Painting consists of white, black, and tan brushstrokes, smeared and scraped. Two gradation motifs float vertically in the center of the canvas.

The majority of the abstract painting consists of black and white brushstrokes, smeared and scraped. Across the uppermost center edge of the canvas is a color strip of nine different colors.

The main front view of the guitar is visible with its red body.

The drawing consists of a grid pattern drawn in graphite and India ink splattered across the surface.

Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas.

Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas.

Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes.

Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas.

The sculpture depicts a white handkerchief on a black pedestal and is situated outdoors. The handkerchief is extremely over-sized.

The white handkerchief detail shows the smooth texture of the sculpture.

The drawing consists of a grid drawn in graphite with each corner marked by cross marks. Foiling this pattern is a series of marks created from bean pods that had been dipped in ink and slapped across the surface of the paper.

Coat of light brown acrylic; no closure; long sleeves with small roll back cuffs; roll collar; 2 big patch pockets attached diagonally on the front; calf-length; unlined; back vent. Designer label: Oscar de la Renta

Coat of taupe wool; fully lined with gray wool; princess line; mink fur shawl collar; full length with embroidered patterns over the flapped pockets on each side; 3 fabric covered buttons on each cuff. Designer label: Oscar de la Renta

A column emerges from a halved seed pod shape. Near the top of the column several buds emerge and begin to open.

This is the back side view of the piece. The texture on the lower portion can be seen in this view.

Dress of gray silk with green floral velvet pattern and leaf embroidery in thick gray cords; boat neckline; princess seams; ¾ sleeves; just below knee-length gray lining. Designer's label at cb neckline: "Oscar de la Renta" Handwritten style number: "5613 s" "Made / In U.S.A."

A) Evening gown of black chiffon lined with nude stretch net; bias cut; form fitting; halter neck comes to V point at top of bodice front and back; spaghetti strap neck closure; laser cut scalloped strips of chiffon sewn into seams that run diagonally on body of dress; floor length. B) Long black coat of georgette crepe; low notched collar; long sleeved; ankle length; 4 buttons and bound buttonholes at center front; center back seam. Designer Label: Vera Wang

The Vogue Woman Pattern #7031 to make a hip-length tunic with notched collar and turn-back sleeves with loose fit, skirt with asymmetric front closure, and tapered pants, including illustrations of the finished pieces and information about sizing and construction on the back.

Evening dress of black tulle with bodice of pink satin. a) Strapless top of pink satin; draping folds at top of bodice; hook and eye at center back. Built in boned support bodice. b) Skirt of layered tulle. Top layer is black; second layer is pinkish with pink metallic matte sequins sewn on in short 1 1/2" rows; rows concentrated at top of skirt. Floor length; sheer silk lining; center back snaps at top.

Evening gown of dark purple/wine crushed velvet with large purple/wine dyed fur collar. Bias cut; floor length; center back slit. Sleeveless; low back. Side invisible zipper. Silk crepe lining. Designer Label: Vera Wang

a) Bolero jacket of sheer net. Beads and sequins of varying motifs run horizontally; red and black beads. Long sleeves; no collar; frog closure at neck. Hidden hook and eye halfway down center front. b) Skirt of shocking pink satin. Floor length; gathered fullness in back. Zipper at center back with hook and eye closures on waistband; pink lining which attaches to skirt hem with large gathers in back.

The view is of the red and silver portions of the facade.

Pumps of aqua blue silk faille moire (matching a suit). The shoes are designed with a gently pointed toe and the vamp is trimmed with a leaf of re-embroidered silver metallic Alençon French lace. Lined in metallic gold kid. The 3" French heel is covered in same fabric. Sole lining reads "DAL CO' / ROMA" Handwritten order number(?) inside right shoe: "2231"

The sculptural piece consists of a large seed pod shape that appears to burst from the shell but is held closed with five metal ties terminating in flower bud shapes.