas on the Rise: the Tuba As a Signifier of 21st Century Mexican-American Music Culture in Southern California
Exploring the Integration of Thai Traditional Music in Chakra by Narong Prangchareon, with a Conductor’s Guide
Music for the Saxophone Duet Genre: an Annotated Bibliography of Selected Original Music
A Study on Hybrid Style and Orchestration in Bright Sheng’s Postcards
Cross-culture Choral Music Education: Issues for Western Choral Conductors Related to the Performance of Arabic Choral Music
Messiaen’s Musical Language: Technique and Theological Symbolism in Les Corps Glorieux, “Combat De La Mort Et De La Vie”
The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza
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