Recording of Paul Geladi's 5 Cookies. This piece is based on percussive sounds that come mainly from 5 cookie jars and a broken aluminum broomstick. It is a reworked version of "5 cookie jars and a broomstick" from 1995.

Recording of Scipio di Agostino's 5 Interazioni cicliche alle differenze sensibili. This work consists of 5 untitled movements. This composition was written for string quartet and computer processing. The string instrumentals are not meant to sound like their traditional timbre and instead have become something that is algorithmically conceived and interactively regulated.

Recording of Jeffrey Faustman's 5 little things mother taught me. This work is a collection of five miniatures composed from three sound sources: the soprano voice from Edgar Varese's "Poem Electrique", the composer's voice, and a radio broadcast. The movements are titled: 1. Cantare, 2. Tedium, 3. Traumen, 4. Distance, and 5. Escape/Hallucination.

Recording of Jeffrey Faustman's 5 little things mother taught me. This work is a collection of five miniatures composed from three sounds. Most of the material was generated from a single sample of an analog recording of a soprano voice - the soprano voice from Edgar Varese's POEM ELECTRIQUE "to be exact. The other two sound sources are the composer's voice and a radio broadcast.

Recording of Jonty Harrison's Abstracts. This work includes 2 recordings. One of which is simply the produced electroacoustic tape on its own. The other is a live performance of the tape along with the University of Birmingham Symphony Orchestra performing on top of it. The composer's goal was for the tape to create musical continuity while the live performers abstract upon it in varying ways.

Recording of Jean-Louis Poliart's Acousmaclarine. This work consists of two recordings: one of the electronic tape only, the other of the electronic tape and bass clarinet performance on top. This work is a counterpart to the 1980's piece "Contrephase" and has an opposite approach to the relationship between the electroacoustic montage and clarinetist.

Recording of Ari Taskinen's African Procession. This piece is based on recordings of wildlife the composer took in East Africa. He also played certain phrases with various percussion. The composer separates the track into two parts: the first represents the nighttime and the second represents the day. The end of the track uses primarily synthesized sounds and creates a sense of a never-ending cycle of life.

Recording of Roderik de Man's Air to Air. This work was composed at the request of the European Wind Ensemble and was dedicated to them. It premiered in Ysbreker, Amsterdam. Almost all the sounds on the tape were derived from flute, trumpet, and clarinet sounds. The work was meant to be a dialogue between the tape recording and the live performers.

Recording of João Pedro Oliveira's Alap-jor-jhala-gat. This piece is part 2 of the larger work: The Journey of Sounds, and is based on the traditions of India. This recording is separated into two versions, one with violin and viola and one without. It was commissioned for the festivities of the 500th anniversary of the Portuguese discoveries.

Recording of John Young's Allting Runt Omkring. This piece was inspired by the soundscape of Stockholm and sound materials from that location were used as well as from the composer's own country. All sound materials in this composition are environmental in origin.

Recording of Christopher Penrose's American Jingo.

Recording of Marco Pedrazzi's Aqua Mater. Composed in Milan in 1998. The composer speaks of water as the symbol (and maybe not the only symbol) of the matrix and of the dynamic of life; the water of the existences. The water is the place where there is birth and death, and it is the place of the beginning where all possibilities have to be realized and all the thigs must go back. In ancient cultures, the sea on our planet and the celestial sea set upon us were always described as deriving from the same nature. The water can be understood as the place of the creation of all souls, with all beings (men, gods, animals etc.) descending from it. To pass the sea means a spiritual initiation, a passage from one being's condition to another one. This work is an homage to this. The work has been composed over a year using huge complex dynamic sounds events, paraharmonic synthesis, and vocal research. The sound events have been generated using complex partials, harmonic shifted and formants synthesis. The parts of this work have been written and synthesized with CSound, edited and processed with Soundhack and Digidesign software. Languages: CSound. Programs: …

Recording of Teemu Ontero's Arhynalia Alpha. This work uses dynamic stochastic synthesis technique and electronics.

Recording of Teodoro Pedro Cromberg's El Arpa, la Mano, la Sombra. This is a work for harp and electroacoustic track. This piece has two sections that are preceded by a prelude and separated by an interlude. In the first section the instrument is more abstract whereas in the second section there is more emphasis on the instrumental possibilities of the harp. The composer credits Ricardo Biancchini, who created one of the sounds used in the Csound orchestra.

Recording of Francesco Giomi's Arrisi.

Recording of Elainie Lillios' Arturo. This work is based off of an interview with a tarot card reader living in Denton, Texas named Arturo. According to the composer, Arturo has interacted with many people and learned many life lessons. This piece reflects some of his views on life and the casting of cards to reveal future possibilities.

Recording of Alejandro Iglesias-Rossi' Ascension (las tierras muevas). The piece's soundscape created with electronics and sound processing techniques. Techniques include delay, sound stretching, reverb, and pitch alteration.

Recording of Shinichi Morita's Azami. This work was created by using a collection of sounds, from a sampler, then processing the, to construct this work.

Recording of Jorge Rodrigo Sigal's Babel. This work is part of a larger CD project called "Manifesto". The piece is meant for flute, tape, and optional live electronics. The sound materials were recorded in Spain, France, and Mexico City. The composer dedicates this work to Stefano Scarani and it was premiered by Mr. Harrie Starreveld.

Recording of Cathy Lane's Bath. This is a work for electronics that includes various water sounds.

Recording of Ioannis Kalantzis' Bay. b.. This work was composed for vibraphone and live electronics. The content of the work was inspired by the life of a baby in it's embryotic state. The composer dedicates this work to the percussion player, Catherine Herisse, as well as several babies that were born in 1998.

Recording of Mladen Milicevic's Big bang of the apocalypse. This recording was made for electronics and the text comes from the book of Genesis in the bible.

Recording of Pierre Alexandre Tremblay's Binary. This is a work for electronics that includes concrete voice sounds.

Recording of Yasuhiro Otani's Blue ego blue. For live electronics, and acoustic instruments. This work was composed for a dance company and explored the possibility of combine image control and Realtime music, performed by eye color or captured landscape, color of clothes, etc. This is possible with the help of image dissector algorithm.