Concert presented at the UNT College of Music.

Recording of Guillermo Galindo's Haiku. For electronic, pre-recorded sound, voice, and flute. Based on a poem by Michael McClure, Haiku II represents nature and humans transcendental connection. Recorded and processed nature sounds coexistent and the flute material was derived from digital transformations. The original recording includes sounds of crickets, grasshoppers and cicadas and was digitally transformed in order to emphasize harmonic or textural content.

Recording of Nikos Stavropoulos' New Order. For electronics and manipulated sound sample fragments.

Recording of Jean-Louis Belmonte's Odissey. This work was part of the "Synthese" Festival in Bourges.

Recording of María Inmaculada Cárdenas Serván's Praia das catetrais. This work premiered in Madrid within the framework of the "XI International Festival of Electroacoustic Music - Punto de Encuentro". This work is dedicated to the cliffs off of the north coast of Galicia and mixes the sounds of everyday life with clarinet improvisations. The text spoken in this work was done by Guillermo Abraldes, whom the composer thanks for his selfless collaboration.

Recording of Hugo Druetta's Recuerdo de ruido blanco. The composer describes his feelings about his country, Argentina, and the overwhelming pressure from international organizations and the government. This work is inspired by the idea of eternally seeking out the possible in hopeless situations.