Recording of Charles Dodge's "He met her in the park," poetry by Richard Kostelanetz. The poem consists of a boy-meets-girl story that is told eight times, and the retellings abridged versions of the previous ones, sometimes reversing the gender roles until the final retelling is just "He met her in the park." In the composition, the lines are read by a male and female actor alternating lines and each telling of the story is articulated in a different way. The voices are synthesized with melodies, and over the piece, the voices become understood more like music which echoes the original language.

Recording of Alain Thibault's Deca-Danse. Using a recording of a speech by President Ronald Reagan, Thibault makes a statement about the destruction that humans cause for one another. Th piece is split into ten sections: 1. Technopolis; 2. You are Loved; 3. Special Emission; 4. President's Message; 5. Reagan's Happiness; 6. Reagan's Delirium; 7. The Most Beautiful Gift of God; 8. Generation x; 9. Mx; 10. Future x. The piece was created at the Studios Bruit Blanc and McGill University.

Recording of Larry Wendt's Broken Crystals, from "World-Class Technology." It is an extended narration piece that takes the form of a personal recollection. It is narrated by a Silicon Valley worker who works for an integrated circuit foundary that grows garnet crystals for the manufacturing of bubble memory. The factory is overcome with insects that destroy the crystals, and, in response, Silicon Valley is bombed with Cane Toads in order to get rid of the bugs. As a performance piece, the narrative would be read live while the background tape of manipulated environmental sounds along with a vocal processing device to allow immediacy to the live performance. Sometimes performed with theatrics or projected slides.

Recording of Richard Karpen's Mu Song. Karpen used the programs "Music II" sound synthesis language and "Score II" not list preprocessor in the composition of this piece. It was realized at the Center for Computer Music at Brooklyn College, City University of New York.

Recording of Alcides Lanza's Sensors IV performed in 1984 by the McGill Concert Choir, conducted by Christopher Reynolds. The tape was realized at the Composer's studio (SHELAN Studio) and McGill University EMS in Montreal, QC, Canada. The piece explores different techniques of vocal wiring, especially the relationship of semantics, languages, and memory. The word "Memory" constitutes the entire text for the piece - using letter sound, recombinations of the word, and adding syllables from other languages that share similar etymology. Recording of the word "memories" -- Meg Sheppard's voice -- is used in the realization of the piece.

Recording of John Cousins's "Edit for Pauline" for tape.

Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

The view is of the street level facade and includes the glassed atrium public space.

The view is of the sidewalk adjoining the building.

View of the glass facade of the skyscraper at 333 West Wacker Drive in Chicago, Illinois.

Southeast entrance to the building at 333 W. Wacker Drive in Chicago, Illinois. There are steps leading up to the entrance and two marble columns flank the doorway. The lower part of the building is made of stone with windows above.

Detail view of the marble columns surrounding an entrance to the building at 333 West Wacker Drive in Chicago, Illinois.

View of one corner of the skyscraper at 333 West Wacker Drive, in Chicago, Illinois.

Francesco Clemente embellished with lithography Alberto Savinio's war time diary, The Departure of the Argonaut.

Jazz Lecture Series presentation by Johnny Smith on April 12, 1983 at 2:00PM at the UNT College of Music. Includes lecture and performance by Johnny Smith, guitar, interspersed with questions from the audience.

Jazz Lecture Series presentation by Wayne Andre on April 19, 1983 at 2:00PM at the UNT College of Music. Includes lecture and performance by Wayne Andre, trombone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Jimmy Giuffre on April 26, 1983 at 2:00PM at the UNT College of Music. Includes lecture and performance by Jimmy Giuffre, saxophone, interspersed with questions from the audience.

Recording of a Jazz Lecture Series presentation by Tommy Flanagan on March 22, 1983 at 2:00PM at the UNT College of Music. Includes lecture and performance by Tommy Flanagan, piano.

Jazz Lecture Series presentation by Herb Ellis on April 5, 1983 at 2:00PM at the UNT College of Music. Includes lecture and performance by Herb Ellis, guitar, interspersed with questions from the audience.

Recording of a Jazz Lecture Series presentation by Mel Lewis on March 8, 1983 at 9:30AM at the UNT College of Music. Includes lecture and performance by Mel Lewis, drums, interspersed with questions from the audience.

Jazz Lecture Series presentation by Wayne Andre on April 19, 1983 at 9:30AM at the UNT College of Music. Includes lecture and performance by Wayne Andre, trombone, interspersed with questions from the audience.