Typed table of sound correspondences from Proto-Bodo-Garo in 4 Bodo-Garo languages (Tiwa, Boro, Garo, Rabha) arranged by initial consonants, vowels, and final consonants.

Handwritten notes on Tiwa and Garo grammar including case marking, adverbials, and nominalization.

Handwritten notes on Rabha phonology focusing on tone, vowel quality, echo words, and syllable structure, with a phoneme inventory. Includes word lists ranging multiple semantic domains (natural world, body parts, animals, kinship terms).

Handwritten notes on Tiwa phonology (tone, glottals, syllable structure) and grammar (case, adverbials, compounds, classifiers, negation) with sample sentences and phrases. Includes word lists ranging multiple semantic domains (animals, body parts, natural world, household, agriculture, verbs of motion/ break/ cut/ carry/ burn/ boil, time, and health).

Handwritten notes on Tiwa phonology examining tone in monosyllabic and polysyllabic forms and the impact of case and TAM markers on tone.

This is a conference handout titled 'Discovering Tibeto-Burman Linguistic History Through Pre 20th Century Meithei Manuscripts' containing a brief introduction, 4 tables, and references. The handout discusses 7 features of Manipuri manuscripts: number and genre, script, dating, authorship, housing and ownership, paper and condition, and status in the culture. This handout was used at the Ninth Seminar for the International Association for Tibetan Studies in a panel on Medieval Tibeto-Burman Languages and Tibeto-Burman Reconstruction in Leiden, The Netherlands, on June 26th, 2000.

Transcript for The Story of Sombeel by Sankhil Thampol Khularnu of Thamlakhuren Village Recorded by Daniel Tholung in 2000 as part of his collection on Lamkang culture and traditions.

A published critique to the mythology of the Lamkang tribe.

Photograph of [diphuun ksen] a Lamkang traditional wrap around worn by women, 'knik'. Woven by Tony Khular, of Thamlakhuren village, this knik was designed by Sankhil Thampool Khularnu of Thamlakhuren village in the early 1970s. She designed this diphuun ksen with the Lamkang Tkar buw K'err, also called 'Angbrasu buw'. It was worn by the Lamkang choir in the competition with Tkar buw Kpool during the Manipur Baptist Convention in Mao Songsong.

Photograph of a Raji family house. On the ground floor of this house, the family keeps their livestock at night to protect them from other animals and harsh weather. The gate of the ground floor is at the back of the house. The family lives on the top floor.

Photograph of Kavita Rastogi and Dan Singh in the middle of the Askote town market. Dan Singh was employed in a local grocery shop. He helped Rastogi a lot in data collection as well as in connecting her to other community members.

Photograph of Kavita Rastogi sitting with a Raji couple; their children are sitting in the back.

Photograph taken on the way to Jamtari with local support. Both of them were working in an NGO called ARPAN.

Photograph of a Raji couple plowing their land.

Photograph of a Raji family sitting at the entrance gate of their /pəkkɑ/ house in Jamtari Hamlet. This is the top floor of the house. The stairs are made from keeping heavy stones one on top of another.

Photograph of Raji men taking a rest in front of their favorite tea shop at Askote. Every day, they bring wood or grass collected from the jungles to sell. They get a very small amount of money in return.

Photograph of Ratan Singh, his wife, and mother sitting in front of their newly constructed house in Kimkhola Hamlet.

Photograph of the traditional way of catching fish. Fishers put some pieces of wood to stop the flow of the river and try to make a tiny pond where fish get stuck.

Photograph of a traditional house in a Raji village. On the left side of the picture, one can see a part of a hut called /mɑʊvɑs/ in Raji, which is made of wooden sticks collected from the jungle.

The Thamptlum paomin [the Story of Thamptlum] as told by Sankhil Thamnung Tholungnu of Thamlakhuren. The story tells of how a snake married a woman. Translated into English and input in SayMore by Sumshot Khular.

Lamkang Suk Paomin [The story of the Lamkang Hunter] as told by Sankhil Thamnung Tholungnu. This is a story of how a Lamkang man who was a an expert hunter was captured and enslaved by the Kukis. When they planned to kill him, he was encouraged by his wife to escape. A tiger helped him cross the river and eventually return home to be united with his children.

Wangchen paomin [The Story of When there is No Graveyard] as told by Sankhil Thamnung Tholungnu of of Thamlakhuren. In this story, a woman marries and lives in a village that has no graveyard. She ends up marrying into this village and here they eat a person when they die.

Skinyernu and Penpenjur [The Bad Woman and Good Woman] as told by Sankhil Thampol Khularnu. In this story, a lady who was very good and industrious, Penpenjur, was killed by a bad woman, Skinyernu. Later Skinyernu played the role of the wife of Penpenjur, whom she had killed. However, the first wife, Penpenjur, was reborn to fight with the bad woman. The good woman won the fight, but the good woman killed again with the poison from the banana leaf that was used to wrap a food pack, a banana that grew out of the bad woman. In the end of the story, the husband and wife met in the land of the death, but as they were to go to their final destiny, the man laughed and this caused them to be separated. In order to get around being separated, they grew as two separate but joined at the upper branches, like a tree and climber.

Retelling of Manhen Paomin [the story of the Slave Girl] as narrated by Sankhil Thampol Khularnu.