Degree Discipline

States

2 Matching Results

Results open in a new window/tab.

Orlando di Lasso's Missa Ad Imitationem Moduli Doulce Memoire: An Examination of the Mass and its Model (open access)

Orlando di Lasso's Missa Ad Imitationem Moduli Doulce Memoire: An Examination of the Mass and its Model

Orlando di Lasso is regarded as one of the great polyphonic masters of the Renaissance. An international composer of both sacred and secular music, his sacred works have always held an important place in the choral repertory. Especially significant are Lasso's Parody Masses, which comprise the majority of settings in this genre. The "Missa Ad Imitatiomem Moduli Doulce Memoire" and its model, the chanson "Doulce Memoire" by Sandrin, have been selected as the subject of this lecture recital. In the course of this study, the two works have been compared and analyzed, focusing on the exact material which has been borrowed from the chanson. In addition to the borrowed material, the longer movements, especially the Gloria and the Credo, exhibit considerable free material. This will be considered in light of its relation to the parody sections. Chapter One gives an introduction to the subject of musical parody with definitions of parody by several contemporary authors. In addition, several writers of the sixteenth century, including Vicentino, Zarlino, Ponzio, and Cerone are mentioned. Chapter Two relates biographical information on Lasso and gives a brief summary of his compositions. Attention is given to the number and type of Parody Masses by Lasso. Chapter …
Date: August 1986
Creator: Hanson, Jan
Object Type: Thesis or Dissertation
System: The UNT Digital Library

Doctoral Recital: 1986-10-06 – Richard Dirlam, conductor

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date: October 6, 1986
Creator: Dirlam, Richard
Object Type: Sound
System: The UNT Digital Library