Recording of Monty Adkins' Aerial. This is a work for electronics and is included on the album "Mondes Inconnus" by the composer.

Recording of César Daniel Alarcon's Back to the guitar. This is a work for electronics that includes samples of various guitar sounds.

Recording of Gustavo Alcaraz's Escrarcha. This is a work for electronics and includes 2 separate tracks.

Recording of Elizabeth Anderson's Les forges de l'invisible. This is an octophonic electroacoustic work in two movements that was inspired by the 18th century English poet, William Blake, who included dual imagery in many of his writings. The composer tried to include this concept of duality in her piece. Sample recordings of Thomas Gardner playing his cello were also used as a base for sound exploration.

Recording of Jorge Antunes' Toccata Irisée. This is a work for electronics that includes sound samples of marimba.

Recording of Mark Applebaum's Pre-composition. This work consists of several voice recordings of the composer discussing with himself the process of writing a new electroacoustic work.

Recording of Krzysztof Topolski's Summer. This is a work for electronics and was computer generated. The composer based this composition on the idea of summer.

Recording of Per Arvidsson Bremmers' Derivative Two - A Dozen Shades Of Sunlight. The composer describes this work as "considering the lightning, the fierce thunder, the angry swarms of flies or the traffic of the city".

Recording of Larry Austin's Summer storm bellagio. This work is a soundscape and all the materials were recorded on the grounds of Villa Serelloni, overlooking Lake Como in the Italian Alps. The sounds of the storm that morning and accompanying environmental sounds were edited and processed.

Recording of Mario Bajardi's Bjm Piano Studio. This work is a study dedicated to the composer's piano. The idea was to represent the emotions and moods which the piano has created for him and express them with sound processing/elaborations. This piece was created with only basic sounds from the composer's piano.

Recording of Jean-Christophe Banaszak's Controls. This is a work for electronics.

Recording of Natasha Barrett's Angels and devils. This piece is one of two shorter acousmatic works underlying a theatre creation called "Agora". This recording is meant to explore the psychology of good versus evil and includes fragments from an old Norse poem: Volundkvadet.

Recording of Natasha Barrett's Prince prospero's. The composer describes this piece as a "sonification" of Edgar Allan Poe's short story 'The Mask of the Red Death'. The music follows closely to the events and evocations found within the text and includes samples of "Danse Macabre" by Camille Saint-Saëns. Although the story follows a path of inevitable doom and gloom, it has the capacity to evoke amazingly surreal, multi-faceted space within which the drama is placed. This work was commissioned by the 3rd Practice Music Festival and the Molden Centre for the Arts, Richmond, USA.

Recording of David Behar's Belladonna. This work was composed for the ″Synthèse 2002″ festival in Bourges with the theme "The Seasons".

Recording of Angelo Benedetti's Incubi. This is a work for electronics. The composer describes this piece as encapsulating "the powerful emotion of awakening". It includes strong and vivid sound situations that follow and interrupt each other as they guide to the conclusion of the path.

Recording of Maurice Benhamou's Suite pour l'Eté. This work was written for summer and inspired by a poem written by Josi-Anne Micol.

Recording of David Berezan's Baoding. This work was inspired by Baoding Iron Balls, which were used during the Ming dynasty for therapeutic benefits. Sounds of these iron balls as well as fragments from the Beijing and Kun opera, were used to create the material in this piece. The composer states that this piece consists of 3 miniatures: ecstatic, intimate, and pulsing.

Recording of Marie-Hélène Bernard's La mousson. This work is meant to represent a Cambodian summer, punctuated by the sounds of rain and children playing outside despite the weather.

Recording of Paolo Besagno's In primo vere. This work is a short celebration of spring that the composer dedicates to their two daughters, whose voices are used as main sound material in the work. The text in the work comes from a nursery rhyme that was taught to the composer as a child and the voices of his daughters represent the true voice of spring. The composer gives thanks to Riccardo Dapelo for his friendship and collaboration.

Recording of Marc Beugnies' Herd !. This work was inspired by the concept of fire in the wintertime and uses sample fire sounds as well as excerpts from Wagner's Feuerzauber. The word "Herd" is used throughout the piece, which in German translates to "hearth" or home.

Recording of Gonzalo Biffarella's Alf Tia (para flauta y soporte digital). Alf Tua is a work for transverse flute and electronics. The electroacoustic part is composed entirely of sounds that we had previously searched for and recorded together with the flutist. In the live version the instrumentalist plays along with the playback of a CD.

Recording of Rainer Boesch's Kyoto, le 15 septembre 1998. This is a work for electronics and is meant to represent the memory of an unexpected disaster as well as a walk down the mountain, unsure which reality is being experienced.

Recording of Pierre Boeswillwald's L'Eté, j'étais.... This work was inspired by the seasons, specifically summer, in which the hottest weather typically takes place as well as vacation breaks. This work is for electronics and includes various concrete sounds, including excerpts from Vivaldi's "Summer (The Four Seasons)".

Recording of Ludger Brümmer's CredoXrequiem. For electronics and pre-recorded sound.