Recording of Hans Ulrich Humpert's Candide: Unterwegs - en cheminn en el camino - Away. This piece includes periods of overlapping voices, with voices speaking in French, German, English, and Spanish; sometimes these overlaps consist of two voices in different languages, sometimes more.

Recording of James Dashow's Media Survival Kit. This work is a lyric satire in three parts for radio. This instruments heard include: harp, contrabass, percussion, cello, and soprano voice. The processed pre-recorded sound were put through synthesis which was done using a MUSIC30 system. The three differing movement are titled: Nico, Crema (Cream), and Tutti Collegati (We're All Connected).

Recording of Eric La Casa's Ouroboros 5.

Recording of Roland Cahen's Gâteau d'anniversaire. Described by the composer as a musical joke made for the 25th anniversary of the Experimental Music Group of Bourges, and noted as the composer's only (recent) attempt at a rock song.

Recording of Robert Normandeau's La renard et las rose. "Le renard et la rose" (The Fox and the Rose) is a concert suite composed from two sound sources: the music commissioned for an adaptation for radio of the book The Little Prince by Antoine de Saint-Exupéry (produced by Odile Magnan for Radio Canada in 1994) and whose principal themes are found in it, and the voices of the actors who collaborated in the recording of the radio adaptation. It is the third work in a cycle begun in 1991 (éclats de voix and Spleen [recorded on the album Tangram, empreintes DIGITALes, IMED 9419/20, and IMED 9920] were the first two) and is based exclusively on the use of the voice; more specifically on onomatopoeia, which is the only form in human language that corresponds directly to the designated objects, gestures or feelings as sounds, rather than as the abstract representations that are words. In each of the work's five parts a state or feeling experienced in adulthood is associated with a sonic framework: Babillage et rythme (Babbling and Rhythm), Nostalgie et timbre (Nostalgia and Tone), Colre et dynamique (Anger and Dynamics), Lassitude et espace (Weariness and Space), Sérénité et texture …

Recording of Florian Mutschler's Ein Aleatorischer Spaziergnag Durch die stadt. This work is a reflection on the urban acoustic universe at the same time as a structuralist work on the laser support and the possibilities offered by the readers: 18'19'' of unprocessed sound recordings of urban universes and silence are divided into 99 tracks. By programming the repeat and random keys of his laser reader, the user-listener will transform it into a random music generator in which "acoustic images" will lose their primary meaning of simple "documents" to become sound objects. of an abstract musical montage.

Recording of Hans Tutschku's Sibeben Stufen. This is an electro-acoustic composition based upon the poem "Verfall" (decline, decay) by Georg Trakl. All the sounds are derived by manipulations of two recordings: the poem spoken by four different voices (German and French) and four chosen German main-words sung seven different pitches and the same for the French speech. The piece is structured in 7 parts which each represent at once an approach and distortion of the text.

Recording of Mia Schmidt's Aï∂a ∂omi. The spoken word, on which the composers short composition for tape "a rose is a rose" is basing, transfers two antithetical messages. The poem "rose is a rose" written by Gertrude Stein is a love- poem. The composer added sentences, taken from newspaper articles discussing the brutality of the pornographic industry. The poem is represented by this overtone-spectrum in form of sinus-tones or slightly modified sinus-tones. The sentences from the newspaper articles are normally spoken.

Recording of Bertrand Merlier's Voyage. For saxophone ensemble and electronics. All the sound materials used in the sampler come from the recordings of the instruments, where the emphasis is on the work of timbre and various modes of instrumental playing and transformation of these recordings in the studio.

Recording of Bertrand Merlier's Rainbow Warrior. This work is divided into two parts; Evocation - Invocation, La Java de l'information. The sound sources originate from extracts from the press and TV, an original composition-improvisation, and voice.

Recording of Marie-Hélène Bernard's Un singe blanc si rusé. The common thread of this sound fresco is drawn from the adventures of Hanuman, the hero white monkey of the Ramayana. The text extracts which appear fleetingly are taken from the French translation of the Reamker carried out by Franois Bizot. Most of the sounds of the band were collected during a stay in Cambodia.

Recording of the Wednesday evening performance of "Opera Without Elephants" presented at the UNT College of Music Concert Hall.

Recording of François Bayle's Pierre. This is a work for electronics that was written as an homage to Pierre Schaeffer.