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Mediteranean riots colors
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Recording of Ivan Elezović's Mediteranean riots colors. The composer of this work considers it "program poetry" and includes poetic text to describe the video. This work includes various abstract visuals that vary in color and theme, all abstract and psychedelic in nature. The video opens with a title card as well as written text describing the piece. This video is accompanied by electroacoustic audio.
Date:
2005
Creator:
Elezović, Ivan
Object Type:
Video
System:
The UNT Digital Library
fA1LiN(n)G
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Recording of Juan Parra Cancino's fA1LiN(n)G. This is a work for harpsichord and live electronics that was dedicated to Anne Faulborn. This piece aims primarily to create a symbiotic instrument between the mechanical and the electronic sound producers, the properties of the mechanisms of the harpsichord, and its sonic qualities as well as the use of the computer as an enhancer of these properties. Using a limited set of musical gestures, the time structure of the piece is a journey between different possible timbres, accents, resonances and frequency zones.
Date:
2005
Creator:
Parra Cancino, Juan, 1979-
Object Type:
Sound
System:
The UNT Digital Library
Invito
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Recording of Per Samuelsson's Invito. The composer describes this piece as inviting the listener to "crawl under the skin of string instruments and let them sound in a way we are normally not used to". The fact that other sounds naturally fit into this piece proves that not just ordinary musical instruments find it's spot on the musical map.
Date:
2005
Creator:
Samuelsson, Per, 1971-
Object Type:
Sound
System:
The UNT Digital Library
Repossess Reprocess II
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Recording of Peter De Moncey-Conegliano's Repossess Reprocess II. This is an entirely abstract piece that is constructed of concrete sounds from the real world using a VCS3 synthesizer to process the sounds instead of creating them.
Date:
2005
Creator:
De Moncey-Conegliano, Peter, 1948-
Object Type:
Sound
System:
The UNT Digital Library
Treno in corsa
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Recording of Michele Biasutti's Treno in corsa. This work is a real time performance with digital elaboration of the sound of noisers (intonarumori), the noise machines built by Luigi Russolo. This piece was inspired by Russolo's painting, "Treno in corsa nella notte" made in 1911 and is based on some perceptive phenomena studied in the field of psychology of music such as masking, space-time perception, and some perceptive illusions on rhythm.
Date:
2005
Creator:
Biasutti, Michele, 1963-
Object Type:
Sound
System:
The UNT Digital Library
Refléxe I
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Recording of Franco Degrassi's Refléxe I. This is a work for electronics.
Date:
2005
Creator:
Degrassi, Franco, 1958-
Object Type:
Sound
System:
The UNT Digital Library
Ochlophoinc Study # 2 : Hong Kong
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Recording of John Levack Drever's Ochlophoinc Study # 2 : Hong Kong. This piece is the second in a series of studies investigating crowd sounds. Hong Kong is one of the most densely populated areas in the world, but is also interspersed with green open spaces and sites of reflection and introspection. The sound material includes edited field recordings that aim to celebrate the sheer intensity of continuous human activity that is Hong Kong.
Date:
2005
Creator:
Drever, John Levack
Object Type:
Sound
System:
The UNT Digital Library
Donnie's Room
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Recording of John Mallia's Donnie's Room. This work is a mixed media installation with animated projection, television monitors, spatialized sound, and objects. This work is an homage to the composer's distant cousin, Donnie. This work attempts to reflect the scale at which a person living in a debilitating condition might experience moments of peace despite their otherwise unconquerable physical and/or mental constraints. The sounds, images and objects used in the installation represent gifts to Donnie and/or symbolize comfort, entertainment, stability, perseverance and constraint.
Date:
2005
Creator:
Mallia, John
Object Type:
Sound
System:
The UNT Digital Library
Interleaved tracks
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Recording of Nicolas Vérin's Interleaved tracks. This is a work for clarinet and electronics that was dedicated to Louis Sclavis. The electroacoustics of this piece include pre-recorded sounds, some of which were chosen by the musician and others that are transformed sounds of the clarinet. This piece is based on the work done within the Daroux/Sclavis/Vérin trio.
Date:
2005
Creator:
Vérin, Nicolas
Object Type:
Sound
System:
The UNT Digital Library
Modul B
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Recording of Jos Janssen's Modul B. This work is a "symbiosis of electroacoustic and kinetic-digital elements". The composer states that in general this composition was created from material in their musical diary and includes some trumpet and string quartet material. This recording was also made to be accompanied by shadow images created by Constantin Jaxy.
Date:
2005
Creator:
Janssen, Jos
Object Type:
Sound
System:
The UNT Digital Library
Schlachthof fünf
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Recording of Stefano Trevisi's Schlachthof fünf. This is a work for percussion quartet and tape. This piece is a study on metal timbres' typology and the starting material consists of a sound produced by metal objects. The formal course of the composition results from the combination of each typology's interaction.
