Recording of Amnon Wolman's Witches. This work uses sounds from electronic instruments, voice, and pre-recorded sound. This work also uses the poem "Praise to the Womyn" by Alice Lovelace.

Recording of Charles Bestor's Into the Labyrinth. The "Into the Labyrinth" suite was winner of the Grand Prize in the Musica Nova International Competition of the Czech Republic. The work was realized in the Electronic and Computer Music Studios of the University of Massachusetts, USA.

Recording of Hans Ulrich Humpert's Candide: Unterwegs - en cheminn en el camino - Away. This piece includes periods of overlapping voices, with voices speaking in French, German, English, and Spanish; sometimes these overlaps consist of two voices in different languages, sometimes more.

Recording of James Dashow's Media Survival Kit. This work is a lyric satire in three parts for radio. This instruments heard include: harp, contrabass, percussion, cello, and soprano voice. The processed pre-recorded sound were put through synthesis which was done using a MUSIC30 system. The three differing movement are titled: Nico, Crema (Cream), and Tutti Collegati (We're All Connected).

Recording of Manuel Rocha Iturbide's Moin Mor. In music using concepts or ideas which belong to other domains is something that has been realized by composers for a long time. The central element of sound work is language, which is what characterizes a determinate culture. Language is made out of sound and meaning, out of syntax (rhythm) and out of words (signs) For this work English, Gaelic, and Spanish are used.

Recording of Jon Christopher Nelson's They Wash their Ambassadors in Citrus and Fennel. Based on a poem by Robert Gregory and is dedicated to Joan La Barbara, who commissioned the work. The composition's incorporation of a variety of extended vocal techniques is inspired by La Barbara's use of the voice. Its formal structure is greatly influenced by both the larger design and internal form of Gregory's poem. This poem is of special interest to the composer because of its many internal cross-references. These recurring referential structures are similar to musical ideas that the composer has explored in recent works.

Recording of Christian Banasik's Dressing old words new. For baritone saxophone and tape (version II for bass-clarinet and tape). The structure of the piece is based upon formal characteristics and idiomatic expressions of the 76. Sonnet by William Shakespeare which was analyzed by pitch to midi converter and computer programs. The sound of the recitation was transformed and produced metric-rhythmical patterns and pitches thus generating the material for the composition. The basic patterns are integrated in original form, varied, or completely abstracted and again reduced.