This article discusses strategies for harpists to improve their lever and pedal technique.

Louisiana’s Neutral Strip, an area of pine forests, squats between the Calcasieu and Sabine Rivers on the border of East Texas. Originally a lawless buffer zone between Spain and the United States, its hardy residents formed tight-knit communities for protection and developed a reliance on self, kin, and neighbor. In the early 1900s, the timber boom sliced through the forests and disrupted these dense communities. Mill towns sprang up, and the promise of money lured land speculators, timber workers, unionists, and a host of other characters, such as the outlaw Leather Britches Smith. That moment continues to shape the place’s cultural consciousness, and people today fashion a lore connected to this time. In a fascinating exploration of the region, Keagan LeJeune unveils the legend of Leather Britches, paralleling the stages of the outlaw’s life to the Neutral Strip’s formation. LeJeune retells each stage of Smith’s life: his notorious past, his audacious deeds of robbery and even generosity, his rumored connection to a local union strike—the Grabow War—significant in the annals of labor history, and his eventual death. As the outlaw’s life vividly unfolds, Always for the Underdog also reveals the area’s history and cultural landscape. Often using the particulars of …

Américo Paredes (1915-1999) was a folklorist, scholar, and professor at the University of Texas at Austin who is widely acknowledged as one of the founding scholars of Chicano Studies. Born in Brownsville, Texas, along the southern U.S.-Mexico Border, Paredes grew up between two worlds—one written about in books, the other sung about in ballads and narrated in folktales. After service in World War II, Paredes entered the University of Texas at Austin, where he completed his Ph.D. in 1956. With the publication of his dissertation, “With His Pistol in His Hand”: A Border Ballad and Its Hero in 1958, Paredes soon emerged as a challenger to the status quo. His book questioned the mythic nature of the Texas Rangers and provided an alternative counter-cultural narrative to the existing traditional narratives of Walter Prescott Webb and J. Frank Dobie. For the next forty years Paredes was a brilliant teacher and prolific writer who championed the preservation of border culture and history. He was a soft-spoken, at times temperamental, yet fearless professor. In 1970 he co-founded the Center for Mexican American Studies at the University of Texas at Austin and is credited with introducing the concept of Greater Mexico, decades before its …

Birthing a Better Way: 12 Secrets for Natural Childbirth presents a fresh, proactive, and positive approach to why you may want to consider the safest and most satisfying kind of birth—natural childbirth—especially in these times of overused medical interventions. Kalena Cook, a mother who experienced natural childbirth, and Margaret Christensen, M.D., a board certified obstetrician-gynecologist, have written this much-needed book for expectant mothers and their caregivers, imparting proven safe or “evidence-based” information with compelling narratives. Think of What to Expect in Natural Childbirth meets Chicken Soup for the Natural Birthing Soul! Unlike other books that overwhelm with data, Birthing a Better Way simplifies the best key points. Going beyond actual birth accounts, the authors reveal 12 Secrets which bring confidence in the normal process of birth and inspire you to believe in what your body is beautifully designed to do—a far cry from what is portrayed in the media or from some fear-based conventional medical practices. More than fifty powerful testimonials include healthy mainstream women who answer why they chose natural birth (instead of Pitocin, inductions, epidurals and C-sections), what it was like, and even how it compared to a medicated birth. Six physicians share why they birthed their own …

Stan Kenton (1911–1979) formed his first full orchestra in 1940 and soon drew record-breaking crowds to hear and dance to his exciting sound. He continued to tour and record unrelentingly for the next four decades. Stan Kenton: This Is an Orchestra! sums up the mesmerizing bandleader at the height of his powers, arms waving energetically, his face a study of concentration as he cajoled, coaxed, strained, and obtained the last ounce of energy from every musician under his control. Michael Sparke’s narrative captures that enthusiasm in words: a lucid account of the evolution of the Kenton Sound, and the first book to offer a critical evaluation of the role that Stan played in its creation. “Michael Sparke’s book, the first general history of the Kenton Orchestra, is the best evaluation yet of Kenton’s 40-year musical development.”—The Wall Street Journal

In Cataclysm, Herman S. Wolk examines the thinking and leadership of General Henry H. (Hap) Arnold, Commanding General, Army Air Forces (AAF), during World War II. Specifically, Wolk concentrates on Arnold’s role in crafting the weapons, organization, and command of the strategic bombing offensive against Japan. The B-29 long-range bombing campaign against the Japanese home islands dictated unprecedented organization and command; hence, Arnold established the Twentieth Air Force, commanded by himself from Washington and reporting directly to the Joint Chiefs of Staff. Arnold excelled in his command of the AAF, relieving a long-time colleague (Hansell) in favor of a hard-nosed operator (LeMay). This crucial move was a turning point in the Pacific War. In the spring and summer of 1945, Arnold was a driven leader, almost willing the B-29 campaign and the air and sea blockade to collapse Japan before the scheduled massive invasion of Kyushu on November 1st. Arnold agreed that politically the atomic bomb shocked the Japanese to capitulation, but as the architect of the bombing offensive, he emphasized that Japan was already defeated in the summer of 1945 by the bombing and blockade, and that it was not militarily necessary to drop the atomic bomb. Wolk brings …

This book chapter is written in the form of a break-up letter from the author to the social networking website, Facebook. It discusses social networking, technological changes, urbanization, globalization, media technology, and philosophical ideas about society.

Concert presented at the UNT College of Music Winspear Performance Hall.

Symphonic band concert presented at the UNT College of Music Winspear Performance Hall.

Jazz recital presented at the UNT College of Music Kenton Hall.

Wind symphony concert presented at the UNT College of Music Winspear Performance Hall.

Concert presented at the UNT College of Music Winspear Performance Hall.

Choral concert presented at the UNT College of Music Recital Hall.

Recording of the first Friday evening performance of the opera "Prodaná nevěsta (The Bartered Bride)" at the UNT College of Music Lyric Theater.

Trombone choir concert presented at the UNT College of Music Recital Hall.

Recording of the first Sunday afternoon performance of the opera "Prodaná nevěsta (The Bartered Bride)" at the UNT College of Music Lyric Theater.

Composition recital presented at the UNT College of Music Recital Hall.

Jazz recital presented at the UNT College of Music Kenton Hall.

Jazz recital presented at the UNT College of Music Kenton Hall.

Recording of the second Friday evening performance of the opera "Prodaná nevěsta (The Bartered Bride)" at the UNT College of Music Lyric Theater.

Recording of the second Sunday afternoon performance of the opera "Prodaná nevěsta (The Bartered Bride)" at the UNT College of Music Lyric Theater.

Choir concert presented at the UNT College of Music Winspear Performance Hall.

Composition recital presented at the UNT College of Music Recital Hall.

Symphony orchestra concert presented at the UNT College of Music Winspear Performance Hall.