Soon after the close of military operations in the American Civil War, another war began over how it would be remembered by future generations. The prisoner-of-war issue has figured prominently in Northern and Southern writing about the conflict. Northerners used tales of Andersonville to demonize the Confederacy, while Southerners vilified Northern prison policies to show the depths to which Yankees had sunk to attain victory. Over the years the postwar Northern portrayal of Andersonville as fiendishly designed to kill prisoners in mass quantities has largely been dismissed. The Lost Cause characterization of Union prison policies as criminally negligent and inhumane, however, has shown remarkable durability. Northern officials have been portrayed as turning their military prisons into concentration camps where Southern prisoners were poorly fed, clothed, and sheltered, resulting in inexcusably high numbers of deaths. Andersonvilles of the North, by James M. Gillispie, represents the first broad study to argue that the image of Union prison officials as negligent and cruel to Confederate prisoners is severely flawed. This study is not an attempt to “whitewash” Union prison policies or make light of Confederate prisoner mortality. But once the careful reader disregards unreliable postwar polemics, and focuses exclusively on the more reliable …

Concert presented at the UNT College of Music Winspear Performance Hall.

Concert presented at the UNT College of Music Kenton Hall.

Concert presented at the UNT College of Music Winspear Performance Hall.

Concert presented at the UNT College of Music Kenton Hall.

Recording of the "L'Amour Opera Gala" performance at the UNT College of Music Winspear Performance Hall.

Concert presented at the UNT College of Music Recital Hall.

Concert presented at the UNT College of Music Winspear Performance Hall.

Concert presented at the UNT College of Music Kenton Hall.

Concert presented at the UNT College of Music Concert Hall.

Concert presented at the UNT College of Music Concert Hall.

Concert presented at the UNT College of Music Winspear Hall.

Recital performed at the UNT College of Music Concert Hall.

Recital performed at the UNT College of Music Recital Hall.

Recital performed at the UNT College of Music Recital Hall.

Guest artist recital presented at the UNT College of Music Recital Hall.

Guest artist and faculty recital performed at the UNT College of Music Concert Hall.

Guest artist recital presented at the UNT College of Music Winspear Performance Hall.

Guest artist recital performed at the UNT College of Music Winspear Performance Hall.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree.

Living in the Woods in a Tree is an intimate glimpse into the turbulent life of Texas music legend Blaze Foley (1949--1989), seen through the eyes of Sybil Rosen, the woman for whom he wrote his most widely known song, “If I Could Only Fly." It captures the exuberance of their fleeting idyll in a tree house in the Georgia woods during the countercultural 1970s. Rosen offers a firsthand witnessing of Foley’s transformation from a reticent hippie musician to the enigmatic singer/songwriter who would live and die outside society's rules. While Foley's own performances are only recently being released, his songs have been covered by Merle Haggard, Lyle Lovett, and John Prine. When he first encountered “If I Could Only Fly," Merle Haggard called it “the best country song I've heard in fifteen years." In a work that is part-memoir, part-biography, Rosen struggles to finally come to terms with Foley's myth and her role in its creation. Her tracing of his impact on her life navigates a lovers' roadmap along the permeable boundary between life and death. A must-read for all Blaze Foley and Texas music fans, as well as romantics of all ages, Living in the Woods in a …

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.