Recording of Christos Zachos' Five miniatures. This work consists of 5 miniatures made of metal sounds and percussion instruments. Each sound represents a specific psychological state.

Recording of Frances White's The old rose reader. This is a work for electronics that includes spoken word and flute performance. This recording includes two tracks, one for tape only and one with tape and flute.

Recording of Roderik De Man's Mensa Seecunda. This work is a multimedia project realized by Jorge Isaac, a recorder player, and a performer. This piece involves dance, video projection, and live electronics. The subject is the life of the ambitious Roman masterchef, Apicius, who sacrifices everything to find the perfect recipe.

Recording of Yee On Lo's Pensée sur le devenir et l'aube. This is a work for electronics that includes piano.

Recording of Eduardo Polonio's Improvisations avec formes froides. This is a work for electronics.

Recording of Agnieszka Waligórska and Pekka Siren's Stilleben in Cracow. This composition was inspired by the city of Cracow which has been badly polluted by Nove Huta steel, however the inhabitants are dreaming of wind and birdsong. This work contains the sounds of birds, water, and the flute.

Recording of Etienne Saur's Jeu de carte. This work was created for the open work project as part of the Synthèse Festival. This work is meant to celebrate the bicentenary for George Sand by using a computer playing traditional instruments. Sound material that has been used in this piece includes: music box sounds, barrel organ, and sound card for the computer.

Recording of Elsa Justel's Un regard sur la ville. This is a video that includes an accompanying electroacoustic composition that was created by Justel as well. This work is based on photographs of shop windows in the city of Paris and its suburbs. The visuals are distorted in nature and are meant to represent a transformed reality into a fantastical world.

Recording of Leopoldo Amigo and Miguel Molina's Mensaje Electroacustico de Navidad de S.M. a la Nacion. This work was created from a voice that belongs to a hypothetical King who is subliminally transmitting a message to the audience on Christmas Eve. It is meant to be broadcast on December 24th to families in front of the television.

Recording of Peter De Moncey-Conegliano's In memoriam George Sand. This work pays homage to George Sand whose combination of acute social conscience and intense artistic sensibility are rare in today's world. This piece speaks on the outcomes of the Industrial Revolution and the first demand of socialism. The material in this piece includes texts by George Sand, fragments of a 19th century folk song, and Chopin's "Revolutionary Etude".

Recording of Sten Hanson's Valse Chosande. This is a work for electronics.

Recording of Andrés Lewin-Richter's Essay on trombone. This work was created using material based on samples of trombone that were used in other compositions by the composer. This essay shows the possibilities of a virtual sound recording of a piece for instrument and electronic sound.

Recording of Eduardo Montilla's Paisaje ondualar. This work is based on virtual wind instruments and DSP as well as both synthetic and concrete sounds. This piece represents the silence before the sunrise and an imaginary landscape in dreams.

Recording of Jos Janssen's Saluang. This piece was created on the basis of the saluang flute playing of the people of North Sumatra in Indonesia. Saluang playing is a very meditative way of playing with the technique of circular breathing. This work was originally made for Teresa Birks, a human rights watcher in Indonesia.

Recording of Bernard Donzel-Gargand's Chemin d'émois. This work explores the sounds of a journey made by a musician from the forests to plains. It includes the sounds of nature as well as electroacoustic sounds.

Recording of Alain Basso's Meca mecanica. This work was created as part of the Bourges 2004 Synthèse Festival. This work combines two types of sounds: themes of Western music which include the flute, orchestra, violin, and barrel organ, as well as oriental themes. The title was derived by the idea that instruments themselves can be defined as a type of mechanism which is used to create sound.

Recording of Disastrato's Les Maîtres Sonneurs (pot-pourrire). This work was created as part of the Bourges Synthèse Festival and explores the sounds of traditional instruments from folk music. The composer used samples of "anatolian folk" recordings and then spent 4 weeks programming them.

Recording of Göran Lindsjö's Preludium and canon for bagpipe sounds. The composer has used recordings of nine tones that were produced by a bagpipe that were then transformed and assembled together to create the work. The composer notes that neither the preludium nor the canon is written in genuine folklore style, but rather the only folklore characteristic about the composition is the bagpipe sound.

Recording of Phill Niblock's Parker's Altered Mood aka Owed to bird. This work was created based on the theme of the American composer/musician Charlie Parker. This theme is played on alto saxophone by Ulrich Krieger. This theme was recorded several times and then layered with retuning all of or some of the notes.

Recording of Paolo Besagno's Normalmente, due. This work is an homage to Mr. Jacquard and his loom. The score was written with rows and columns in order to maintain the concept of the loom. The composer describes this piece as "a word game".

Recording of Ruth Glatt's Simmelibärg transfiguration. This work follows the contents of an old popular Swiss folksong, "Guggisberglied". This song tells the story of a mountain which stands as an obstacle between two people in love. The composer has used this folksong and transformed it to explore the idea of what humans and machines have in common.

Recording of Jadel Andreetto's Slow Motion Tarantula. This is a work for electronics that includes German spoken word and flute.

Recording of Marcus Bittencourt's Rabo-de-Arraia. This work was composed under the theme of "Les Maitres Sonneurs" and shares some folk traditions of Brazil. The idea of this work comes from several of the composer's memories of watching capoeira circles which acts as a martial art, dance, sport, game, and musical event. The ensemble of capoeira musicians in this work was recreated by computer algorithms.

Recording of Bernadette Johnson's Scyntillisuisse. This work explores the sounds of Swiss instruments, specifically from the areas of rural Switzerland. The composer compares their use of technological instruments with the discovery of fantastical creatures.