Photocopied award presented to John Igo for his contributions in local community theatre. The document was presented by S.T.A.G.E. and the American Association of Community Theatre. The award copy was then sent to Sterling Houston according to an accompanying envelope.

Letter from John Igo to Sterling Houston, prominent San Antonio playwright. The handwriting makes the content of the letter difficult to read, but John appears to be sending details about an event at a San Antonio art gallery.

Greeting card from John Igo to Sterling Houston, prominent San Antonio playwright. A hand-written note inside the card appears to be discussing the acquisition of documentation or archive of some kind. However, it remains difficult to read. The front of the card has been printed with a front view of the White House in daylight.

Letters to Sterling Houston written by several people. The first is written by Anita. She reminisces about two recent events and ends the letter by noting how much she values her friendship with Houston. Tanya Palmer and Amy Wegener write the second - in the hopes of receiving new stage plays by Mr. Houston for their Humana Festival in Kentucky, which they manage. The third letter comes from Steven Bailey, in which he talks about his travel schedule and recent updates in his professional career. The fourth letter appears to be more generally addressed, as noted by the "Dear Friends and Family" beginning. It is written by Robert, Steven's partner. He also writes about recent news in his professional career, with some mention of his personal life.

Letter from Margaret King Stanley to Sterling Houston. She writes that she enjoyed a party she attended. She is also appreciative of her selection in the Host Committee and of a video she appeared in.

Letter from Evan Smith of Texas Monthly magazine to Sterling Houston, prominent San Antonio playwright. He writes at the suggestion of Sandra Cisneros, who gave Houston's name to Smith as a possible contributor to the magazine. He hopes that the two can meet in the future.

Pamphlet presenting the exhibition entitled Raíces Sin Fronteras, A Retrospective, which celebrates the art of José Francisco Treviño at the Mexic-Arte Museum. The front cover of the pamphlet features one of Treviño's oil paintings as well as information about the exhibit. There is a short biography and artist's statement as well as a write-up about the exhibition by the executive director of the Mexic-Arte Museum Sylvia Orozco. The pamphlet features a section that is dedicated to testimonies by fellow artists, which includes essays by Santa Barraza, Modesta Barbina Treviño, César Martínez, Sam Coronado, Luis Guerra, Raúl Valdez, Luis R. Gutiérrez, and Alberto Hijar. There is a numbered list of the artworks that make up the exhibition as well as a list of sponsors, members, staff, Board of Directors, and upcoming exhibitions.

Postcard for an exhibit at the Mexic-Arte Museum entitled "Ikerkinesis", which celebrates the art of Mexican artist Iker Larrauri. On one side of the flyer, two of Larrauri's drawings frame a short write-up about the artists' style and influences, as well as basic event information. The opposite side of the flyer features a copy of an original silkscreen print by Larrauri and some information about purchasing a copy of the print.

Photograph of two women and three men standing in front of a white wall that has a large painting of a bull on it. There is writing on the wall above the painting that reads, "Ikerkinesis". The five people are all smiling and facing the camera. The man on the far right-hand side of the photograph is holding a piece of paper.

Photograph of three men holding a matted color print of a blue horse jumping over several large rocks that are jutting out of the ocean. The men are standing together in front of a blue wall which has another large painting on it on the right-hand side of the image. The men who, are all wearing suits, are all looking at each other and smiling.

Photograph of a woman and a man holding a framed abstract silkscreen print. Both of them are looking at a man in a tan suit, who is standing to their left and looking at the picture. There is a podium and a woman talking into a microphone on his left. The group of four is standing in front of a blue wall that has a large, colorful painting on it on the right-hand side of the image.

Photograph of three men holding a matted color print of a blue horse jumping over several large rocks that are jutting out of the ocean. The men are standing together in front of a blue wall which has another large painting on it on the right-hand side of the image. The men who, are all wearing suits, are all smiling and facing the camera.

