Introduction to the special section on art history featured in the 2011 edition of The Eagle Feather.

This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.

Presentation for the 2013 University Scholars Day at the University of North Texas discussing research on the Spanish painter, Francisco de Goya (1746-1828), and the use of mirrors to symbolize the harmonization of the subject with its true self throughout his work.

Presentation for the 2011 University Scholars Day at the University of North Texas discussing research on the absence of Mary Magdalene in the Santa Maria Basilica in Trastevere, Rome.

Presentation for the 2011 University Scholars Day at the University of North Texas discussing research on paintings by Francisco de Goya.

Presentation for the 2011 University Scholars Day at the University of North Texas discussing research on Francisco de Goya's series, "Los Caprichos."

Presentation for the 2011 University Scholars Day at the University of North Texas discussing research on Francisco de Goya's painting, 'Allegory of Industry', 1797-1802.

Presentation for the 2011 University Scholars Day at the University of North Texas discussing research on the eighteenth century worker and Francisco de Goya's Tapestry Cartoons and the influence of enlightenment.

Presentation for the 2011 University Scholars Day at the University of North Texas discussing research on Francisco de Goya and his artistically recorded evolving definitions of madness that preoccupied the eighteenth-century.

In this paper, the author gives an analysis of Francisco de Goya, arguing that the painter uses mirrors to symbolize harmonization of subject with its true self throughout his work.

This paper discusses research on the absence of Mary Magdalene in the Santa Maria Basilica in Trastevere, Rome. The author's research examines the social context throughout Rome during the medieval era, the status of prostitution, spatial analysis of Trastevere, and the inevitable entrance of promiscuity through the Santa Maria Basilica in Trastevere.

This paper discusses research on Francisco de Goya's painting, Allegory of Industry, 1797-1802.

This paper discusses research on Francisco de Goya's Tapestry Cartoons and the influence of the enlightenment.

This paper presents research on Francisco de Goya. This research proves that the painting of Francisco de Goya (1746-1828) from 1800 ('The Cannibals), and his paintings from 1820-1823 (The Black Paintings, 'Judith,' and 'Saturn,' and Miniature, 'Judith') represent changing ideas on decapitation of a monarch.

This paper discusses Francisco de Goya. Employing Foucault's discourse to specific works reveals Goya's ability to represent visually the fundamental tension between Romantic and Classical ideas, especially the ambiguous line between reason and madness.

This presentation is part of the faculty lecture series UNT Speaks Out on No Child Left Behind. This presentation discusses the No Child Left Behind (NCLB) Act and its impact on arts education.