Texas holds one in every nine U.S. inmates. Behind the Walls is a detailed description of one of the world's largest prison systems by a long-time convict trained as an observer and reporter. It spotlights the day-to-day workings of the Texas Department of Criminal Justice-what's good, what's bad, which programs work and which ones do not, and examines if practice really follows official policy. Written to inform about the processes, services, activities, issues, and problems of being incarcerated, this book is invaluable to anyone who has a relative or friend incarcerated in Texas, or for those who want to understand how prisoners live, eat, work, play, and die in a contemporary U.S. prison. Containing a short history of Texas prisons and advice on how to help inmates get out and stay out of prison, this book is the only one of its kind-written by a convict still incarcerated and dedicated to dispelling the ignorance and fear that shroud Texas prisons. Renaud discusses living quarters, food, and clothing, along with how prisoners handle money, mail, visits, and phone calls. He explores the issues of drugs, racism, gangs, and violence as well as what an inmate can learn about his parole, custody …

In Big Thicket Legacy, Campbell and Lynn Loughmiller present the stories of people living in the Big Thicket of southeast Texas. Many of the storytellers were close to one hundred years old when interviewed, with some being the great-grandchildren of the first settlers. Here are tales about robbing a bee tree, hunting wild boar, plowing all day and dancing all night, wading five miles to church through a cypress brake, and making soap using hickory ashes. "The book is a storehouse of history, down-to-earth information, good humor, leg-pulling spoofs, tall tales and all kinds of serendipitous gems . . . Readers inclined to fantasy might like to think of two giant Texas folklorists of the past, J. Frank Dobie and Mody Boatright, nodding and winking their approval of Big Thicket Legacy."—Smithsonian

Ensemble performance of Harold Heiberg and his current and former students and colleagues at the UNT College of Music Winspear Hall.

Ensemble performance at the UNT College of Music Winspear Hall.

Ensemble jazz performance at the UNT College of Music Kenton Hall.

Ensemble performance at the UNT College of Music Recital Hall

Ensemble performance at the Merril Ellis Intermedia Theater.

Ensemble performance at the UNT College of Music Winspear Hall.

Ensemble performance at the UNT College of Music Winspear Hall.

Ensemble performance at the UNT College of Music Recital Hall.

Ensemble performance at the UNT College of Music Winspear Hall.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Concert presented at the UNT College of Music Kenton Hall.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Ensemble performance at the UNT College of Music Stan Kenton Hall.

Thesis written by a student in the UNT Honors College discussing the life of George Crumb, his compositions, and the natural world as his inspiration for Vox Balaenae.

Faculty performance at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Stan Kenton Hall.

A guest artist recital performed at the UNT College of Music Winspear Hall.

Millions of Texans and Southwesterners have been touched over the years by the Light Crust Doughboys. From 1930 to 1952, fans faithfully tuned in to their early-morning and, later, noontime radio program, and turned out in droves to hear them play live. The Doughboys embodied the very essence of the “golden era” of radio—live performances and the dominance of programming by advertising agencies. Their radio program began as a way to sell Light Crust Flour. Their early impresario, W. Lee “Pappy” O'Daniel, quickly learned how to exploit the power of radio to influence voters, and he put that lesson to good use to become a two-time Texas governor and the model for Pappy O'Daniel in the movie, Oh Brother, Where Art Thou? But the group was more than a way to push flour; the talented musicians associated with them included Bob Wills and Milton Brown, each of whom receive credit for founding western swing. With the demise of their regular radio program, the Light Crust Doughboys had to remake themselves. Trailblazers in western swing, the Doughboys explored many other musical genres, including gospel, for which they were nominated for Grammys in 1998, 1999, 2001, and 2002. They continue to play …

No More Silence is the first oral history of the assassination of President John F. Kennedy, from eyewitness accounts through the police reactions, investigations, and aftermath. Based on in-depth interviews conducted in Dallas, it features narratives of forty-nine key eyewitnesses, police officers, deputy sheriffs, and government officials. Here—in many cases for the first time—participants are allowed to speak for themselves without interpretation, editing, or rewording to fit some preconceived speculation. Unlike the testimony given in the Warren Commission volumes, the contributors openly state their opinions regarding conspiracy and cover-ups. Of particular interest are the fascinating stories from the Dallas Police Department—few of the policemen have come forward with their stories until now. No More Silence humanizes those involved in the events in Dallas in 1963 and includes photographs of the participants around the time of the assassination and as they appear today. Was there a conspiracy in the assassination of President Kennedy? No More Silence gives readers the best perspective yet on the subject, allowing them to sift through the evidence and draw their own conclusions. "Sneed accomplishes what has never been done before, which is to tell the story of the four days from the Dallas point of view …