Recital presented at the UNT College of Music Recital Hall.

A faculty and guest artist recital performed at the UNT College of Music Recital Hall.

John Harris Rogers (1863-1930) served in Texas law enforcement for more than four decades, as a Texas Ranger, Deputy and U.S. Marshal, city police chief, and in the private sector as a security agent. He is recognized in history as one of the legendary “Four Captains” of the Ranger force that helped make the transition from the Frontier Battalion days into the twentieth century, yet no one has fully researched and written about his life. Paul N. Spellman now presents the first full-length biography of this enigmatic man. During his years as a Ranger, Rogers observed and participated in the civilizing of West Texas. As the railroads moved out in the 1880s, towns grew up too quickly, lawlessness was the rule, and the Rangers were soon called in to establish order. Rogers was nearly always there. Likewise he participated in some of the most dramatic and significant events during the closing years of the Frontier Battalion: the Brown County fence cutting wars; the East Texas Conner Fight; the El Paso/Langtry Prizefight; the riots during the Laredo Quarantine; and the hunts for Hill Loftis and Gregorio Cortez. Rogers was the lawman who captured Cortez to close out one of the most …

Interview with jazz musician Robert "Bob" Stewart. In the interview, Steward speaks about his early interest in music, his first drum set, first professional job with the Shorty Clements Band, attending college, his employment as a disk jockey, his definition of jazz, playing with the Charles Scott Band in fort Worth, after-hours clubs in Fort Worth, jazz's role in bringing together black and white musicians, various jazz clubs and venues in Fort Worth, musicians unions, the lack of full-time employment opportunities for jazz musicians in Fort Worth, the Fort Worth jazz scene, and peculiarities of Texas jazz and the "Texas Sound." The interview includes an appendix with photographs.

Interview with janitor Hubert Chandler. The interview includes Chandler's personal experiences about his employment by the Civilian Conservation Corps during the Great Depression.

Interview with jazz pianist Johnny Case. In the interview, Case talks about his family's acquaintance with Ernest Tubb, his early interest in rhythm and blues, how his parents, Elvis Presley, and local radio stations influenced his musical career, learning to play the piano and his interest in jazz, early gigs in Oklahoma and northeast Texas, his family's move from Paris, Texas to Dallas and his playing gigs at several clubs there, moving to Fort Worth, his collaboration with Tom Morrell in producing the 'How the West Was Swung' albums, his comments about the demise of western swings, gigs and clubs in Fort Worth, his transition from playing western swing to jazz, various jazz artists, okaying for African-American audiences, avant-garde jazz and its promoters, difficulties in making a full-time living as a jazz artist in Fort Worth, his employment at Sardine's Italian Restaurant in Fort Worth, the Caravan of Dreams and the resurgence of jazz in Fort Worth, his relationship with the local musicians union, Texas jazz, and the evolution of jazz in Fort Worth. The interview includes an appendix with an article, Case's discography, and Case's notes on various jazz musicians and venues.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Recital presented at the UNT College of Music Stan Kenton Hall.

Concert presented at the UNT College of Music Kenton Hall.

Recital presented at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Recital Hall.

John Gregory Bourke kept a monumental set of diaries beginning as a young cavalry lieutenant in Arizona in 1872, and ending the evening before his death in 1896. As aide-de-camp to Brigadier General George Crook, he had an insider's view of the early Apache campaigns, the Great Sioux War, the Cheyenne Outbreak, and the Geronimo War. Bourke's writings reveal much about military life on the western frontier, but he also was a noted ethnologist, writing extensive descriptions of American Indian civilization and illustrating his diaries with sketches and photographs. Previously, researchers could consult only a small part of Bourke’s diary material in various publications, or else take a research trip to the archive and microfilm housed at West Point. Now, for the first time, the 124 manuscript volumes of the Bourke diaries are being compiled, edited, and annotated by Charles M. Robinson III, in a planned set of six books easily accessible to the modern researcher. Volume 1 begins with Bourke’s years as aide-de-camp to General Crook during the Apache campaigns and in dealings with Cochise. Bourke’s ethnographic notes on the Apaches continued with further observations on the Hopis in 1874. The next year he turned his pen on the …

Concert presented at Winspear Hall at the Murchison Performing Arts Center

Recital presented at Winspear Hall at the Murchison Performing Arts Center.

Recital presented at the UNT College of Music Recital Hall.

Ensemble concert presented at the UNT College of Music Concert Hall.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Recital presented at the UNT College of Music Concert Hall.

Interview with Thomas W. Nance, a Texas National Guard WWII veteran from Dallas, Texas, who served with the 112th Cavalry in the Pacific. Nance discusses growing up and joining the 112th, working with horses, equipment used and organization, maneuvers at Fort Bliss, deployment to New Caledonia, operations on Woodlark Island, staging at Goodenough Island and the landing at Arawe, being wounded and evacuated, recovery and discharge, continued disability and experiences with VA hospitals, and reflections on the 112th as a unit. In appendix is the poem "Fiddler's Green," a list of places Nance served, descriptions of military equipment mentioned, and the 112th's service chronicle.

Transcript of an interview with with Susan Khammash concerning her recollections while attending the Texas International Pop Festival, August 30-September 1, 1969, in Lewisville, Texas. Khammash discusses her early interest in popular music, particularly The Beatles; her rejection of middle-class cultural values; influence of the Vietnam War on young people; her decision to attend the Texas International Pop Festival; her involvement with the Back-To-Earth movement; cowboys, bikers, and townfolk; security; alcohol and drug use; activities of the Hog Farm; medical and camping facilities; "Wavy Gravy" (Hugh Romney); Grand Funk Railroad, Led Zeppelin, Santana, Ten Years After, Chicago, and Janis Joplin; her thoughts about environmentalism; the women's movement; the role of music as a reflection of the hippie movement of the Sixties.

Recital presented at the UNT College of Music Recital Hall.

Interview with Charlie Rodriguez, businessman and musician, concerning his recollections concerning the development of the Northside (Fort Worth, Texas) Hispanic community, his music career, and the evolution of his family's Mexican foods business.