Photograph of four individuals at the Raices Sin Fronteras exhibit held at the Mexic-Arte Museum in Austin, Texas. From left to right are Santa Barraza, Jorge Sedeño, Sylvia Orozco, and José Francisco Treviño. Barraza, left, wears a black blazer and purple blouse. Sedeño, second from the left, wears a gray blazer. Orozco, second from the right, wears a lime green blouse. Treviño, right, wears a white dress shirt and vest in white, brown, and black colors.

Photograph of school group visiting the Adolfo Mexiac exhibit held at the Mexic-Arte Museum in Austin, Texas. Eleven children sit on the floor of the exhibition room, turned away from the camera. Several hold clipboards; three wear baseball caps. Two girls stand in front of three colorful paintings of hills and trees.

Photograph of a speaker at Veronica Prida's Mexican Style Show, Threads of Light, held at the Mexic-Arte Museum in Austin, Texas. The speaker stands behind a black podium covered in cloth that is horizontally striped in black, purple, and red colors. The speaker wears a black lace dress, yellow brooch, and blue sash. Behind the speaker are two male and two female mannequins dressed in Mexican style clothing. On the left stands a small potted tree, the bottom of which is covered in patterned fabric. One wall is yellow, while the other wall is brown.

Photograph taken at the opening reception for Vitality and Roots, an exhibit held at the Mexic-Arte Museum in Austin, Texas. A male who spoke at the reception stands on the right. Standing next to him is another man who wears a brown dress shirt. They stand in front of a wall of advertisements.

Photograph of two male speakers at the opening reception of Le Tejedora de Vida (The Weaver of Life), an exhibit held at the Mexic-Arte Museum in Austin, Texas. The speakers are poised to shake hands. The leftmost man has white hair, glasses, and wears a black suit. The other man is mustachioed and wears a black suit with a maroon and gold tie. The pair stand in front of a yellow wall adorned with picture frames. One wall hanging is a photograph of a cactus. Several of the picture frames appear to hold pieces of cloth.

Photograph of three people at the Adolfo Mexiac exhibition at the Mexic-Arte Museum in Austin, Texas. The leftmost mad wears a blue shirt and jeans. Sylvia Orozco, center, wears a red dress and black necklace. The leftmost man wears a white dress shirt and maroon jacket. They stand in front of a mural by Adolfo Mexiac. Another man can be viewed on the left, away from the group.

Photograph taken at the opening reception for Vitality and Roots, an exhibit held at the Mexic-Arte Museum in Austin, Texas. A woman who spoke at the reception stands on the left. Sylvia Orozco stands on the left. In the center is an unnamed woman. The group stands in front of two floral paintings.

Photograph of Sylvia Orozco and three unnamed persons standing during Frida's Fiestas V, a benefit for the Mexic-Arte Museum in Austin, Texas. The three unnamed individuals hold beverages. Men, wearing suits, stand on either side. Orozco, second from the right, wears a leopard print blouse and black skirt. The woman standing second from the left wears a silver shawl and black dress. A painting can be seen on the wall behind them. The painting depicts a mustachioed man wearing a striped blazer and pink tie.

Photograph of three women at Veronica Prida's Mexican Style Show, Threads of Light, at the Mexic-Arte Museum in Austin, Texas. The leftmost woman wears a gray houndstooth jacket. Sylvia Orozco, center, wears a stone necklace and white dress cinched at the waist with a fuchsia belt. The rightmost woman wears black. The three individuals stand in front of a blue title wall.

Photograph of Sylvia Orozco sitting in the Jose Cisneros exhibit at the Mexic-Arte Museum in Austin, Texas. Paintings line the walls. A blue pedestal in the center of the photograph holds small gold and ceramic statues. Near the pedestal is a large camera and lighting umbrella.

