Recording of Rudolf Ruzicka's Creation. This video is a large-scale work and consists of 9 parts each with their own Latin title: Stridor, Clangor, Sonor, Clamor, Fremor, Canor, Fragor, Rumor, and Plangor. The inspiration behind the work is the concept of creation, especially when considering the significance of man on Earth in both a creative (birth) and destructive (death) sense. The video includes visuals of space, fire, and the ocean as well as Middle Eastern text and hand imagery. This video is accompanied by an electroacoustic composition.

Recording of Nikos Stavropoulos' Thermal Diffraction. This work is a video composed alongside a recording of a piano and live electronics, however at the time of metadata creation the recording is video only with no sound. The video was created by the composer James Mooney at the University of Sheffield and includes video footage of the compositional process and performance of the work on piano. These videos were then digitally processed to form abstract images that were arranged in a way to mimic that of the composition.

Recording of Frederick Szymanski's Friction Sticky Rough. This work is a sound and image installation for multiple video projection and loudspeakers. The sound component of this piece involves developing musical structures by manipulating interactions at the sound-particle level. The composer used this same concept to create the visual aspect. The video consists of simulations of particle paths.

Performances recorded the Recital Hall of the UNT Music Building.

Performance recorded in Kenton Hall (now Lab West) of the UNT Music Building.

Performance recorded in Kenton Hall (now Lab West) of the UNT Music Building.