Recording of Roxanne Turcotte's Libellune. The composer describes this work as the sound journey of a dragonfly and says that this is the perfect time for reflection. This piece is structured in eight stages titled: Métamorphose, départ, Orient, Afrique, Tropiques, Amérique, Europe, and Espace. This work includes processed recordings of human voices and various musical instruments. The integration of musical instruments from different cultures serves to illustrate the journey of the dragonfly.

Recording of Gyula Pintér's Chameleon Fantasy (cimbalom and tape). This is a work for electronics that includes the instrumentation of a cimbalom.

Recording of Jorge Antunes' Toccata Irisée. This is a work for electronics that includes sound samples of marimba.

Recording of Roxanne Turcotte's Poussière d'étoiles (3 mouvements). This work consists of three movements: 1. Regard intérieur, 2. Regard étoilé, and 3. Regard en voyage. This work is built off of transformed and processed nature sounds. These transformations are meant to give them a "supernatural" appearance. The composer states that the musical inspiration for this work came from the symbolism of Hitchcock along with a nod to the visions of Guy de Maupassant.

Recording of Åke Parmerud's SubString Bridge. This work was commissioned by the Swedish Institute for National Concerts for Mats Bergström. The idea behind this work is that of the guitar being a carrier for invisible but resounding "substrings". The composer describes the guitar's bridge, between invisible mechanics of substrings and visible actions of the performer, as acting like a computer that transforms and relays impulses.

Recording of Jean Louis di Santo's Evolutions. This work aims to retrace the history of humanity from the prehistoric days to the present. This work is a continuous play between real and imaginary, nature and culture, living and mechanical, etc. The overall structure acts as an integration of these concepts.

Recording of Diego Losa's La stratégie du vent. This is a work for electronics that includes sound samples of flute. It is comprised of 4 untitled movements.

Recording of João Pedro Oliveira's Îris. The inspiration for this work was from the book of Revelations from the New Testament and relates to the vision the prophet John had of the throne of God. The harmonic structure of this work is based in Messiaen's harmonies of the Quatuor. This work includes a recording of the tape only as well as the tape and instrumentals.

Recording of Thuridur Jonsdottir's L'altra dimensione. This is a work for electronics.

Recording of Ludger Kisters' Colours. This is an electroacoustic work that includes live Japanese and European instrumentals as well as recorded tape. This piece represents the research of the composer concerning space and sound as the audience is surrounded by musicians. The intercultural, artistic dialogue is based on the collaboration with the Indonesian musician, Dody Satya Ekagustdiman.

Recording of Theodoros Lotis' Arioso dolente/Beethoven op. 110. This work is based on Beethoven's Piano Sonata op. 110, more specifically the third movement "Adagio ma non troppo". The composer was more interested in the spiritual aspects of this sonata and tried to enhance this aspect in his composition. This work was commissioned by Amici della Musica di Gagliari for the festival "Beethoven 2002" in Italy.

Recording of Theodoros Lotis' Théories sous marines. This work combines electronic sounds that were created by virtual synthesizers with acoustic instruments (human voice and double bass). While the composer's initial intention was to explore the incompatibility of electronic and acoustic sounds, they discovered that these two sound worlds exist in harmony.

Recording of Theodoros Lotis' A South Wind will bring the Sand. This is a work for electroacoustics and explores the concept of a vast, deserted area in which a south wind approaches the listener/viewer. It creates sandbanks and surrounds the listener with sand hills.

Recording of Minsoo Cho's The Day. This work is intended to reveal the brutality of war. It tells the story of the aftermath of a bomb destroying a city, focusing on the survivors.

Recording of Patrick Lenfant's Pomme de reinette et compagnie. This work was created only using electronics and explores the fantasy of summer and it's sounds. The composer considers this one of their sound paintings.

Recording of Iancu Dumitrescu's Implosive eternity. This is a work for electronics that the composer created as a result of meticulous studies in the field of micro-intervals, harmonic spectra, and sonic distortions. The composer wanted to use those phenomena as their own unique "sound objects". The composer describes this work as being continually changing and colorful.

Recording of Walter Prati's A nice day. This is a work for electronics that includes the sound of string instrumentals, presumably cello due to the composers history as a cellist.

Recording of Sijun Liu's Fall in the engendar. This is a work for electronics that includes voice and guqin.

Recording of Stefan Goldmann's Turret. The main ingredients of this piece are multiple layers of sounds from a wavetable synthesizer plus, ring-modulated sinus waves, and a couple of samples from unidentified recordings. Since creation, Turret has become part of the composers Macro mix.

Recording of Rudolf Ruzicka's Creation. This video is a large-scale work and consists of 9 parts each with their own Latin title: Stridor, Clangor, Sonor, Clamor, Fremor, Canor, Fragor, Rumor, and Plangor. The inspiration behind the work is the concept of creation, especially when considering the significance of man on Earth in both a creative (birth) and destructive (death) sense. The video includes visuals of space, fire, and the ocean as well as Middle Eastern text and hand imagery. This video is accompanied by an electroacoustic composition.

Recording of Rudolf Ruzicka's Creation. This work is a large-scale computer electronic composition and consists of 9 parts each with their own Latin title: Stridor, Clangor, Sonor, Clamor, Fremor, Canor, Fragor, Rumor, and Plangor. This work was made with the help of the CCOMP computer program for the composition of instrumental, vocal, and electronic works. The inspiration behind the work is the concept of creation, especially when considering the significance of man on Earth in both a creative (birth) and destructive (death) sense. This recording is accompanied by a video.

Recording of Santiago Tomas Diez Fischer's Krystalis. This work was inspired by the sounds that crystals make and how the sound expands and grows. The composition explores the story of a man noticing crystals in space and seeing his death in the reflection of them.

Recording of Jos Janssen's Morandi's clarinet. The composer describes this work as comparative electronic music and an integration of Western and Eastern music. This piece was inspired by the Italian painter Morandi and the composer wanted to integrate the comparative music dimensions: Becoming, Being, and Not-Being.

Recording of Angelo Benedetti's Incubi. This is a work for electronics. The composer describes this piece as encapsulating "the powerful emotion of awakening". It includes strong and vivid sound situations that follow and interrupt each other as they guide to the conclusion of the path.