Recording of Manuel Rocha Iturbide's, Frost-clear energy saver. This piece is made from digital manipulation of a sample recorded from the motor a refrigerator. The fundamental hum taken from the refrigerator is a fundamental note for the chord structure. The sounds hear from this recording include digital tape, double bass, and amplified refrigerator.

Recording of Robert Grassi's Amour énorme. Grassi was responsible for the samples used in the recording. He used an FM synthesizer, tms sampler, and a SPX-1000 effect processor.

Recording of Thomas Bjelkeborn's, Do it again. The compositional work uses breaking dried out tree branches, which are heavily processed with electronic techniques. This sound file has been transformed over and over and with sound mutation and has been split in various sounding directions. This piece uses transformations which are similar to partly human gestures controlling the changes. The resulting sound files were cut, spliced and mixed in a canonic form where the original sound file length has been kept as far as musically feasible.

Recording of Sani Nicola's, Percorsi Ondulati. This piece is inspired by the picture Sentieri Ondulati by the American painter Jackson Pollock, hosted in The National Gallery of Modern Art in Rome. There is a biographical sense in the meaning of the title and the composer. This piece utilizes sound from flute from ancient Dervish music, the voice of John Cage, and electronic sounds reproducing percussive sounds. These sources are repurposed and represent recurrent thoughts in the composition.

Recording for Alessandro Cipriano's and Giovanni Bietti's Luce di Due Soli. This work is for piano, vibraphone, and tape and is made up of 5 sections. The title means "Light from two suns". The two composers worked on the same musical material from two different points of view: instrumental (for piano and vibes) and electroacoustic (processing of piano and vibraphone sounds). The elaboration techniques include granular synthesis and reiteration technique. This piece was finalist at 1991 NEWCOMP COMPUTER MUSIC COMPETITION (USA).

Guest artist recital presented at UNT College of Music Recital Hall.

Ensemble concert presented at UNT College of Music Concert Hall.

Wind Ensemble concert presented at UNT College of Music Concert Hall.

Recording of Wes Richard Wraggett's The saw dances the sandai. This work is inspired by a Zen Koan that asks the meditator to go back before their parents were born and see the face they had at that time.

Recording of Josep Oriol Graus Ribas' Oketus II. The piece is supposed to represent the narration of a contemplation of a determined environment by an imaginary character.

Recording of Wende Bartley's Ocean of Ages Revealed. This work was composed using the granular synthesis technique on the PODX computer music system developed by Barry Truax at Simon Fraser University in Vancouver. Original source material includes the voices of Brenna McCrimmon, Hayne Brown, and Paul Dutton, the Staro Selo ensemble, and the Bulgarian gaida played by Nick Ouroumis.

Recording of Jônatas Manzolli's Quadrilatero. Quadrilatero is a rectangle or a square, a space or a domain. It is an instrument's surface where a tape is integrated with sound gestures generated by computer dynamically. It is an environment where the composer tinges the acoustic space with shades of color, and the performer with nuances of real time actions.

Recording of Rajmil Fischman's Los dados eternos. This is a piece for oboe, tape and real-time processing. The instrumental part includes a range of extended techniques such as multiphonics, sucking the reed, singing and playing, etc. In addition, sounds coming out from the oboe are processed during performance by two effects units, serving as a further extension of the capabilities of the instrument. This processing also creates a middle ground in which concrete sounds contained in the tape meet the sonic world produced by the live performer. The tape serves several functions. In the first place it acts as an environment which transports the setting of the performance into diverse landscapes and situations. Secondly, it also fulfils an ‘orchestral’ function, complementing the solo performer either in an harmonic-timbral manner, or rhythmically by means of gestural counterpoint. Finally, it also contributes to the middle ground by using oboe sounds, which blend with the rest of the landscape or transform into other sounds. The performer is sometimes required to mimic some of these sampled oboe sounds in order to give the impression that they are coming out of the actual instrument. On other occasions, sounds produced by the performer are overlapped by …

Recording of Bruno Billaudeau's Sale temps ce matin ! This works describes the story of a person who discovers a place a place of curiosity and mystery in his city.

Recording of Jøran Rudi's Swallows of Freedom. This piece was composed as music for a dance performance by Hexakin Dance Company, and created from recorded natural sounds. The sounds were processed with software available at the time, and organized in time to fit the choreography.

Recording of Florivaldo Menezes' La recherche panique d'écho. It is an electroacoustic reflection on the mythic world of Monteverdi and various Greek myths. It is built of three sections, each focused on a different Greek mythological character. The first section focuses on Echo, the second on Orpheus, and the third on Pan.

Recording of O. Powers' Alpha Eridani. This work was composed in the computer music studio of California State University, Northridge, California. Alpha Eridani is tightly structured around a small number of prominent and distinctive sounds events.

Recording of Gustavo Chab's Soliloquio. It is a piece divided into three sections, each made up of two structures.

Recording of Marco Pendrazzi's Gioco di moduli. It is a modular composition of sonorous boxes where each of it has a different musical meaning and performed either as a complex sound or as a set of notes and rhytmics. The instruments are samples and synthesized sounds done with additive, frequency modulation and ring modulation synthesis. The modules are created with the aid of programs developed by the composer running on a Commodore 64. The rhytmic patterns are MIDI events real-time controlled throught the ESP (external signal processor) of a Korg MS20 synthesizer. The Commodore audio processor SID is used to generate ring modulated sounds. This recording was recorded in Milan.

Recording of Carlos Cerana's Huellas digitales (Digital tracks). This work is for B-flat clarinet and tape. The The electro-acoustic sounds have been obtained by means of digital processing of clarinet sounds performed by the author. These are the tracks to which the title refers. The work consists on five sections, named upon the fingers. The original title is also the Spanish idiom for "finger prints".

Recording of David Keane's Dwelling. Dwelling (1991) for baritone saxophone and digital tape is a work concerned with the paradox of the simultaneous perception of stasis and change. There are two principal musical materials in Dwelling: (1) the driving 16th -note moto perpetuo figure and (2) the long, sustained tones. In a certain sense, these materials are the opposite of each other, but what is more important is that imbedded in each of these musical ideas is very much the same opposition. Although the faster figure is always moving - and may be engaged in upward or downward progression-there is an over whelming steadfastness about it. On the other hand, the sustained tones are perpetually engaged in change: shifting in combinations of changing pitch, dynamics, texture, and/or colour. It is the delicate balance of this essential character of 'the same, but different' that is quietly one of the most essential forces of all art. In Dwelling this force is made a foreground feature. Dwelling was commissioned by David Mott with the assistance of an Ontario Arts Council Commissioning Grant. The work was realized in collaboration with Mr. Mott, between 1988 and 1991 with the resources of the composer's personal electro …

Recording of André Luc Desjardins' Le Pou.

Recording of Simo Lazarov's Media.

Recording of Rajmil Fischman's Dreams of Being.