Photograph of three men holding up an unfinished silkscreen print of a blue horse jumping over a salmon-colored landscape scene. The three men, who are all wearing ink-stained aprons and smiling at the camera, are resting the print atop a print table. There is another print table in the foreground that is covered with papers, plastic, tools, color swatches, and achromatic prints. There are shelves lined with jars of ink and other supplies in the background on the right-hand side of the photograph.

Photograph of two men holding up a silkscreen print of a bull jumping over a rocky landscape. The men are standing on either side of the print, which they are resting on a workbench, and smiling at the camera. There is clutter in the room that surrounds them that includes a wooden easel and stool, more paintings, and a large tub of gesso.

Photograph of two men standing behind a table and smiling at the camera. There is an achromatic print of a jumping horse on top of the table as well as a drafter's brush, a hair dryer, and an exacto knife. There are drying racks, shelving, and a large drafting table covered with papers and supplies visible in the background.

Photograph of two men silkscreen printing on a print roller. The man closest to the foreground is looking up at the camera and holding a newly printed piece of paper. The man beside him is holding back several pieces of paper on the roller. In the background, there is a wall covered in achromatic prints. In the background on the left-hand side of the image, there is a large table covered with supplies and papers.

Photograph of two men silkscreen printing on a print roller. The man closest to the foreground is looking down at the print that he just printed. The man beside him is holding back several pieces of paper on the roller. In the background, there is a wall covered in achromatic prints. In the background on the left-hand side of the image, there is a large table covered with supplies and papers.

Pamphlet presenting an exhibition at the Mexic-Arte Museum entitled Santa Barraza: A MexieTejana from Nepantla. There is an illustration of a profile of an adorned Hispanic face on the front cover of the pamphlet, which was printed on blue speckled paper. There is text on the inside and back of the pamphlet that explains Barraza's style, inspiration, and background. The text is surrounded by more illustrations and copies of the artists' work.

Photograph of a smiling Hispanic woman standing behind a podium and speaking into a microphone. The woman is standing in front of a large colorful wall mural of four Hispanic people standing behind a cloaked woman standing in a fern and holding a white bird. There are several brightly painted symbols below the mural.

Photograph of Iker Larruri, Santa Barraza, Sylvia Orozco, and Jorge Sedeño at A MexicTejana from Neplanta, an exhibition at the Mexic-Arte Museum in Austin, Texas that ran from January 28th, 2000 to April 15th, 1999. They stand in front of a colorful mural of a woman who wears a blue shawl and red and gold blouse. An anatomically correct heart appears at her chest. Larruri, Barraza, and Orozco wear black, while Sedeño wears a beige blazer.

Photograph of Santa Barraza and two unnamed men at A MexicTejana from Neplanta, an exhibit held at the Mexic-Arte Museum in Austin, Texas. Barraza, left, wears a leather jacket and holds a beverage in her left hand. An unnamed man, center, wears a black suit and patterned tie. The last unnamed man, right, wears a black suit and purple tie. He holds a a beverage in his right hand. Paintings of women hang on the purple wall behind them.

Photograph of a group of schoolchildren at A MexicTejana from Neplanta, an exhibition of artwork by Santa Barraza housed at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from January 28th, 2000 to April 15th, 2000. A woman gestures to a colorful painting of a woman as the children, who sit on the floor, look on. She is the only person facing the camera. Another woman stands at the back of the group. Many paintings in silver frames are hung on the wall, which is purple.

Photograph of a group of schoolchildren at A MexicTejana from Neplanta, an exhibition of artwork by Santa Barraza housed at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from January 28th, 2000 to April 15th, 2000. The group poses in front of a large painting that depicts women in bold colors. The centermost figure wears a blue shawl and patterned red and gold blouse. An anatomically correct heart appears at her chest and she holds a white bird in her hands. Behind her are four women in plain dress. In the school group there are two adults, female and male, and seventeen children.

Photograph of Santa Barraza and a group of students from Johnston High School. Barraza, center, holds open a book that features paintings of women. Two male students on the left study drawings. A male student sitting on the right holds a pencil in his right hand and looks down at a piece of paper.