Photograph of Sylvia Orozco standing in the Governor's Mansion in Austin, Texas. The Austin Mural Tour occurred in December of 1999. Orozco, who wears a red blouse, looks toward a small table dedicated to icons of the Virgin Mary. A painting above the table features a man waving a hat. On the left, colorful candles have been placed on the ledge of a fireplace.A bookcase stands on the right. Text on the back of the photograph reads: "Sylvia Orozco, Executive Director Mexic-Arte Museum - gives tour of Art in Governor's Mansion, Austin, TC. Dec. 1999. Virgens of Guadalupe by Mack Martinez, and Jorge Necer. Mexic-Arte Museum assisted in decorating the Governor's Mansion. Curated by Sylvia Orozco."

Photograph of Sylvia Orozco at Veronica Prida's Mexican Style Show, Threads of Light, at the Mexic-Arte Museum in Austin, Texas. Orozco wears a dress designed by Veronica Prida. The dress is turquoise and has a faint floral pattern. The dress is arranged into three tiers sectioned off with pink ribbon work. She holds a coordinating pink and white handbag with her right hand. Orozco stands barefoot on a hardwood floor. Also visible in the photograph is a multicolored dress on a dress stand and a rack of miscellaneous clothing.

Photograph of Sylvia Orozco and Jorge Sedeño present a commemorative plate to an unnamed man at Frida's Fiestas V, a benefit for the Mexic-Arte Museum held at Fonda San Miguel. A painting on the wall behind them includes a grid of colored squares in which people have been painted.

Photograph of Sylvia Orozco speaking at Frida's Fiestas V, a benefit for the Mexic-Arte Museum in Austin, Texas. Orozco holds a microphone. She wears a leopard print blouse, black belt, metallic bracelet, and gray pearls.

Photograph of Terry Tannert and students at Un Michoacano Universal, a retrospective by Adolfo Mexiac held at the Mexic-Arte Museum in Austin, Texas. Tannert, center, holds an exhibition guide for the camera. She wears a dark floral blouse, black trousers, and glasses. The students mill around the exhibit. Most wear jeans and tennis shoes. Several look at the camera. Black and white paintings are hung on the walls of the exhibit.

Photograph of three individuals at the Capitol Rotunda in Austin, Texas. From left to right are Sylvia Orozco, Jorge Sedeño, and Terry Tannert. Orozco holds a document for the camera in her right hand. The group was gathered for a resolution passage.

Photograph of three individuals at the Capitol Rotunda in Austin, Texas. From left to right are Sylvia Orozco, Jorge Sedeño, and Terry Tannert. Orozco holds a document for the camera. The group was gathered for a resolution passage.

Photograph of the title wall for Un Michoacano Unversal: A Retrospective by Adolfo Mexiac at the Mexic-Arte Museum in Austin, Texas. The leftmost wall is yellow; two paintings ton blue, yellow, and red tones hang from it. Text on the wall reads: "Major Exhibition Sponsors: Philip Morris and H.E.B. Education Programs: Chase Bank. Media Sponsor: Austin-American Statesman." A small display case sits in front of the wall. There is a red half wall on the right side of the photograph that reads : "Adolfo Mexiac, Un Michoacano Universal: A Retrospective." On this wall is a painting of a man with arms crossed at his chest.

Photograph of a title wall for Jose Cisneros at the Mexic-Arte Museum in Austin, Texas. The wall reads: "Through Golden Eyes. Jose Cisneros. In cooperation with Sun Dance Press & UTEP University Library." A vase of yellow and purple flowers sits in front of the wall. On the left side of the wall is a small painting of a man and woman in fancy dress.

Photograph of an unnamed man at the Governor's Mansion in Austin, Texas. The Austin Mural Tour occurred in December of 1999. The man wears a blue striped suit, purple tie, and sunglasses. He leans against a walker. A small table on the left is dedicated to icons of the Virgin Mary. A wooden bookcase with glass doors stands on the right. A painting of a man waving a hat and holding a musket hangs on the wall.

Photograph of an unidentified piece of artwork created by Vartolome Maceyra, featuring a folded object of some sort.

Photograph of Vartolome Maceyra piece of art entitled "27." Half of the piece has a background of orange, and half has a silver background; the number 27 is positioned in the center of the painting.

Photograph of Vartolome Maceyra's art piece entitled "Moth." This artwork features pieces of advertising material pasted together on a black background.

Photograph of Vartolome Maceyra's "Obscura" featuring an abstractly folded object.