This volume includes information about the play-party in Oklahoma, folklore of Texas birds, tall tales, folk anecdotes, Texas folk songs and ballads, and other folklore (back cover). The index begins on page 185.

Photograph of several politicians standing for a group picture during election night at Vicente Fox's headquarters. From left to right, they have been identified as Edwina Salas, councilman Mario Marcel Salas of San Antonio, former Texas governor Ann Richards, councilman Raul Prado, and Arizona congressman Edward L. Pastor.

Pamphlet presenting the exhibition entitled Raíces Sin Fronteras, A Retrospective, which celebrates the art of José Francisco Treviño at the Mexic-Arte Museum. The front cover of the pamphlet features one of Treviño's oil paintings as well as information about the exhibit. There is a short biography and artist's statement as well as a write-up about the exhibition by the executive director of the Mexic-Arte Museum Sylvia Orozco. The pamphlet features a section that is dedicated to testimonies by fellow artists, which includes essays by Santa Barraza, Modesta Barbina Treviño, César Martínez, Sam Coronado, Luis Guerra, Raúl Valdez, Luis R. Gutiérrez, and Alberto Hijar. There is a numbered list of the artworks that make up the exhibition as well as a list of sponsors, members, staff, Board of Directors, and upcoming exhibitions.

Photograph of a large cake being cut in Saltillo, Mexico. The group stands inside a party tent. A woman assists a young girl in cutting the cake. Another young girl stands to the right. The cake is green, yellow, and red. Icing on the cake reads: "Via Saltillo 423." The last word on the cake is illegible.

Photograph of a wreath of flowers in Saltillo, Mexico. The flowers are white, yellow, red, and pink. The wreath hangs on a stone wall outdoors. Text on a sign above the wreath reads: "Cristo." Two men in suits stand on the left. Second from the left stands a woman who wears a turquoise blouse. On the other side of the wreath, right, stands a man who wears glasses and a suit.

Photograph of Jaime Arredondo and an unnamed woman standing in front of a title wall at Flores Para Mi Mama, an exhibition housed at the Mexic-Arte Museum in 2000. Arredondo, left, wears a collared red shirt and black trousers. The unnamed woman, right, wears a pale pink dress and pink roses in her hair. On the left side of the wall is a large painting of a rose in yellow, pink, red, and orange colors. Text on the wall reads: "the diversity & emergence series, Jaime Arredondo, Flores para mi mama."

Photograph of Jaime Arredondo and an unnamed woman standing in front of a title wall at Flores Para Mi Mama, an exhibition housed at the Mexic-Arte Museum in 2000. Arredondo, left, wears a collared red shirt and black trousers. The unnamed woman, right, wears a sheer sleeveless blouse and white pants. On the left side of the wall is a large painting of a rose in yellow, pink, red, and orange colors.

Flyer advertising a celebration of El Día de los Muertos, Day of the Dead, presented by the Mexic-Arte Museum in Austin, Texas. The event occurred on November 3rd, 2000. Events included a parade, music by Johnny Degollado, hands-on activities, and presentations from speakers. An illustration of skeletons riding bicycles and wearing top hots appears near the bottom of the flyer.

Photograph of a parade presented by the Mexic-Arte Museum in Austin, Texas on the Day of the Dead. Individuals in costume hold up a large banner that reads: "Mexic-Arte Museum Presents Día de los Muertos Parade." Six individuals wear black clothing and black and white face paint. A man, left, wears a skeleton mask, lilac dress shirt, gray vest, and gray trousers. A woman, right, wears a red skirt with white ruffles, a blue blouse with floral embroidery, and a floppy white hat with lace trimming. Farthest to the right walks a man who wears black and white horizontal stripes. Black and white horns are attached to his head. His face is painted in the same style.

Photograph of a parade presented by the Mexic-Arte Museum in Austin, Texas on the Day of the Dead. Individuals in costume hold up a large banner that reads: "Mexic-Arte Museum Presents Día de los Muertos Parade." The most visible individual, right, wears a colorful striped poncho and devil mask.

Pamphlet presenting the Noche de Fiesta Navideña celebration at the Mexic-Arte Museum. There front cover features an abstract angel illustration that surrounds the date, time, and location of the celebration. The inside front cover contains sponsor information. The pamphlet includes an itinerary of the event and information about the museum, holiday traditions, and a silent auction. There is also a list of the Board of Directors and staff of the museum and a calendar of events. There are pages throughout the pamphlet that are dedicated to explaining certain Mexican holiday traditions, including poinsettias, luminarias, piñatas, posadas, and nativity scenes.

Photograph of a title wall at Nuestras Tradiciones, or Our Traditions, an exhibition held at the Mexic-Arte Museum in Austin, Texas. The exhibition was held from December 8th, 2000 to December 30th, 2000. All walls are painted red; the text is white. The centermost wall reads "nuestras tradiciones," while the leftmost wall lists a number of sponsors. A silver star is attached underneath the text on the centermost wall. Poinsettias surround a three tiered display. Tinsel and moss cover each tier. Gold nativity statuettes are arranged on the display. Figurines include individuals, camels, various farm animals, angels. In the next room, on the right, a Christmas tree is set up.

Photograph of an Art Demonstration Table at Nuestras Tradiciones, or Our Traditions, an exhibition held at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from December 8th, 2000 to December 30th, 2000. An unnamed man stands behind a table. The man wears a tan shirt and white apron. A blue tablecloth with a fruit pattern is spread on the table. Rubber stamps, ink pads, wooden utensils, and paper towels sit on the table. Stamped pieces of paper hang from clothespins behind the table. A small altar stands on the left, featuring candles and photographs. Multicolored streamers are hung from the ceiling. Posters advertising a Día de los Muertos celebration to be held in November of 2001 are hung from the wall behind the table.

Catalog for the exhibition, "Luz Jiménez, símbolo de un pueblo milenario 1897-1965," including a biography of Jiménez, descriptions of the art pieces in the exhibit, and other information about the series. The installation was at the Museo Casa Estudio Diego Rivera y Frida Kahlo in Mexico City (November 1999-January 2000) and at the Mexic-Arte Museum in Austin, Texas (May-June 2000)

Thesis submitted to the National Experimental University of Guayana as partial requirement for the degree of Master of Science in Environmental Science. This thesis discusses simulation models at different scales of tropical forest dynamics.

Book containing information about the publishing history of the Texas Folklore Society, as well as anecdotes about the gatherings of the Society, information about past presidents of the Society, and Society by-laws. The index begins on page 219.

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Recording of María Inmaculada Cárdenas Serván's Praia das catetrais. This work premiered in Madrid within the framework of the "XI International Festival of Electroacoustic Music - Punto de Encuentro". This work is dedicated to the cliffs off of the north coast of Galicia and mixes the sounds of everyday life with clarinet improvisations. The text spoken in this work was done by Guillermo Abraldes, whom the composer thanks for his selfless collaboration.

This article discusses Ibero-American musicology in relation to the manuscript produced by the Franciscan Fray Gregorio de Zuola.

Recording of Jean-Louis Belmonte's Odissey. This work was part of the "Synthese" Festival in Bourges.

Recording of Nikos Stavropoulos' New Order. For electronics and manipulated sound sample fragments.

The Texas State Historical Association Quarterly Report includes "Papers read at the meetings of the Association, and such other contributions as may be accepted by the Committee" (volume 1, number 1). These include historical sketches, biographical material, personal accounts, and other research. Index is located at the end of the volume starting on page 535.

Concert presented at the UNT College of Music.