The National Museum of the Pacific War presents an oral interview with Roger A. Ashenbrenner. Ashenbrenner was born 7 June 1922 in Washington D.C. He enlisted in the Navy 15 August 1942. He went to boot camp in Newport, Rhode Island. After brief periods as an armed guard at the Naval War College, amphibious training at Little Creek, Virginia, and a trip to Brooklyn, New York to man a new destroyer, he was finally sent to the merchant ship Mormac Swan as a member of the Navy Armed Guard. Their duty was to man the 3" gun mounted on the bow of the ship. After one trip across the Atlantic, Ashenbrenner was assigned to the Henry A. Wiley (DM-29). In November 1944, the Wiley escorted the battleships Missouri (BB-63), Texas (BB-35), and Arkansas (BB-33), and two escort carriers from the Atlantic to the Pacific. Arriving at Pearl Harbor, she then escorted the New York (BB-34) to join the covering force for the invasion of Iwo Jima. While there, Ashenbrenner witnessed both the original flag raising on Mt. Suribachi and the second raising immortalized by Joe Rosenthal. Once Iwo Jima was secured, the Wiley went to Okinawa to sweep mines. Subsequently …

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

The National Museum of the Pacific War presents an oral interview with Gerald Benishek. Benishek was drafted into the Army Air Forces in June 1942 and trained at Jefferson Barracks. From there, he went to mechanics school in Nebraska. Once overseas, he went to New Guinea and then to Biak where he worked on C-47 and C-54 engines. When the war ended, Benishek was home in time for Christmas.

The National Museum of the Pacific War presents an oral interview with Jim Bradford. Bradford was born in Marshall, Texas in 1920 and graduated from high school in 1937. Entering the Army Air Corps Aviation Cadet Program he was sent to Tulare, California where he began flight training at the Rankin Aeronautical Academy. Upon graduation as a second lieutenant, he was assigned to Roswell, New Mexico as an instructor pilot at the Roswell Army Air Field. Following two years as an instructor Bradford was assigned to the 548th Night Fighter Squadron to begin training in the Northrop P-61 night fighter plane. Upon completion of training the unit was moved to Iwo Jima where they conducted night patrols. Bradford shot down a Japanese Betty bomber during one patrol. After Iwo Jima was secured, the unit moved to Okinawa and remained there until Japan surrendered. Bradford concludes the narration by telling of the various assignments he had prior to his retirement after thirty years of service.

A faculty and student recital performed at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

The National Museum of the Pacific War presents an oral interview with Billy Dennard. Dennard was drafted into the Navy in September, 1944 and trained at San Diego before reporting aboard the USS Franklin (CV-13). He was aboard when a Japanese plane attacked the ship 50 miles off the coast of Japan in March, 1945. Dennard was rescued from below decks and stayed aboard the ship all the way back to New York. Dennard was discharged in June, 1946.

Ensemble concert performed at the UNT College of Music Voertman Hall.

A student recital presented at the UNT College of Music Voertman Hall.

A student recital presented at the UNT College of Music Voertman Hall.

The National Museum of the Pacific War presents an oral interview with Charles Dunnam. Dunnam was drafted into the Army in July, 1944 and had basic training at Camp Wolters. Upon being sent overseas, Dunnam joined the 126th Infantry Regiment on Leyte. He traveled with them to Luzon in January just after the invasion got started. In May, he was wounded by rifle fire. He returned to his unit and recalls several hundred Japanese soldiers surrendering just after the war ended. He spent some time in Japan before returning to the US and being discharged in August, 1946.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

A guest artist recital presented at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

A senior recital presented at the UNT College of Music Kenton Hall.

A senior recital presented at the UNT College of Music Kenton Hall.

Hakthoi Phuoitong tells a traditional narrative about two orphans, Udoi and Liendoi. In this story, Udoi and Liendoi are hated by the rest of the village. But, when the goddess Fapite visits, she chooses to stay with them. Fatipe shows the orphans how to find food in the forest. He is a male Hrangkhol speaker from North Cachar Hills in Assam (currently living in Zion village, Haflong), around 64 years old at the time of recording. He also speaks Bengali.

Hakthoi Phuoitong, a male Hrangkhol speaker from North Cachar Hills in Assam (currently living in Zion village, Haflong) tells the traditional story of Ralngam. In this story, Ralngam learns magic from his grandfather. Hakthoi is 64 at the time of recording, and also speaks Bengali.

Hakthoi Phuoitong tells the traditional story Denlikinthang. In this story, Denlikinthang is born to a virgin in Bomrang village. Denlikinthang later becomes the leader of a new village called Khozol. He is a male Hrangkhol speaker from North Cachar Hills in Assam (currently living in Zion village, Haflong), around 64 years old at the time of recording. He also speaks Bengali.

Hakthoi Phuoitong tells the traditional narrative about Mairingthang, an orphan who has to choose between his two girlfriends. He is a male Hrangkhol speaker from North Cachar Hills in Assam (currently living in Zion village, Haflong), around 64 years old at the time of recording. He also speaks Bengali.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

A Graduate Artist Certificate recital presented at the UNT College of Music Recital Hall.