Painting created by Elvia Perez Perrin featuring a human kneeling down and bent over at the waist, on a purple background.

Photograph of a painting of a woman created on a stretched piece of canvas nailed to a wall in the Young Latino Artists exhibit in the Mexic-Arte Museum.

Photograph of the side of a bench created by Peter Zubiate, featuring two wheels on the left and two legs on the right side.

Photograph of a wooden sculpture created by Peter Zubiate; this sculpture features a teal-colored interior with a cup stuck to the left wall of the cylinder.

Photograph of Aldo Valdés Böhm's "La Llorona" installation sitting outside on a section of grass. This image is a shot of the sculpture showing the entire piece, including the wood portion covered by black and white veils; the wood structure is standing on an area resembling a grave.

Photograph of Aldo Valdés Böhm's "La Llorona" installation sitting outside on a section of grass. This image is a close-up shot of the sculpture which shows the detail of the wood piece including the wires in the centers and black veil coming off the top.

Photograph of a large art installation entitled "Libélule," and created by Aldo Valdés Böhm. This sculpture is made from wood, fabric, and metal, has two pieces that make a triangular shape; this installation is outside among trees.

Photograph of a statue of a man wearing a knee-length, double-breasted coat, with long boots, and a military slouch hat in his right hand. In his left hand, the man is resting his hand on the hilt of a sheathed saber. The man has a large mustache and a short, bushy beard. The statue is set on a short, square block of light-colored stones, upon which is a plaque with the name "Elijah Sterling Clack Robertson." There are some trees in the near background, and beyond that, the grey sky is visible. Handwritten notes on the back of the photograph identify the statue's subject and indicate the statue was built in 1996.

Photograph of a two-story house with white wood siding and black shutters on the windows. A balcony stretches across the whole second-story, supported by white circular columns on the front porch below. The house and yard is surrounded by a short, white picket-fence, and two large trees with many branches sit to the right of the house - one inside the yard, the other just outside. A black sedan is parked perpendicular to the front curb, while two elderly people sit at a table on the right side of the house. Handwritten notes on the back of the photograph identify the house as the Inn at Salado.

Photograph of a bench created by Peter Zubiate, with a steel plate on top, two wheels on the right side and two legs on the left.

Photograph of a tall, black wrought-iron fence with light-colored, square stone columns separating the metal portions. Two of the columns have wrought-iron gate pieces, with a wrought-iron sign saying "Salado College" connecting the two columns. Each of the gate-columns has a black metal placard in its face, with unintelligible writing on each. A gravel and dirt path leads through the gates to a wooded area to the left, while in the background to the right, a building with a red roof is visible. Handwritten notes and a white, rectangular sticker on the back of the photo indicate the gate served as the front entrance to Salado College.

Photograph of the light-colored stone ruins of a building with one standing wall on the right side, surrounded by trees on a grassy lawn. The wall has four window openings and a tall column of stone on the right side of the wall (at the back right of the building). Another tall column of stone stands where the left wall of the building would be. The rest of the building has deteriorated to small piles and short walls of stone. Handwritten notes and a white, rectangular sticker indicate the ruins used to be part of Salado College.

Photograph of Executive Director Sylvia Orozco speaking at the podium of the Young Latino Artists reception; behind Orozco is a large mural on display.

Photograph of a two-story house with yellow wood siding, and a second-story balcony supported by the four, white, square columns on the front porch. The house has four windows on each floor and is surrounded by tall trees, with sunlight filtering in through the leaves. A white sign, visible in the foreground at the left, points to some antique shops behind the camera. A grey sedan and a white station wagon are parked facing left along the curb in front of the house. Handwritten notes on the back of the photograph identify the house as the Anderson House on Main Street in Salado, Texas.

Photograph of an open gate entrance with a drive leading to a large house with a red tin roof, hidden among a group of trees in the background. A stone sign sits next to a tree just to the right of the entrance, reading "The Range Restaurant." Another sign for the restaurant sits in front of a manicured shrub, with another sign beneath it, reading, "The Barton House." Several cars are parked in the small drive just to the right of the house. Handwritten notes on the back of the photograph also identify the house as the Barton House.

Photograph of a long, one-story, cream-colored stone building with a red roof and two, small two-story sections of the building on the far right end. The tops of tall trees are visible behind the building's roof, while another tall tree sits in front of the right side of the building. Beside this tree is a basketball goal, while eleven cars sit parked in the large parking lot in front of the building. Handwritten notes on the back of the photograph identify the building as Salado Baptist Church.

Photograph of a two-story, white stone and wood house with a balcony across the whole second story, which is supported by thin columns on the front porch below. Another building of similar color and size is visible behind the house, to the right, while a dark sedan is parked to the front right of the house. Bushes surround the front porch railing, while several wooden benches sit out front. To the right of the house and slightly behind it is an old windmill, and to the front left, shaded by some large trees, is a small, square, glass structure with a hexagonal gazebo roof. On the front porch are other wood benches, wood chairs, plants, a shelf with University of Texas paraphernalia, and a life-size cardboard cutout of John Wayne. Handwritten notes on the back of the photograph give information about the house, such as when it was rebuilt in the 1990s, and its original location in Lampasas, Texas.

Photograph of a pair of wheels attached to a bench created by Peter Zubiate.

Photograph of two individuals kneeling in front of an art installation with piles of red disks on a tiled floor.

Newsletter of Preservation Dallas describing the group's activities, news, and events, as well as other preservation information of interest to members.

Newsletter of Preservation Dallas describing the group's activities, news, and events, as well as other preservation information of interest to members.

Newsletter of Preservation Dallas describing the group's activities, news, and events, as well as other preservation information of interest to members.

Newsletter of Preservation Dallas describing the group's activities, news, and events, as well as other preservation information of interest to members.

Newsletter of Preservation Dallas describing the group's activities, news, and events, as well as other preservation information of interest to members.