Photograph of the University of North Texas Afro-Cuban Ensemble performing "Guaguancó" during the dedication of the Jon Kellis Steel Drum Room. Members of the ensemble are playing congas, shekeres, and other types of drums as two men sing.

Photograph of the University of North Texas Drumline performing "Rudimental Showcase Opole" during the dedication of the Jon Kellis Steel Drum Room. Each member of the ensemble is holding a pair of drumsticks over his drum.

Photograph of two attendees looking at a chalkboard during the dedication of the Jon Kellis Steel Drum Room. Writing in the top right corner of the chalkboard reads, "Kellis - 206 - 4415."

Photograph of a framed portrait of Jon Kellis, taken during the dedication of the Jon Kellis Steel Drum Room. Writing on the matting around the portrait reads, "Strive... // JONATHAN WILLI[...] / Director, UNT Steel [Drum Band] / 1993-[1999]." Two individuals in the foreground are taking pictures with their cellphones.

Photograph of the University of North Texas Afro-Cuban Ensemble performing "Guaguancó" during the dedication of the Jon Kellis Steel Drum Room. Members of the ensemble are singing as they play shekeres, congas, and other types of drums.

Photograph of a sign outside of the Jon Kellis Steel Drum Room, dedicated in memory of percussionist and University of North Texas doctoral student Jon Kellis. Text on the sign reads, "MA102 // The Jon Kellis / Steel Band Room."

Photograph of attendees at the dedication of the Jon Kellis Steel Drum Room, taken from outside of the University of North Texas Music Annex building. Individuals are crowded into the room with their backs to the camera.

Photograph of Jarosław Kapuściński giving a presentation titled, "Re-performing the World in Internet Time," at the 2014 CIME/ICEM (International Conference on Electroacoustic Music) held at the UNT Merrill Ellis Intermedia Theater. Text is being displayed on a projector screen behind Kapuściński.

Photograph of Jarosław Kapuściński performing "Juicy" at the 2014 CIME/ICEM (International Conference on Electroacoustic Music) held at the UNT Merrill Ellis Intermedia Theater. Kapuściński is playing the piano as a large screen displays multicolored droplets on a white background.

Photograph of Jarosław Kapuściński performing "Juicy" at the 2014 CIME/ICEM (International Conference on Electroacoustic Music) held at the UNT Merrill Ellis Intermedia Theater. Kapuściński is playing the piano as a large screen displays fifteen blueberries on a grid, with twelve smashed and three intact.

Photograph of Laura Pillman playing flute for Sviatoslav Krutykov's "Nonexistent Civilizations Chronicles" at the 2014 CIME/ICEM (International Conference on Electroacoustic Music) held at the UNT Merrill Ellis Intermedia Theater. Pillman is standing on stage behind two sheet music stands, playing her instrument.

Photograph of Laura Pillman playing flute for Sviatoslav Krutykov's "Nonexistent Civilizations Chronicles" at the 2014 CIME/ICEM (International Conference on Electroacoustic Music) held at the UNT Merrill Ellis Intermedia Theater. Visuals are being displayed on a projector screen behind her.

Photograph of Sviatoslav Krutykov's piece, "Nonexistent Civilizations Chronicles," performed at the 2014 CIME/ICEM (International Conference on Electroacoustic Music) held at the UNT Merrill Ellis Intermedia Theater. Laura Pillman is playing the flute in front of a large projector screen displaying black and white visuals.

Photograph of Panayiotis Kokoras giving a presentation titled, "Sense: An Electroacoustic Composition for Surround Sound and Tactile Transducers," at the 2014 CIME/ICEM (International Conference on Electroacoustic Music) held at the UNT Merrill Ellis Intermedia Theater. Text on a projector screen behind Kokoras reads, "Presentation of Sense // Music experience engages all the senses to varying degrees. / The project demonstrates a synesthetic experience in wh[ich the] listener, on one hand, can hear the sound, and on the othe[r], can feel it through the body. / In addition, the Sense project proposes the conversion o[f] extreme frequencies into tactile stimuli received from the bod[y]."

Photograph of Panayiotis Kokoras performing "Sense" at the 2014 CIME/ICEM (International Conference on Electroacoustic Music) held at the UNT Merrill Ellis Intermedia Theater. Kokoras is looking down at a mixing console on the podium in front of him.

Photograph of Sviatoslav Krutykov's piece, "Nonexistent Civilizations Chronicles," performed at the 2014 CIME/ICEM (International Conference on Electroacoustic Music) held at the UNT Merrill Ellis Intermedia Theater. Laura Pillman is playing the flute in front of a large projector screen displaying blue and white visuals.

Photograph of Sviatoslav Krutykov's piece, "Nonexistent Civilizations Chronicles," performed at the 2014 CIME/ICEM (International Conference on Electroacoustic Music) held at the UNT Merrill Ellis Intermedia Theater. Laura Pillman is playing the flute in front of a large projector screen displaying multi-colored visuals.

Photograph of Sviatoslav Krutykov's piece, "Nonexistent Civilizations Chronicles," performed at the 2014 CIME/ICEM (International Conference on Electroacoustic Music) held at the UNT Merrill Ellis Intermedia Theater. Laura Pillman is playing the flute in front of a large projector screen displaying multi-colored visuals.