Depth is achieved by the diminishing scale of purple wavy lines atop green straight verticals. Floating to the right is a multi-shade brown frame, again with the illusion of depth and inside is a masked face.

The side of a building is painted with graffiti. The colors are predominately blues and there is some English text.

The detail shows a portion of the wall that has been covered with a graffiti mural.

This detail of the painted wall shows the face from the lower right section.

The main portion of the north wall is shown. There is some text and two faces.

A close view of a person's face is depicted in this image.

A portion of the north wall includes a face and parts of some text.

A close view of some of the text is shown.

A close view of the wall includes the texture underneath the paint and a detail of some of the text.

A close detail view of the artist's signature is included in this image.

Black painting with zigzag linear pattern created with many small dots of paint and layered with many gray circles of various patterns and sizes.

Light gray painting with linear pattern with many small gray circles spread across the surface.

Vertical gray painting with repeating linear white lines spreading from two centers, one in the upper half and one in the lower half of the painting. Many circles of various gray hues float across the surface.

Vertical black painting with linear pattern and many gray circles floating across the surface.

Vertical painting in gray shades with white linear pattern and circles of various shades of gray float across the surface.

Brown ink rendering of various human faces in varied positions on twenty-four different off-white sheets of paper.

The space is filled with a red light creating an environment.

Painting of white, beige and black near abstract circle and oval shapes scattered throughout.

None

The painting, White #19, is entirely made out of text. It's a painting made with oil stick, and it was done by stenciling the text of a paragraph from an essay onto the canvas with oil paint, and the more you stencil, the darker and denser the painting becomes.

The large vertical painting consists of a dark ground. In the lower portion, five wooden spoons are attached. Along the upper edge is an impression of a hand and a plus and minus sign flank the right and left edges in the upper portion of the canvas. At a diagonal in the lower portion appears a long spatula or spoon shape nestled in a sandy brown area. The surface of the work is complex with numbers, letters and calculations barely visible.

The vertically oriented painting consists of many textures, colors and motifs. The dark ground is richly textured and covered with words, numbers and calculations sometimes partially obliterated. Two large heart shapes face each other, one in the bottom half of the canvas and the other in the top half. They are also richly covered in texture with letters and numbers. About a dozen forks are attached across the surface of the painting; they tumble from the top to the bottom. Flanking the top and bottom edges are some large X marks with thick top and bottom bars.