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The painting, White #19, is entirely made out of text. It's a painting made with oil stick, and it was done by stenciling the text of a paragraph from an essay onto the canvas with oil paint, and the more you stencil, the darker and denser the painting becomes.

The large vertical painting consists of a dark ground. In the lower portion, five wooden spoons are attached. Along the upper edge is an impression of a hand and a plus and minus sign flank the right and left edges in the upper portion of the canvas. At a diagonal in the lower portion appears a long spatula or spoon shape nestled in a sandy brown area. The surface of the work is complex with numbers, letters and calculations barely visible.

The vertically oriented painting consists of many textures, colors and motifs. The dark ground is richly textured and covered with words, numbers and calculations sometimes partially obliterated. Two large heart shapes face each other, one in the bottom half of the canvas and the other in the top half. They are also richly covered in texture with letters and numbers. About a dozen forks are attached across the surface of the painting; they tumble from the top to the bottom. Flanking the top and bottom edges are some large X marks with thick top and bottom bars.

Dress of tricot knit in multicolored, mostly green, vertical and horizontal "painted" stripe print on black background giving the effect of a windowpane plaid. Long sleeves. Mock turtleneck. Full length; longer back hem. Center back zipper. Unlined.

Evening dress of black silk satin. One shouldered bodice is draped to left side. full skirt attached at waist is draped to left side with large bow at hip. zipper at right side. Designer Label: Vera Wang

Navy and ivory ensemble including a navy jersey knit dress with an ivory wool twill jacket.

Sweater of black cashmere boucle in tank style.

Shirt of silk crepe. Green, red, white, and black geometric print with bloused cuffed sleeves; wide notched collar; metal sun ray buttons; side vents.

Coat of navy blue wool twill.

Coat of bright fuchsia pink heavy thick wool.

"Scare a Crow" wrap of woven black raffia with long fringe. Approximately 38" wide with 45" fringe.

a) Fitted jacket of black fine wool. Black velvet cuffs; velvet bow at neck. Opening at decollete; four black buttons with rhinestones. Velvet black flaps at front. Shoulder pads. b) Straight skirt of black wool gabardine. Knee-length.

Skirt suit of black wool crepe.

Sandals of silver leather. The shoes have an open, square toe, and wide strap which wraps around ankle and buckles around lower ankle with a large silver-tone buckle. 2 1/2" heel, 1" wide, 1 1/2" deep. Label: "abstracts"

Sandals of brown leather with 4” purple patent leather Cuban heels. Trimmed with one square and one circular crochet applique in red and teal with purple centers. With white flannel drawstring shoe bags.

Pumps of brown raffia with 4” orange patent heels and collar and green reptile skin toes. With white flannel drawstring shoe bags.

Suit of navy wool boucle. A) Jacket. Spread collar of ribbed white cotton(?). Long sleeves with three large circular openwork gold metal buttons on each cuff. Double breasted, with two vertical lines of three buttons, matching those on sleeves. Lined in navy blue silk. Designer's label: "Pierre Balmain / Paris" Handwritten couture label underneath: "172463 B) Skirt. Short, with very slight A-line. Lined in same navy blue silk as jacket. Designer's label: "Pierre Balmain / Paris" Handwritten couture label underneath: "172463

Mule-inspired shoes of woven brown raffia styled with V-shaped vamp and raffia fringe at toes. Brown and steel blue braided laces with beaded ends. Pointed toe; 4" stacked heel; leather sole. Designer label: Todd / Oldham

Mary Jane style pumps of purple leather with elaborate black stitching. Cap toes; French heels, 4” high. Label: "Prada"

Pantsuit of pastel green wool twill. a) Jacket has rounded notched collar; long sleeves. Center front closure of one button. Scalloped hem. Designer label: Haute Couture / Givenchy Handwritten couture number underneath designer label: 82689 b) Matching pleated pants with center front zipper. c) Self fabric belt. d) Blouse of pink silk. sleeveless with draped front bodice and eye-hook closure. Designer label right side seam: Haute Couture / Givenchy / Made in France Handwritten couture number underneath designer label: 06928

Short cropped jacket of black velvet embellished with black silk braid, beads and sequins in reptile design. Black satin lapels; long sleeves. Designer's label: "Haute Couture / Givenchy" Couture number behind designer's label: "82309"

Dress of velvet with graduated dye print from white at top to dark blue at hem with dye starting at knee to floor; halter style top with spaghetti straps and 8" slit at CF; flared from waist. Designer Label: Todd / Oldham

Maxi dress of photo dye sublimation print sueded knit. The sheath-style dress is of a polyester/lycra blend sueded knit. Full-length, the dress has a "crew neck" rounded neckline with slight standing collar and short cap sleeves. The dress widens at the hips and tapers to the hem, and has a back vent slit at center back from hem up 47.5cm. The entire garment is photo-printed with images of "travel scenes" of the west - roads, lakes, cacti, cows on farms, rock formations, etc. Designer's label inside at back collar: "Todd / Oldham" Three tags inside near hem: Size: "M" Care: "Dry Clean / Only / Made / In U.S.A." Content: "85% Polyester / 15% Lycra"