Interview with Arhtur B. Clark, a Texas National Guard WWII veteran and POW from Abilene, Texas, who was captured with the 2nd Battalion, 131st Field Artillery. Clark discusses joining the National Guard, training and maneuvers, deployment to the Pacific, the fall of Java and surrender to the Japanese, experiences in internment at Tanjong Priok in Batavia, internment at Changi Camp in Singapore, labor on the Burma "Death" Railway, and liberation. The interview includes an appendix with a reference page and a written flight log by Col. Tom Sledge.

Thesis written by a student in the UNT Honors College discussing facets of Ragamala painting of India, which includes music, poetry, and painting.

Sumshot Khular translates a recording of the story of Soombeel as told by Sankhil Thampol Khularnu of Thamlakhuren village. Soombeel is known for her beauty and wit in the Lamkang traditional folk stories.

Video of a performance by the Laihui ensemble of pena players at Marjing Mayanglambam's weaning ceremony where the baby eats solid food for the first time. Ballads includes a portion from Moirang Kangleirol. The event was organized in Keishamthong by Mayanglambam Mangangsana.

This is a conference handout titled 'Discovering Tibeto-Burman Linguistic History Through Pre 20th Century Meithei Manuscripts' containing a brief introduction, 4 tables, and references. The handout discusses 7 features of Manipuri manuscripts: number and genre, script, dating, authorship, housing and ownership, paper and condition, and status in the culture. This handout was used at the Ninth Seminar for the International Association for Tibetan Studies in a panel on Medieval Tibeto-Burman Languages and Tibeto-Burman Reconstruction in Leiden, The Netherlands, on June 26th, 2000.

Interview with Navy veteran and survivor of the sinking of the USS Houston. The interview includes Feliz's personal experiences about being a prisoner-of-war of the Japanese during World War II, the sinking of the Houston, imprisonment at Serang, Java, the Changi Prison Camp, hell ship to Japan, prison camp at Ohasi, Honshu, and liberation.

Photograph of [diphuun ksen] a Lamkang traditional wrap around worn by women, 'knik'. Woven by Tony Khular, of Thamlakhuren village, this knik was designed by Sankhil Thampool Khularnu of Thamlakhuren village in the early 1970s. She designed this diphuun ksen with the Lamkang Tkar buw K'err, also called 'Angbrasu buw'. It was worn by the Lamkang choir in the competition with Tkar buw Kpool during the Manipur Baptist Convention in Mao Songsong.

A published critique to the mythology of the Lamkang tribe.

Photograph of a Raji family house. On the ground floor of this house, the family keeps their livestock at night to protect them from other animals and harsh weather. The gate of the ground floor is at the back of the house. The family lives on the top floor.

Photograph of Kavita Rastogi and Dan Singh in the middle of the Askote town market. Dan Singh was employed in a local grocery shop. He helped Rastogi a lot in data collection as well as in connecting her to other community members.

Photograph of Kavita Rastogi sitting with a Raji couple; their children are sitting in the back.

Photograph taken on the way to Jamtari with local support. Both of them were working in an NGO called ARPAN.

This is a photograph of Kalachand Singh sitting in front of a tapestry. He is the uncle of Harimohon Thounaojam, a research team member working on the Manipuri language.

Photograph of a Raji couple plowing their land.

Photograph of a Raji family sitting at the entrance gate of their /pəkkɑ/ house in Jamtari Hamlet. This is the top floor of the house. The stairs are made from keeping heavy stones one on top of another.

Photograph of Raji men taking a rest in front of their favorite tea shop at Askote. Every day, they bring wood or grass collected from the jungles to sell. They get a very small amount of money in return.

Photograph of Ratan Singh, his wife, and mother sitting in front of their newly constructed house in Kimkhola Hamlet.

The Thamptlum paomin [the Story of Thamptlum] as told by Sankhil Thamnung Tholungnu of Thamlakhuren. The story tells of how a snake married a woman. Translated into English and input in SayMore by Sumshot Khular.

Photograph of the traditional way of catching fish. Fishers put some pieces of wood to stop the flow of the river and try to make a tiny pond where fish get stuck.

Photograph of a traditional house in a Raji village. On the left side of the picture, one can see a part of a hut called /mɑʊvɑs/ in Raji, which is made of wooden sticks collected from the jungle.

Chuva Leh Khava [Chuva and Khava] as told by Sankhil Thamnung Tholungnu of Thamlakhuren village. Translated into English and inputting into SayMore by Sumshot Khular.

The Story of Khu Khu as told by Sankhil Thamnung Tholungnu. In this story a girl, when her mother asks her to cook a pumpkin, cooks her younger sibling by mistake. Later when the mother comes back from field and finds out that the girl has cooked the baby, the mother asks the girl to hide. And in the end, as she feared being killed by her father, the girl went into hiding and became a bird, [khu-khu].

Manhen paomin [The story of Manhen] as narrated by Sankhil Thamnung Tholungnu. In this story, Manhen was asked to care for the animals which were her bride price. She accidentally lets them loose in the forest and thus all the animals escape and become wild animals.

Raapa Paomin [The Story of Raapa] as narrated by Sankhil Thampol Khularnu. This is a story about a young handsome man called Raapa. He was the son of a widow. He was known for his good deeds and for that people got jealous and tried to kill him in several ways. One time they hung him up in the middle of the sea to die, but to his great luck a bird called Chinraang came along wearing beautiful ornament called vori kangkool. This ornament is worn by Lamkangs today. When Raapa saw the bird he started to swing back and forth and sing. On seeing this, the bird came under his spell and wanted to ride the swing. The bird then requested Raapa to let him swing. Raapa allowed the bird to do that and in return the bird allowed Raapa to wear the vori kangkool. Raapa returned home wearing the beautiful ornament. The people there liked the ornament and when they asked him about it he responded that he got it from the sea and all the people rushed to the sea and died in search of a similar ornament. An old lady later came to ask Raapa why …