The small scale sculpture, according to the artist, represents an alchemical allegory of marriage. It is symmetrical with two bulbous shapes emerging from a third round piece which is balanced on a crescent shape. The work is topped with a funnel shape holding some shapes made of lead.

A close view of the facade bearing the name of the building, underneath side of a deck and a stairway are shown.

The view shows the dramatic facade. It appears to be stacked layers.

The view of the facade is from an angle and shows the lower level details and the cantilevering.

The view is of the cantilevered levels as seen from beneath and the glass first level.

The view shows a stair ramp and the underneath side of a cantilevered level.

The view is of the symbol on a service cover promoting the 32nd America's Cup.

The view of the building along the water's front and promenade and cantilevered decks are shown in this view.

"Artemis" A) Kimono of dark purple silk. Hand-painted image of Artemis on back with flowers in right hand and peacock at left hand. Full length; long sleeves. Opens center front. Slits at side seams for belt. B) Tie belt of purple silk.

Pin from the annual Black Tie Dinner Event.

Press pass for the annual Black Tie Dinner on November 11, 2006, an event meant to commemorate the strides made in LGBT issues and rights each year.

Ticket for the annual Black Tie Dinner event.

"Fairies in Flight" caftan-style dress of green silk and multiple bands of trim. Front yoke is peacock feather print. Main back triangular panel is collage of appliqué in flora and fauna with fairies in flight and bluebirds. Designer's label at bottom point of exterior back panel: "Amy Zerner"

Coat of red wool tartan. Waist-length with collar. Wide quarter-length sleeves with seam down center arm; no cuffs. Double breasted; 8 rounded black plastic buttons reinforced with 2 large snaps center front; bound button holes. Seam center back; fully lined in black satin.

"Courage" Jacket of red silk and black doupionni silk with multiple bands of trim. Long sleeves with cutwork circles and 3" cuffs; 3/4 length. Main back pane with abstract flora and fauna with tiger appliqué and beading and attached hummingbird charm. Large patch pockets. Lined in iridescent red fabric. Designer's label at center back: "Amy Zerner"

"Peacock Priestess" caftan dress of turquoise blue net over turquoise blue and green satin with appliqué and real peacock feathers. Back with appliqué medallions.

a) knee-length dress of navy blue silk; shirt collar; CF has 8 hidden buttons and 2 hidden hook and eye closures; armhole princess seams; CB seam; waist seam; flounce gathers into dress at mid-thigh; ¾ sleeves have cuffs and plackets with 2 buttons; b) matching tie-belt Collar Label: Oscar de la Renta

Evening dress of blue silk chiffon, in classical style. Asymmetrical, with one shoulder from which fabric gathers and radiates outward to the bodice. Full length, with 6" wide satin sash ties at waist. Designer's label at center back: Michael / Faircloth Client label attached to designer's label: Anne / Fay

Ballgown of gold silk duchess satin. Bodice and skirt are of gold silk. Sweetheart neck with center point and 4" straps. Center panel of bodice is ivory silk with heavy hand beading of gold, crystal, and silver sequins mixed with embroidery in white in ornate floral pattern. Center panel points into a "V" with gold gathered panels on the side and back. Skirt is knife pleated and has a slight train. CB closure with a lower back. Dress is lined in white and bronze satin in the bodice with sewn in cups for support and skirt is lined in white muslin. There is a white petersham-type belt inside. 28" waist. No label inside.

Fascinator style hat with white felt crown. Trimmed in white net with white chenille dots and plume of white ostrich feathers. Black grosgrain headband with black elastic strap for securing hat to head.

The Frederic Hamilton building is a 2006 extension of the Denver Art Museum located within the Civic Center Cultural Complex.

The entrance and spider sculpture are on the eastern side of the building.

The northeastern prisms soar high above the entrance.

The northern prow of Libeskind's building points toward Gio Ponti's north building.