Recording of Riccardo Santoboni's Segni dal tempo. This work deals with the taste of the earth of "Salento" in the south of Puglia, Italy. The sound elements included in this work include the rhythm and music of traditional dance and voice while electronic processing is used to modulate.

Recording of Riccardo Dapelo's Two Studies on Video Synthesis. The composers intention behind this composition was to explore the interaction between image (generally abstract) and sound. They explore an environment-system in which these two worlds interact simultaneously at both level of conception and perception. The work is split into two sections: Studio I - Variations of Complex Numbers Over a Green Space and Studio II - Dancing Line Patterns on the Borderline Between Darkness and Light.

Recording of Todor Todoroff's Les familiers du labyrinthe. This work emphasizes the creation of virtual sound architectures which then reveals the existence of an invisible world. Music and sound decoration are integrated here using all the resources of electroacoustics. The work has been separated into 5 unnamed movements.

Recording of Taras Bujewski's Largo Recitare. This is a work for electronics and violin.

Recording of Thanos Chrysakis' Nautilus Imaginaire. This is a work for electronics.

Recording of Krzysztof Topolski's Jasno. This is a work for electronics.

Recording of Thomas Gerwin's Le tour du monde en 280 secondes. This is a work for electronics that explores sounds around the world. The composer compares it to the concept of travelling into the future: "a nearly imperceptible floating or gliding from one space to another".

Recording of Charles-Édouard Platel's Le narval électrique. This is a work for electronics that includes French spoken word and is dedicated to French writer, Jules Verne. This piece in particular was inspired by the book "20,000 Leagues Under the Sea" by Verne. This work was created as a contribution to the Synthèse Festival open works project under the theme "Mondes futurs, automates et machines pour s'y projeter".

Recording of Peter De Moncey-Conegliano's Shape of music to come (entre la terre et la lune). This is a work for electronics that is based on the concept of traveling around the world in 80 days, via the moon. This idea comes from a novel by French author, Jules Verne. The composer mentions how much more poetic this story was to him then real space travel in 1969.

Recording of Roman Vlad's De la terre à la lune. This is a work for electronics.

Recording of László Dobos' Typewriter. This is a work for electronics that includes the sounds of a typewriter.

Recording of Wittwulf Y Malik's Journey in the future. This is a work for electronics that includes the sound of distorted voices.

Recording of Adolfo Núñez's X-rays from beyond. This work is dedicated to the memory of French author, Jules Verne, and his novels. The composer used the discovery and invention of x-rays as inspiration for this piece as well as media about science fiction from the 1950's and 1960's, in which many movies were made from Jules Verne novels.

Recording of Maurizio Alfonsi's La bottega delle idee. This is an electronic work that was created for magnetic tape. The inspiration for this piece was wanting to use concrete and electronic sounds to create a virtual laboratory where the construction of intellectual works comes to life.

Recording of Maggi Payne's Molecular Nanotechnology. This is a work for electronics that was inspired by the miniaturized world of molecular nanotechnology. This piece is a voyage of possibilities, somewhat sequential, but without a literal narrative.

Recording of Philippe Gonin's Je n'aime que la liberté, la musique et la mer. This is a work for electronics that is dedicated to French author, Jules Verne; the title of this piece is a quote from Verne. The music in this work is meant to highlight the descriptions of sound and music in Verne's novels as well as the author's own musical taste, which often reflected a bourgeois spirit.

Recording of Jadel Andreetto's 20 000 lieux around il centro del Welt. This work was inspired by Jules Verne. During a sleepless night, the composer read a variety of chapters from Verne's books and began playing basses, guitars, and their laptop. These improvisations created the framework of the finished piece.

Recording of David Behar's Invention Posthume. This is a work for electronics that includes percussion.

Recording of Wilfried Jentzsch's Le voyage à l'intérieur de.... This is a work for electronics.

Recording of Jean-Marc Weber's MoonEarth. This is a work for electronics that acts as an imaginary journey in stratified planes and volumes suspended between Earth and Moon.

Recording of Marcus Bittencourt's Telemetry. This work was created as part of the open work project for the Synthèse Festival under the theme "Mondes futurs, automates et machines pour s'y projeter". The composer based this work on real telemetry by satellites and space probes like Sputnik and Polyot, as well as some sounds transmitted by the Huygens probe when it landed on the surface of Saturn's Titan moon. This piece was composed and manufactured with custom-made software developed by the composer specifically for this project.

Recording of Philippe Moënne Loccoz's Les terres. This is a work for electronics that was inspired by the imagination of French author, Jules Verne, in which sounds can only be "invented" and sublimated.

Recording of Patrick Lenfant's Le tour du monde en 80 sons. This is a work for electronics that was created for the IMED open project, it acts as an homage to French author, Jules Verne. This piece was inspired by a Verne novel with the same name; the composer created this piece as a very personal interpretation of this journey around the world.

Recording of Claudio Parodi's Mu edited version 2. This is a work for electronics that was created as a study on the manipulation of the noise produced by an empty running tape recorder.