Heterosexual romance and marriage are institutionalized ideals in our society, set forth, in part, through the portrayal of stereotyped gender roles in fairy tales, such as Cinderella, and by the mainstream media. This thesis explores the cultural messages aimed at women, which impose the necessity of altering oneself to achieve marriage, and offers feminist viewpoints. Using the form of the personal essay, I discuss the ideals of Cinderella, Prince Charming, marriage, and Happily Ever After as unrealistic, though still prevalent, given the popularity of books like The Rules: Time-tested Secrets for Capturing the Heart of Mr. Right, and Princess Diana as Cinderella icon. Essays on my own experience of marriage and divorce supplement the cultural issues, juxtaposing the personal and political toward a new paradigm for relationships.

The purposes of the investigation were to determine if status of professional sports and professional athletes increases as male participation increases, if perceived status of 'athlete' increases with participation in sports that contain 'male' attributes, and if gender differences are related to status indicators. Sixty-eight students were administered a status-determinants questionnaire. A one-way ANOVA (gender) and a 2 x 12 ANOVA (gender x sport) were employed to determine status ratings of sports. A 3 x 2 (increase/decrease/no change x gender) Chi square was employed to determine status of sports, perceived masculinity of males/femininity of females, and status of the athlete related to gender attributes of sports.

This feminist study examines women's use of improvisation in discovering, creating, and articulating various self-identities. To create a theory of identity formation, two feminist theoretical position, essentialism and poststructuralism, are analyzed and merged. This hybrid theory addresses the interplay between the self and society that women must recognize in order to form satisfying identities. Improvisational practices, involving bodily awareness and movement, are demonstrated to have the potential for helping women to actualize themselves in these various identities. For this study, the writer uses her experience as an improviser and interviews three women who use improvisation in their choreographic processes. She also discusses performers whom she has seen and performers about whom feminist performance critics have written. This study examines improvisation in dance and performance art from a feminist perspective. I clarify what improvisation entails and, by doing so, illustrate how improvisational movement in dance and performance art can enhance the lives of women as viewers and performers. Through exploring improvisation from this feminist perspective, I demonstrate the psychological insights I have gained from practicing improvisation and document performances that have been improvisationally inspired by women who feel dissatisfied with the manner in which this society shapes and limits their identities.