Photograph of five individuals, including Herlinda Zamora, Sylvia Orozco, Anica Bazan, and José Francisco Treviño. The leftmost woman, Anica Bazan, wears a white dress shirt and black skirt. Next to her stands a woman who is wearing a black blouse and pants. Sylvia Orozco, center, wears a white blouse and black skirt. José Francisco Treviño, second from the right, wears blue jeans and a plaid button up in red, blue, and yellow colors. The group stands in front of a green wall upon which paintings are hung.

Photograph of José Francisco Treviño and an unnamed woman standing in front of a title wall for the Raíces Sin Fronteras exhibit. The exhibit was housed at the Mexic-Arte Museum in Austin, Texas from October 29th, 1999 to January 15th, 2000. The unnamed woman, left, wears a white dress shirt and black skirt. Treviño, right, wears a blue, yellow, and red button up shirt and blue jeans. The leftmost wall is green, while the rightmost wall is purple. On the leftmost wall hangs a drawing of two figures and a painting of a young man. On the rightmost wall hangs a painting of an old man wearing a brown vest, multicolored pants, and carrying a cane. The title wall reads: "José Francisco Treviño, Raíces Sin Fronteras, A Retrospective."

Photograph of a Margarita Becarra Cano standing in front of her artwork, Code X 187: The San Diego Wall, at the Mexic-Arte Museum in Austin, Texas. The exhibit ran from March 26th, 1999 to April 24th, 1999. Several dozen thin wooden figures hang from the ceiling. The figures appear to be men wearing hats and sad expressions; all are the same. Two white walls are visible and have writing on them in both Spanish and English, which is largely obscured by the hanging objects. Cano wears a gray shirt and blue pants.

Photograph of seven female Mexic-Arte Museum employees in front of Veronica Prida's boutique. Veronica Prida's designs were shown at the Mexic-Arte Museum in Austin, Texas in a fashion show titled Threads of Light on February 28th, 1999. The leftmost woman is Sylvia Orozco. Strands of white lights are strung upon bars where there might otherwise be a canopy.

Photograph of Oscar Silva and Jorge Sedeño standing in front of a title wall. Silva, left, wears a black shirt and black jeans. Sedeño, right, wears a white blazer and black pants. A sculpture on the left features rope with ears of corn and straw hanging from them. Other artworks also feature straw. Text on the wall reads: "Diversity and Emergence series presents Oscar Silva, Working with Nature."

Photograph of Oscar Silva and an unnamed woman standing in front of a title wall. Silva, left, wears a black shirt and black jeans. The unnamed woman, right, wears a green sweater and jeans. A sculpture on the left features rope with ears of corn and straw hanging from them. Text on the wall reads: "Diversity and Emergence series presents Oscar Silva, Working with Nature."

Photograph of an auction held at the Mexic-Arte Museum in Austin, Texas. Figures can be seen studying paintings hung on walls and items laid out on a long table, including ceramic plates and statuettes. Two individuals, left, hold beer bottles. A woman wearing a black lace shawl and red blouse, also left, studies a painting of a man sitting amid foliage. A woman wearing a red silk blouse and black skirt, right, leans over the table. The table is covered in a white cloth and red streamers.

Photograph of Sylvia Orozco sitting in the Jose Cisneros exhibit at the Mexic-Arte Museum in Austin, Texas. Paintings line the walls. A blue pedestal in the center of the photograph holds small gold and ceramic statues. Near the pedestal is a large camera and lighting umbrella.

Photograph of Sylvia Orozco standing in the Governor's Mansion in Austin, Texas. The Austin Mural Tour occurred in December of 1999. Orozco, who wears a red blouse, looks toward a small table dedicated to icons of the Virgin Mary. A painting above the table features a man waving a hat. On the left, colorful candles have been placed on the ledge of a fireplace.A bookcase stands on the right. Text on the back of the photograph reads: "Sylvia Orozco, Executive Director Mexic-Arte Museum - gives tour of Art in Governor's Mansion, Austin, TC. Dec. 1999. Virgens of Guadalupe by Mack Martinez, and Jorge Necer. Mexic-Arte Museum assisted in decorating the Governor's Mansion. Curated by Sylvia Orozco."

Photograph of the title wall for Un Michoacano Unversal: A Retrospective by Adolfo Mexiac at the Mexic-Arte Museum in Austin, Texas. The leftmost wall is yellow; two paintings ton blue, yellow, and red tones hang from it. Text on the wall reads: "Major Exhibition Sponsors: Philip Morris and H.E.B. Education Programs: Chase Bank. Media Sponsor: Austin-American Statesman." A small display case sits in front of the wall. There is a red half wall on the right side of the photograph that reads : "Adolfo Mexiac, Un Michoacano Universal: A Retrospective." On this wall is a painting of a man with arms crossed at his chest.

Photograph of a title wall for Jose Cisneros at the Mexic-Arte Museum in Austin, Texas. The wall reads: "Through Golden Eyes. Jose Cisneros. In cooperation with Sun Dance Press & UTEP University Library." A vase of yellow and purple flowers sits in front of the wall. On the left side of the wall is a small painting of a man and woman in fancy dress.

Photograph of a woman in traditional Mexican costume at Veronica Prida's Mexican Style Show, Threads of Light, which was held at the Mexic-Arte Museum in Austin, Texas. The woman wears a dress that is geometrically patterned in red, green, and white colors. She also wears a beaded red necklace, silver earrings, and a gold purse on a chain. Potted plants and a yellow wall feature in the background. While words are viewable on the wall, they are cut off.

Photograph of the Young Latino Artists exhibit sign in the Mexic-Arte Museum with an art installation positioned on the floor below.