Date:
2005
Creator:
Trevisi, Stefano, 1974-
Object Type:
Sound
System:
The UNT Digital Library
Digits
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Recording of Neil Rolnick's Digits. This work was inspired by the use of "digits", as in fingers, to both play the piano and operate a computer. This is a composition for solo piano and digital processing in which the computer only plays sounds which originate from the piano. There can also be a video component to this piece of live images of the pianist's fingers as they play. The overall effect of the piece is of a classical, virtuoso piano sonata, in which the piano itself has been bent slightly out of shape, amplified, and multiplied.
Date:
2005
Creator:
Rolnick, Neil B.
Object Type:
Sound
System:
The UNT Digital Library
Obscuritas Luminosa
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Recording of Konstantinos Karathanasis' Obscuritas Luminosa. This work revolves around one note, B, where the instruments and electronics act like lenses and prisms that slowly change the color of this single B and magnify it to the neighboring pitch areas. The role of the electronics is to unify the instrumental fragments and provide coherence throughout the piece.
Date:
2005
Creator:
Karathanasis, Konstantinos
Object Type:
Sound
System:
The UNT Digital Library
Cyclic Math Shred
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Recording of Chapman Welch's Cyclic Math Shred. This work is a controlled improvisation in 4 parts that incorporates two vernacular styles: heavy metal and psychedelic rock and roll. This piece is neither a caricature nor an homage to these styles, but rather an exploration of music that cannot be traced back to its origins. The sound material in this work includes samples of electric guitar.
Date:
2005
Creator:
Welch, Chapman, 1973-
Object Type:
Sound
System:
The UNT Digital Library
Friction
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Recording of Jason Bolte's Friction. This work explores the sounds and structures that are produced when a secondary force is applied to an object in physical contact with another. This work is focused on the buildup and ultimate release of energy as the force of friction is exceeded. The sonic material in this work is based on real-world sounds.
Date:
2005
Creator:
Bolte, Jason, 1976-
Object Type:
Sound
System:
The UNT Digital Library
Poema sin palabras
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Recording of Irina Escalante Chernova's Poema sin palabras. This is a work for electronics.
Date:
2005
Creator:
Escalante Chernova, Irina
Object Type:
Sound
System:
The UNT Digital Library
Isthmus
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Recording of Adam Stansbie's Isthmus. This is a work for electroacoustics that includes 3 untitled movements. The sound material for this composition was derived entirely from solo and ensemble performances of three string instruments: violin, viola, and cello. The electronic transformations become more complex throughout the movements until the sound is almost purely virtual.
Date:
2005
Creator:
Stansbie, Adam
Object Type:
Sound
System:
The UNT Digital Library
Broken Nerve
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Recording of Diana Simpson's Broken Nerve. This is a work for electronics that the composer considers a soundscape. The inspiration for this work came from electricity and the fact that it can be perceived and experienced in so many different forms. The composer wanted to create a piece which presented electricity as an animate presence. This piece explores the notion of "flux" associated with electricity. The composer gives thanks to the technical department of the RSAMD, Glasgow for their help in recording arc welding.
Date:
2005
Creator:
Simpson, Diana (composer)
Object Type:
Sound
System:
The UNT Digital Library
Luelle
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Recording of László Dobos' Luelle. This is a work for electronics.
Date:
2005
Creator:
Dobos, László, 1953-
Object Type:
Sound
System:
The UNT Digital Library
Lonquimay.89
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Recording of Juan Parra Cancino's Lonquimay.89. The goal of this piece was to create a sound result that would be as coherent as possible, allowing for the composer and listener to focus and hear the micro and macro level structures generated. The title of this piece comes from the name of a region in the south of Chile as well as a volcano. The composer visited this volcano and some of the sound sequences in this piece were created to remind the composer of the feelings he had when staring at the volcano.
Date:
2005
Creator:
Parra Cancino, Juan, 1979-
Object Type:
Sound
System:
The UNT Digital Library
Evolutions-Ruptures
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Recording of Blas Payri's Evolutions-Ruptures. This is a work for electronics.
Date:
2005
Creator:
Payri, Blas
Object Type:
Sound
System:
The UNT Digital Library
The downs
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Recording of Juhee Chung's The downs. This is a work for electronics.
Date:
2005
Creator:
Chung, Juhee
Object Type:
Sound
System:
The UNT Digital Library
Sonorous Landscapes
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Recording of Luis Antunes Pena's Sonorous Landscapes. The idea behind this work was to create artificial and imaginary landscapes of sound with no conscious attempt to simulate sonorous impressions of any visual "natural" landscape. The composer states that in this piece "nothing happens"; there are no contrasts, just transitions from one state to the other.
Date:
2005
Creator:
Pena, Luís Antunes
Object Type:
Sound
System:
The UNT Digital Library
Anamnesis
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Recording of Bradley Decker's Anamnesis. This is a work for electronics that includes tracks for octophonic speakers.
Date:
2005
Creator:
Decker, Bradley
Object Type:
Sound
System:
The UNT Digital Library