Postcard inviting the recipient to visit exhibits of The Purple Land and Cultural Dialogue at the Mexic-Arte Museum in Austin, Texas. Both exhibits ran from January 16th, 1998 to February 28th, 1998.

Photograph of three people in front of a purple title wall with white words on it. The top line on the wall reads, "Mario Sagradini," the second line reads, "The Purple Land," and the last line reads, "La Tierra Purpurea." From left to right, there is a woman in a white, patterned dress, a man in a purple vest and jeans and lastly a man in a white shirt, blue jacket and jeans.

Photograph of a purple title wall that is mostly blocked from view by a large group of people. There are white words still visible on the wall that read, "Mario Sagradini." There are sixteen people in the group. This includes, Victor Zamudio Taylor, Mari Caremen Ramirez, Shifra Goldman, Sylvia Orozco, Mario Sagradini, Patricia Greene, Sam Coronado, Alex Chapa, and Eduardo Garcici.

Postcard inviting the recipient to visit the Rosario Cabrera and Swallow exhibits at the Mexic-Arte Museum in Austin, Texas. The Rosario Cabrera exhibit ran from March 13th, 1998 to April 18th, 1998. The front of the postcard features two images set side by side. The leftmost image is a photograph of a young woman. The woman's hair reaches just below her ears and is pinned to one side. Her smile is enigmatic and she looks directly at the camera. The rightmost image appears to be a sketch of the same woman, though some changes have been made. In this image the woman looks slightly to her right and much attention is paid to her hair. The drawing has an unfinished quality to it.

Pamphlet to Art of Oaxaca: Juegos y Evocaciones by Rudolfo Morales, an exhibit hosted by the Mexic-Arte Museum in Austin, Texas from May 1st, 1998 to June 6th, 1998. The front of the invitation features a painting titled "El Paplote (The Kite)" by Rodolfo Morales. In the painting, two children cling to a seated woman. To her right, another seated woman holds onto a kite string. A man crouches over in the foreground while two other woman huddle next to him. The floor of the room is checkered in pattern.

Photograph of Ralph Salinas and Russell Bridges holding a place that reads, "Mexic-Arte Museum 1998." The plate is brightly painted with flowers and other foliage.

Photograph of Jorge Sedeño, Sylvia Orozco, Rodolfo Morales and an unnamed woman (from left to right) presenting two framed artworks. There is young boy in front of one of the artworks and playing with a clear plate. On the far right, there is a man who is cut off.

Postcard invitation that advertises and exhibition that exhibits the work by Malaquías Montoya, a renowned Chicano artist, at the Mexic-Arte Museum in Austin, Texas. The exhibit ran from July 31, 1998 to August 29th, 1998. The front of the postcard features a painting titled "The Beating," which was created using acrylic wash pencil and pastel on paper. The painting is of a bald man who holds his right hand at his brow in an expression of pain.

Pamphlet that advertises regarding Colorin Colorado and Frida's Fiesta IV, events held at the Mexic-Arte Museum in Austin, Texas. Colorin Colorado occurred on September 11th, 1998. Frida's Fiestas IV occurred on October 18th, 1998. The lettering on the front of the invitation is black and red, with a few of the letters seeming to have eyes. Inside, there are two childish drawings, both in black and red. The first depicts a young, smiling girl. The second depicts a horned animal, flowers, two flying insects, and two disembodied faces. A third drawing depicts a young woman holding a red fork in her left hand. Her right hand appears in four different positions, from limp to poised atop her head, giving it the appearance of movement.

Photograph of Mari Ramirez and Jorge Sedeño in group totaling six people. From left to right, there is a woman is a pale grey jacket and dress, there is a man in a dark grey suit and orange tie, there is a man in a black suit and red tie, there is a man in a black polo shirt and grey clacks, there is a woman in a black dress and lastly is Jorge Sedeño in an off-white suit jacket and black slacks. In the background, There is a doorway where other people can be seen. Above the doorway, it reads "Jack S. Blanton Museum of Art."

Photograph of Sylvia Orozco and three others by a title wall. From left to right, there is an unnamed man with long hair, a yellow shirt and tan slacks, Sylvia Orozco in a black blouse and a skirt, an unnamed woman with a light colored suit and pants and a man in a tan suit with a blue shirt underneath. The group is blocking part of the text of the title wall.

Photograph of five people, including Herlinda Zamora, Juan Miguel Ramos, Sylvia Orozco and Jorge Sedeño. From left to right, there is Herlinda Zamora in a light colored shit and a blue skirt, Ramos in a green shirt and dark pants, an unnamed older woman in a blue blouse and light colored skirt, Orozco in a black dress and Sedeno in a grey button up shirt and dark pants. They are all standing in front of a title wall, but they are covering up much of the text on the wall.

Photograph of five people, including Herlinda Zamora, Carmela Castrejon, Sylvia Orozco and Jorge Sedeño. Orozco and Sedeno are standing next to one another behind an older woman. To their right, there is a statue on a pedestal which a person in a bright yellow-green shirt is leaning on. Zamora is hugging this person.

Photograph of five people, including Herlinda Zamora, Sylvia Orozco and Jorge Sedeño. They are all clustered together for the picture. Sedeno, Orozco and Zamora are standing more towards the back while the two unnamed woman stand in front of them.

Photograph of three men at an opening reception. The man on the far left is wearing a white striped, long sleeved, button up shirt. The man in the middle is holding a beverage in his right hand and is wearing a black suit, white shirt and a red and black tie. The man on the far right is wearing an off-white, long sleeved button up shirt with a colorful tie. People can be seen in the background.

Photograph of Jorge Sedeño and Pilar Thompkins at the opening reception of YLA III. Sedeno, left, wears dark pants, a gray dress shirt, and patterned tie. Thompkins, right, wears a blue dress with thin straps and a necklace. Text on the wall behind them reads "Pilar Thompkins," underneath which are two paintings by the artist. Both paintings are street scenes featuring people. The leftmost painting is of two boys who have light colored paint on their faces. The rightmost painting is of a laughing figure who wears a mask, white fabric flowing around him.

Photograph of an altar to Roy Lozano. A layer of dry pinto beans has been spread across a wooden floor, with a pattern of dry black beans partially visible on the left side of the photograph. A glass of water and some dried meat sit in front of a black and white photograph. The photograph depicts a mustachioed man wearing a white collared dress shirt. Behind the photograph sits a black urn. Next to the urn is a vase of yellow and orange flowers.

Book discussing an exhibit of Rosaria Cabrera's work at the Mexic-Arte Museum, Centro Cultural Mexicano "Paso del Norte," and Texas A&M University-Kingsville.