Day dress of royal blue and black polka dot polyester with draped waistline.

Yellow satin dress. Semi-fitted bodice with draped overpanel in pale yellow. silk. bridal satin. Rounded neckline with full-length set-in sleeves. Zipper closures at the wrists. Centerback zipper closure with a single hook&eye at the neckline. Left sideseam zipper closure from underarm to hip-level. Draped bodice panel falls from the left shoulderseam and left sideseam. then pleats into the right underarm seam. Waistseam with draped. sarong-style wrap overpanel. The fitted knee-length skirt shirs into the left side zipper closure. The overpanel drapes from the right sideseam with a swag effect. The panel is secured with three covered snaps along the waistseam and a hook&loop at the right side waistseam. The fitted skirt is constructed off of a fitted. pale yellow. silk crepe. inner slip. Piece lined in white silk chiffon. Shoulder pads. Wide white grosgrain waist stay.

Medium brown jersey knit cape. dress and belt ensemble. A) Cape: wool jersey knit cape with rounded neckline and bound arm slits. Centerfront opening with a single loop and tortoise shell button at the neckline. Top-stitched accents. Fully lined in brown silk. Label stitched centerback. below neckline. Designer Label: Givenchy Styling number: 78087 B) Dress: matching. wool jersey knit dress with rounded neckline and gathered waist. Full-length set-in sleeves. Lapped left of centerfront opening with five bound buttonholes. five tortoise shell buttons and a waist-level snap as the closures. Fully lined in brown silk. Shoulder pads. Grosgrain waist stay. Label stitched over left underarm seam. C) Belt: brown suede belt with functional tortoise shell buckle.

Skirt suit of black woven cotton with white warp in subtle line pattern.

Jelly, sneaker style sandals of orange plastic. Lace-up closure with wide orange laces. Stamped “Jean Paul Gaultier” on heel. Label: "Grenada" Manufacturer: Grendene Shoes Corp. / Brazil

Evening dress of fuchsia chiffon with black polka dots. Shirred, strapless, sweetheart bodice with draped floor-length skirt; natural waist. Scarf panel snaps from the inside bust line to disguise the center front zipper closure and hook and eye on bodice. Drapes into right panel of the overskirt. Left panel of skirt is secured on the waist with concealed snaps to conceal center front zipper closure on slip. Attached mini-length slip of pink chiffon. Boning in bodice with inner pink grosgrain petersham and hook and eyes; 25" waist. Designer label inside left near zipper: "Givenchy / Made in France"

This thesis examines the struggle between King Louis XI and the great feudal houses of the fifteenth century such as Burgundy, Brittany, Anjou, Armagnac, Bourbon, and Foix. It attempts to provide a detailed narrative based on the primary sources and the excellent studies on individual feudal princes produced by a number of French historians, supplemented by a critical analysis of the traditional view of Louis XI as the "vainquer de la grande féodalité."

The focus of this thesis is the relationship between immigration historiography and the history of Basque migration to the United States. The depictions of immigration presented by historians Oscar Handlin, Marcus Lee Hansen, and John Higham have been influential in immigration historiography and are presented in the first chapter. The second chapter contains a description of Old World Basque culture and the third chapter presents a brief history of Basque migration to the United States. The fourth chapter discusses to what extent the immigration theories presented in chapter one match the Basque experience in the New World. The concluding chapter contains some observations on the nature of immigration historiography, on the Basques, and on new directions for research.

Interview with Judge Harold Galoway, an army veteran from Yantis, Texas. This interview contains his recollections as a World War II medical corpsman in Europe. Army life and the health problems of soldiers are discussed.