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Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music
A-Bu-GE: A Composition for Organ and Percussion
Primary Compositional Characteristics in the Instrumental Music of Paul Lansky as Demonstrated in Hop (1993)
Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)
The Key to Unlocking the Secret Window
Combining of Korean Traditional Performance and Recent German Techniques in Isang Yun's Kontraste: Zwei Stücke für Violine Solo (1987)
Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch
Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements
Performance Practice of Interactive Music for Clarinet and Computer with an Examination of Five Works by American Composers
From Outward Appearance to Inner Reality: A Reading of Aaron Copland's Inscape
Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'
Prolongation in Post-Tonal Music: A Survey of Analytical Techniques and Theoretical Concepts with an Analysis of Alban Berg's Op. 2, No. 4, Warm Die Lüfte
Alberto Ginastera and the Guitar Chord: An Analytical Study
Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music
A Performance Guide for Pearls I and Pearls II by Roland Szentpali
The Instrumental Music of Ida Gotkovsky: Finding Intertextual Meaning
An Analysis of the Pedagogical Advantages Relating to Combined Study of Euphonium and Trombone through the Use of Specific Repertoire
Non-Linear and Multi-Linear Time in Beethoven's Opus 127: An Analytical Study of the "Krakow" Sketch Materials
The Avatar by Steve Rouse: A Performance Practice Guide
Paul Hindemith's Septet (1948): A Look Back to Neue Sachlichkeit
The Works for Clarinet Commissioned by the Concours International d'Exécution Musicale de Genève: A Critical Survey and Performance Guide
"The Wider View": Engaging a New Generation of Singers through African-American Art Song
The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A Pedagogical and Aesthetic Comparison
Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part
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