Jazz Lecture Series presentation by Nat Hentoff on February 21, 1984 at 2:00PM at the UNT College of Music. Includes lecture by Nat Hentoff, interspersed with questions from the audience.

Recording of a Jazz Lecture Series presentation by Elvin Jones on April 24, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Elvin Jones, drums, interspersed with questions from the audience.

Jazz Lecture Series presentation by Mark Murphy on March 27, 1984 at 9:00AM at the UNT College of Music. Includes lecture and performance by Mark Murphy, vocals, interspersed with questions from the audience.

Jazz Lecture Series presentation by Nat Hentoff on February 21, 1984 at 9:30AM at the UNT College of Music. Includes lecture by Nat Hentoff, interspersed with questions from the audience.

Jazz Lecture Series presentation by Nat Adderly on February 28, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by Nat Adderley, interspersed with questions from the audience.

Jazz Lecture Series presentation by Marvin Stamm on March 13, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by Marvin Stamm, trumpet, interspersed with questions from the audience.

Recording of a Jazz Lecture Series presentation by Ron Carter on April 17, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by Ron Carter, bass, interspersed with questions from the audience.

Jazz Lecture Series presentation by Nat Adderly on February 28, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Nat Adderley, interspersed with questions from the audience.

Jazz Lecture Series presentation by Michael Brecker on March 3, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by Michael Brecker, saxophone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Michael Brecker on March 3, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Michael Brecker, saxophone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Marvin Stamm on March 13, 1984 at 2:30PM at the UNT College of Music. Includes lecture and performance by Marvin Stamm, trumpet, interspersed with questions from the audience.

Jazz Lecture Series presentation by Mark Murphy on March 27, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Mark Murphy, vocals, interspersed with questions from the audience.

Jazz Lecture Series presentation by Free Flight (Musical group) on April 10, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by members of Free Flight, interspersed with questions from the audience.

Jazz Lecture Series presentation by Free Flight (Musical group) on April 10, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by members of Free Flight, interspersed with questions from the audience.

Recording of a Jazz Lecture Series presentation by Ron Carter on April 17, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Ron Carter, bass, interspersed with questions from the audience.

Recording of a Jazz Lecture Series presentation by Elvin Jones on April 24, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by Elvin Jones, drums, interspersed with questions from the audience.

Recording of a Jazz Lecture Series presentation by Tal Farlow on May 1, 1984 at 9:00AM at the UNT College of Music. Includes lecture and performance by Tal Farlow, guitar, interspersed with questions from the audience.

Recording of a Jazz Lecture Series presentation by Tal Farlow on May 1, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Tal Farlow, guitar, interspersed with questions from the audience.

Recording of Jonathan Berger's "A pocketful of posies." The title refers to the Black Death of the 14th century, a time when people dealt with impending doom in much the same way as people do today. It was premiered at Stanford University in March 1984.

Recording of Joost Van de Goor's De Inwerking ("Influence"), which refers to a sign from the book of changes, I Ching. It refers specifically to the 31st hexagram which is based on the image of water, a small like on a mountain. In the piece, the clarinet (water) is looking for contact with the soundtracks (firm and unmoveable). The soundtracks were made by manipulating recorded clarinet sounds and composed using chance operations (using dice and coins). It was recorded in the electronic studio of the "Brabants Conservatorium" in Tilburg, The Netherlands.

Recording of Andrew Lewis's Logos. "Acousmatic" music for fixed medium (stereo).

Recording of Ricardo Teruel's "Un minuto de silencio per favor" for electronic sounds on tape.

Recording of Sukhi Kang's "Inventio" for piano and prerecorded electronic sound. He used traditional Korean rhythmic elements (multirhythms) and blends them within the context of Western music and electronics to create the piece. The electronic sound is primarily derived from the pitch G on the piano, which is then electronically manipulated by duration, pitch and tone.

Recording of Alain Thibault and Marcelle Deschenes's "Pot Pourri," a reduced version of the multimedia work OPERAaaAAH.