A guest artist and faculty recital performed at the UNT College of Music Recital Hall.

Since Roy Bedichek's influential Adventures with a Texas Naturalist, no book has attempted to explore the uniqueness of Texas nature, or reflected the changes in the human landscape that have accelerated since Bedichek's time. Pride of Place updates Bedichek's discussion by acknowledging the increased urbanization and the loss of wildspace in today's state. It joins other recent collections of regional nature writing while demonstrating what makes Texas uniquely diverse. These fourteen essays are held together by the story of Texas pride, the sense that from West Texas to the Coastal Plains, we and the landscape are important and worthy of pride, if not downright bravado. This book addresses all the major regions of Texas. Beginning with Roy Bedichek's essay "Still Water," it includes Carol Cullar and Barbara "Barney" Nelson on the Rio Grande region of West Texas, John Graves's evocative "Kindred Spirits" on Central Texas, Joe Nick Patoski's celebration of Hill Country springs, Pete Gunter on the Piney Woods, David Taylor on North Texas, Gary Clark and Gerald Thurmond on the Coastal Plains, Ray Gonzales and Marian Haddad on El Paso, Stephen Harrigan and Wyman Meinzer on West Texas, and Naomi Shihab Nye on urban San Antonio. This anthology will …

This second volume of the Savage Frontier series focuses on two of the bloodiest years of fighting in the young Texas Republic, 1838 and 1839. By early 1838, the Texas Rangers were in danger of disappearing altogether. Stephen L. Moore shows how the major general of the new Texas Militia worked around legal constraints in order to keep mounted rangers in service. Expeditions against Indians during 1838 and 1839 were frequent, conducted by militiamen, rangers, cavalry, civilian volunteer groups and the new Frontier Regiment of the Texas Army. From the Surveyors' Fight to the Battle of Brushy Creek, each engagement is covered in new detail. The volume concludes with the Cherokee War of 1839, which saw the assembly of more Texas troops than had engaged the Mexican army at San Jacinto. Moore fully covers the failed peace negotiations, the role of the Texas Rangers in this campaign, and the last stand of heroic Chief Bowles. Through extensive use of primary military documents and first-person accounts, Moore provides a clear view of life as a frontier fighter in the Republic of Texas. The reader will find herein numerous and painstakingly recreated muster rolls, as well as a complete list of Texan …

Post-Reconstruction Texas in the mid-1870s was still relatively primitive, with communities isolated from each other in a largely open-range environment. Cattlemen owned herds of cattle in numerous counties while brand laws remained local. Friction arose when the nonresident stockmen attempted to gather their cattle, and mavericking was common. Law enforcement at the local level could cope with handling local drunks, collecting taxes, and attending the courts when in session, but when an outrageous crime occurred, or depredations in a community were at a level that severely taxed or overwhelmed the local sheriff, there was seldom any other recourse except a vigilante movement. With such a fragile hold on civilization in these communities, it is not difficult to understand how a “blood feud” could occur. During 1874 the Hoo Doo War erupted in the Texas Hill Country of Mason County, and for the remainder of the century violence and fear ruled the region in a rising tide of hatred and revenge. It is widely considered the most bitter feud in Texas history. Traditionally the feud is said to have begun with the intention of protecting the families, property and livelihood of the largely agrarian settlers in Mason and Llano counties. The …

From the author of Through Animals’ Eyes come more true stories from the rare perspective of someone who not only cares for the animals she treats, but also has never wanted nor tried to tame or change them. Lynn Cuny founded Wildlife Rescue and Rehabilitation (WRR) in 1977 in her backyard in San Antonio. It has since grown to 187 acres and now rescues more than 7,000 animals annually and maintains an emergency hotline 365 days a year. Native animals are released back into the wild, and those non-native or severely injured animals that cannot be released become permanent Sanctuary residents. Through her stories, Lynn hopes to dispel the belief that animals do not reason, have emotions, or show compassion for each other. Lynn’s stories cover the humorous and the tragic, the surprising and the inevitable. The animals she describes range from the orphaned baby Rhesus monkey who found a new mother in an old monkey rescued from a lab, to the brave red-tailed hawk who was illegally shot, but healed to soar again. The stories will touch your heart and help you see “through animals’ eyes.” “These true accounts, as amazing as some of them are with their unlikely …

The Frederic Hamilton building is a 2006 extension of the Denver Art Museum located within the Civic Center Cultural Complex.

The entrance and spider sculpture are on the eastern side of the building.

The northeastern prisms soar high above the entrance.

The northern prow of Libeskind's building points toward Gio Ponti's north building.

The south side of the Frederic Hamilton building sits in front of the high-rise Republic Building.

The prow of the building juts eastward.

Photograph of an unidentified man and woman arriving together on the red carpet.

Photograph of an unidentified woman gazing to the right.

Photograph of Timothy Stickney on stage.

Photograph of Roger E. Mosley and Della Reese reading a program together.

Photograph of Kim Fields speaking on stage from behind the podium.

Photograph of Irma P. Hall and an unidentified man at a gala celebrating the 30th Anniversary of The Black Academy of Arts and Letters, held at the Dallas Convention Center Theatre Complex. The man helps Hall out of a black vehicle.

Photograph of Timothy Stickney standing on stage at the podium.

Photograph of Ella Joyce, Kim Fields, Erykah Badu, and Curtis King conversing on stage with other guests seated around them.

Photograph of several guests on stage, including Della Reese, Albertina Walker, Irma P. Hall, and Curtis King.

Photograph of two unidentified guests arriving at the gala on the red carpet.

Photograph of three unidentified guests, one seated and two standing, conversing.

Photograph of Curtis King posing with several guests, including Albertina Walker, Della Reese, and Kim Fields.

Photograph of Peabo Bryson holding an audience member's hand while performing in front of the stage.