Painting consists of white, black, and tan brushstrokes, smeared and scraped. Two gradation motifs float vertically in the center of the canvas.

The majority of the abstract painting consists of black and white brushstrokes, smeared and scraped. Across the uppermost center edge of the canvas is a color strip of nine different colors.

The main front view of the guitar is visible with its red body.

The drawing consists of a grid pattern drawn in graphite and India ink splattered across the surface.

Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas.

Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas.

Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes.

Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas.

The sculpture depicts a white handkerchief on a black pedestal and is situated outdoors. The handkerchief is extremely over-sized.

The white handkerchief detail shows the smooth texture of the sculpture.

The drawing consists of a grid drawn in graphite with each corner marked by cross marks. Foiling this pattern is a series of marks created from bean pods that had been dipped in ink and slapped across the surface of the paper.

Coat of light brown acrylic; no closure; long sleeves with small roll back cuffs; roll collar; 2 big patch pockets attached diagonally on the front; calf-length; unlined; back vent. Designer label: Oscar de la Renta

Coat of taupe wool; fully lined with gray wool; princess line; mink fur shawl collar; full length with embroidered patterns over the flapped pockets on each side; 3 fabric covered buttons on each cuff. Designer label: Oscar de la Renta

A column emerges from a halved seed pod shape. Near the top of the column several buds emerge and begin to open.

This is the back side view of the piece. The texture on the lower portion can be seen in this view.

Dress of gray silk with green floral velvet pattern and leaf embroidery in thick gray cords; boat neckline; princess seams; ¾ sleeves; just below knee-length gray lining. Designer's label at cb neckline: "Oscar de la Renta" Handwritten style number: "5613 s" "Made / In U.S.A."

The view is of the red and silver portions of the facade.

The sculptural piece consists of a large seed pod shape that appears to burst from the shell but is held closed with five metal ties terminating in flower bud shapes.

The drawing consists of a grid pattern drawn in graphite and India ink squirted and splattered across the surface.

The sculptural piece is vertical and begins with a large bulbous, teardrop shape as its base. Emerging vertically is a column from which spring nine flower bud shapes that are attached mechanically with pins and cotter pins to the column or stem.

Pants suit of dark cream. A) Jacket of dark cream silk. Hip length; collarless, with slight scoop neckline; front darts and back seaming; five pierced plastic ivory buttons at center front, with alternating hidden snaps; two angled mock pocket flaps; long sleeves with three buttons at cuff; Bound buttonholes. Attached shoulder pads; lined in cream silk. Designer's label: "Pierre Balmain / Paris" Handwritten couture label underneath: "173873 ETE 99" B) Pants of dark cream polyester. Full-length. Double pleats in front. Waistband with front center tab button closure; center front zipper; side pockets; lined in cream silk. Designer's label: "Pierre Balmain / Paris" Handwritten couture label underneath: "174715 ETE 2001"

Painting consists of black, white, and beige brushstrokes scraped and blended in equal quantities. On the far right edge of the canvas, a gradation from white to black is painted in long horizontal bands.

Brushstrokes of black, white, and beige are smeared and scraped together creating a patterned background upon which, in the center, is a white to black gradation of horizontal brushstrokes.

Painting of peach, brown and gray female portrait; 3/4ths view. Raised gray triangle shapes throughout clothing.