Recording of Jep Nuix's Intervals. This work is separated into 7 movements: 1. L'Inizio, 2. Monòleg, 3. Resonanzen Für Elisabeth, 4. His Master's Voice, 5. Improvisaciò Per A Tubs, 6. Riflessi, 7. Tonightingale. The work has been recorded on solo CD's.

Recording of Coriun Aharonian's Secas las pilas de todos los timbre. This piece comes from sound documents of different places and times connected one way or another to the composer. With one exception, all pitches have been left un-modified and while there are no electronic sounds, the piece has been composed with a computer using various software programs. The title partially quotes two lines from the lyrics of a well known tango composed by Enrique Santos DiscŽpolo in 1930, and are untranslatable. It makes reference to the idea of a society in which solidarity is scarce or difficult to find. The composer thanks the generous support of the Studio directors Georg Katzer, Georg Morawietz, and Gerd Rische, and the hospitality of the Akademie der KŸnste, Berlin.

Recording of Hans Ulrich Humpert's Candide: Unterwegs - en cheminn en el camino - Away. This piece includes periods of overlapping voices, with voices speaking in French, German, English, and Spanish; sometimes these overlaps consist of two voices in different languages, sometimes more.

Recording of James Dashow's Media Survival Kit. This work is a lyric satire in three parts for radio. This instruments heard include: harp, contrabass, percussion, cello, and soprano voice. The processed pre-recorded sound were put through synthesis which was done using a MUSIC30 system. The three differing movement are titled: Nico, Crema (Cream), and Tutti Collegati (We're All Connected).

Recording of Mario Verandi's Figuras Flamencas. This piece uses sound manipulation which creates a sonic environment using recognizable flamenco sounds, allowing musical flow as a sequence of superimposed and juxtaposed transformations between the two parallel worlds. The intention is to evoke a metaphorical journey through flamenco, which is "corrupted by surreal sonic creatures". The texts from Federico Garcia Lorca and sources materials from Spanish flamenco music and spoken texts Lorca's "Bodas de Sangre".

Recording of Manuel Rocha Iturbide's Moin Mor. In music using concepts or ideas which belong to other domains is something that has been realized by composers for a long time. The central element of sound work is language, which is what characterizes a determinate culture. Language is made out of sound and meaning, out of syntax (rhythm) and out of words (signs) For this work English, Gaelic, and Spanish are used.

Recording of Antonio Fernandez Ros' Terracota. This piece was realized after taping the conversation between two people in the Veneto region in Italy. Both speaking in Veneto dialect and talk about the meaning of land, tradition and language. This conversation was later edited (with no electronic modification) and together with the edition of other elements, was turned into a dramatic portrait of the protagonists. The secret or clue of this piece lies in the sound and meaning of spoken language. All the other sonic elements act purely as support to what is already contained in the words and expressions used by the protagonists.