This study traces the history and culture of Spain as seen through the lens of the nation´s production of horror cinema. Starting from the boom of Spanish horror film in the early 1960s, the thesis compares and contrasts the political and social aspects of Spanish society throughout three distinct eras of the 20th century: 1962 – 1975 (the boom of Spanish horror film through the Franco dictatorship), 1975 – 1999 (the transition to democracy through the end of the 20th century) and 2000 – present (the 21st century). Movies as diverse as Gritos en la noche (1962, Jesús Franco), ¿Quién puede matar a un niño? (1976, Narciso Ibáñez Serrador) and Angustia (1987, Bigas Luna) are framed by culturally-related anectodes as well as correlations to their respective social environments. Special attention has been paid to the production and release of each film, especially in regards to censorship during the Franco dictatorship. The results show that Spanish horror cinema has acted as a true mirror to culture, society and politics in its native country throughout the 20th century and that this trend will likely extend in to the future.

Recital presented at the UNT College of Music Recital Hall.

Pamphlet providing information about breastfeeding. There is a picture of a baby on a pink background at the top of each page with facts below. The front is written in English and the back is in Spanish.

Ledger containing minutes of the City Council in Abilene, Texas documenting the group's discussions and activities from January 9, 2014 to December 18, 2014.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A senior recital presented at the UNT College of Music Voertman Hall.

Jazz ensemble concert performed at the UNT College of Music Voertman Hall.

This article is the forward to a special section on long-term ecological research in Chile. It briefly introduces the main topics and ideas of each of the articles and comment on their relevance in the context of research and monitoring of Chilean ecosystems and in the perspective of global change research.

Jazz concert performed at the UNT College of Music Voertman Hall.

Latin Jazz concert performed at the UNT College of Music Voertman Hall.

This is a translation of Chilean author Pablo Neruda's book "100 Love Sonnets" originally published in 1960 that includes the original Spanish poems and English translations.

Choir concert performed at the UNT College of Music Winspear Hall.

Choir concert performed at the UNT College of Music Winspear Hall.

Mariachi concert performed at the UNT College of Music Winspear Hall.

Jazz vocal concert performed at the UNT College of Music Kenton Hall.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

A senior recital presented at the UNT College of Music Voertman Hall.

A faculty and student recital performed at the UNT College of Music Voertman Hall.

A concert performed at the UNT College of Music Voertman Hall.

Flyer for the Take Care of Texas program of the Texas Commission on Environmental Quality offering suggestions for preserving water, energy, and resources.

A bilingual brochure listing the income requirements for using the Texas WIC program.