Recording of Ryszard Szeremeta's Celtic Circles - 1. It is for string plucked instruments, piano, wind instruments, percussion, and electronics. This piece uses synthetic instruments which eventually unfold into a upbeat song with a synthesizer providing a melody and the percussion accompanying. The piece switches between rhythmic sections and still almost-legato sections.

Recording of Marc Pichelin's Hurlante. This piece uses samples and recordings to create a mysterious soundscape about the idea of wondering within the universe. The use of electro-acoustic technique allows for the listener to have a wide listening space with contrasting musical conversation.

Recording of Sergio Rojas De Carvalmo's Microinfinitos. This piece is a constellation of 27 micro-songs exploring poetry and music. It uses an electro-acoustic design that is music free of any adjective, without any fear or melodies or even rhythmic pulsations where the eroticism of the body is expressed. This work explores how music can enhance meaning behind the words from a poem.

Recording of Yves Potvin's Retour d'appel. The use of voice and rhythm is the foreground of this piece. There are electronically built sounds and percussion which allow for the rhythmic aspect of the vocal part to have added complexity. Often times the voice is either syncopated or in unison.

Recording of Jacques Tremblay's Rictus Nocturne. This piece is divdied in six movements each named after a jazz standard: Blue Train, Blue Prints, The Duke, Quiet Now, Walkin, and The Shadow of Your Smile. There are many samples of jazz utilized in this piece and they pay homage to musicians in jazz.

Recording of Henri Heuze's Le sacerdoce et le curé d'Ars.

Recording of Marc Tremblay's "Silence...on fait du bruit". The definition of the word noise in the Larousse dictionary has a character that is both amusing and disturbing: "set of sounds without harmony". The piece is divided into two parts: lively and slow. Deliberately anecdotal in the first part, the piece slides towards an abstract atmosphere to discreetly salute the great noise makers that the Italian futurists were in their manifesto: "the art of noises".

Recording of Jean-Luc Therminarias' Les songes drolatiques de Pantagruel. For electronics, voice, and acoustic instruments.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions.

Recording of Gilles Gobeil's La ville machine. This work is a realization of ecological sound with electro-acoustic technique. The use of traditional technique allows for the listener to be immersed within different sound environments.

A faculty recital performed at the UNT College of Music Recital Hall.

Faculty recital performed at the UNT College of Music Recital Hall.

Concert Choir concert performed at the UNT College of Music Concert Hall.

High heeled pumps in blue satin with white polka dots. Black leather soles. Gold and white leather linings. Stamped label in instep: Rene Mancini /Fait Main / Paris Measurements: Length: 24 cm Width: 8cm Height: 14cm Heel: 8.5cm (3 1/4") high on axis w/cap

The functioning of an active sub-slab ventilation system (SVS) has been studied successfully with the help of a previously evaluated numerical model. The parameters explored are the permeability of the sub-slab and the gravel placed beneath it, the amplitude of applied pressure at the installation point of the system and the functioning method: depressurization or pressurization. The mechanisms contributing to the success of the two systems are identified. This numerical study shows that the presence of a layer of gravel beneath the sub-slab considerably improves the performance of the SVS. Considered separately from the extremely permeable sub-slabs, the depressurization systems perform better than the pressurization systems. 17 refs. [Francais] Le fonctionnement des Systemes de Ventilation active du Sol (SVS) a ete etudie a l`aide d`un outil numerique precedemment evalue avec succes. Les parametres explores sont les permeabilites du sol et du gravier place sous plancher bas, l`amplitude de la pression appliquee au point d`installation du systeme, et le mode de fonctionnement: Depressurisation ou Pressurisation. Les mecanismes contribuant au succes des deux systemes sont identifies. Cette etude numerique montre que la presence d`une couche de gravier sous plancher bas ameliore de facon considerable les performances des SVS. Mis a part le …

Choral Concert performed at the UNT College of Music Concert Hall.

Composition recital performed at the UNT College of Music.

Opera scenes recital performed at the UNT College of Music Concert Hall.

UNT Opera Theater Scenes recital performed at the UNT College of Music Concert Hall.