Shekarnong Sankhil and Tholung Beshot of Thamlapokpi discuss Tchaan Yamluung, a musical instrument used by the Lamkangs and the Kachin people in Myanmar, who are also called red people and can be our people.

Bunghon Suungnem of Leingangching, Shangwar of Khuibung, Beshot Tholung of Thamlapokpi, and unknown women discuss Tlingkhup, is the son Sinthling Arkoi Chapa named Rengpu is the young guy belonging to a Sankhil clan who shot at the Umpii Doon. Today when one takes a name for strength they take the name of Rengtlung. They also discuss the sound of the bird called “Vakpa ke Kuk” and how it originated. A lady shares about her grandparents who were caught by the Kukis they are still there.

Beshot Tholung of Thamlapokpi shares a song a man without sister would sing and the other woman from the same clan would be there to console him as the sister would do. Then he shared how the giving of “Saa Khuu” to the sisters were done in some eastern parts.

Bunghon Suungnem of Leingangching and another speaker discuss the Lamkang origin story of coming out from the cave (Duti Pardii)

A group of men and women singing and dancing Archung Yunee Thxaaso

Men and women singing and sancing Har Khuungpaa and Puulraang

Beshot Tholung of Thamlapoki discusses the Chaakhei Klou, the Harvest Festival. He explains the rituals that are followed in the process of harvesting of the crops. He shares about the feast called DilK’or, the festival of the harvest. He explains how they conduct a recitation to invite the crops from the field to the barns. A “Khulpuu” elder will call all the human spirits to also come back home from the fields to the homes.

Elders from various villages who are experts in traditional songs and dance, including Beshot Tholung of Thamlapokpi, Bunghon Suungnem of Leingangching, Shangwar Dilbung of Khuibung, Belun Sankhil of Phaidaam, Shetwor Dilbung of Keithelmanbi, and Beshot Khullar of Phaidaam performing the dance “Tharon Thoe, Tharon napi napao”. In this dance, while the group of dancers are performing, the singers are in two groups as they had to respond to each other in teams which the dancers cannot do while dancing, so the singers are required even if the dancers sing as their voices are not audible and one runs of out breath while dancing.

Thamnung Sankhil Tholungnu of Thamlakhuren shares a song about the names of the month in Lamkang. She explains the months of Lamkang, example how in the month of Purdun the cows came home from the jungle. They were discussing how some say or name it differently in some cases. Later they discuss about the elders from different villages trying to see who is from which village.

Dancers from various villages were invited to perform during the Lamkang Student Union [Lamkang Kurchuknao Kunpun] seminar. This a special dance called Likhaa Kardaam (The Drumming Dance), where the drumming is different from the other types of dance, a faster drum beat which allows the dancers to take their steps faster. All the dancers are requested to join the dance and they perform the Yaangkaa Kardaam, at Charangching Khullen village.

A discussion with Suungnem Bunghon of Leingangching, Tholung Beshot and Shekarnong Sankhil of Thamlapokpi about the names of villages which the Lamkangs abandoned and Kukis resettled there using the same names (Charangching Khullen-Khunkha). This was recorded at the seminar on culture and origin of the Lamkangs at Charangching village.

Suungnem Bunghon of Leingangching and group performed first the dance in Tharon Thoe, then khuu kak’kplap laa, and lastly they perform the “reelruu” dance at the end.

Field notes taken during linguistics research on the Burushaski language, including work on the Srinagar dialect of Burushaski.

Photograph of a Manipuri manuscript, viewed through a plastic barrier. It is written in the Meithei Mayek script, a Brahmic abugida which has been in use since the 11th century. This specific manuscript discusses the art of the architecture and science of construction of houses, buildings, bridges, and walls.

This is a photograph of a Manipuri manuscript originally created around the 16th century, written in the Meithei Mayek script, a Brahmic abugida which has been in use since the 11th century. It was photographed through a plastic barrier, with the label 'PHOUWOBI WAROL' partially obscured by a glare.

Handwritten notes on several langues of Northeast India in Assam, Nagaland, Manipur, Mizoram, and Arunachal Pradesh. Includes lists of languages, language name variants, hand drawn maps, and basic demographics of language communities. Notes on classification compare how the Linguistic Survey of India, Robert Schafer, and Geoffrey Marrison group these languages.

Recording of Raja Safdar Ali Khan (Master Ji) having a discussion with a group in the Srinagar dialect of Burushaski.

Folk songs and love stories recorded with family members. Bunghon Suungnem of Leingangching tells the traditional folktales “Akhuu Kmaakna”, “Dii Laa”, “Bungkhuu” about villagers who left the village due to the leech, ”K’sil chelraaangpa” about a beautiful cow eaten by the tiger.

Beshot Tholung of Thamlapokpi and Bunghon Suungnem of Leingangching discussing the Chalong village's celebration of “Dilkoor” and how the first Lamkang meetings were held. They discuss how students union were started in the 1950s and the chief association-Law commission Yuman saa maan.

Transcription, translation and linguistic analysis of the recording of Raja Safdar Ali Khan, a speaker of Srinagar Burushaski, narrating a popular story entitled "Mapher ke Tham" ('old man and king').

Transcription, translation and linguistic analysis of the recording of Raja Safdar Ali Khan reciting "The Fox and The Rooster," a popular story in the Srinagar dialect of Burushaski. This popular story tells of a hungry fox and a boastful rooster, and advises children to be way of how they speak and act. Transcription in Burushaski with translations and analysis in English.

Transcription and free English translation of the recording of Raja Safdar Ali Khan reciting "The Fox and The Rooster," a popular story in the Srinagar dialect. This popular story tells of a hungry fox and a boastful rooster, and advises children to be aware of how they speak and act. Transcription in Burushaski with translations in English.

Recording of the Zulfin family having a discussion.

Recording of Raja Safdar Ali Khan, a retired school teacher, reciting "the Fox and the Rooster," in the Srinagar dialect. This popular story tells of a hungry fox and a boastful rooster, and advises children to be aware of how they speak and act.