Recording of Roger Doyle's Switch performed by Olwen Fouere, actress with the Fairlight Computer Music Instrument.

Recording of Trevor Wishart's Anna's Magic Garden. It is an impressionist work that attempts to recreate the agitation of the world from the view of a three-year-old child. The voice is that of his daughter, Anne Ruth. The piece contains sounds both concrete and synthesized. Recorded over five weeks in the studios of San José State University and University of Texas, Austin.

Recording of Bruce Pennycook's Speeches for Dr. Frankenstein performed by Laurel Miller. The piece is for soprano and computer-generated tape. it was commissioned through the Canada Council for the Arts by Nera Pilgrim (soprano) and Dexter Morrill of Colgate University. It is a setting of four of the ten stanzas of the poem by Margaret Atwood, Canada's leading female author. This work has recieved numerous performances by Ms. Pilgrim and other in Canada and the U.S. This recording is a live performance of Laural Miller at the 1981 International Computer Music Conference in Denton, Texas.

Recording of Alden Jenks's Nagasaki made in the electronic music studio of the San Francisco Conservatory of Music. Both electronic and non-electronic sounds were used (of the latter the human voice and music of the Japanese court, "gagaku", figure prominently). The human voice appears to be electronically generated, or electronic sounds appear to be gagaku instruments, singing voices, or a percussion ensemble. The words used are those of Fujio Tsujimoto at the age of five, of Nagasaki; on the tape they are spoken by the Japanese violinist Mayumi Ohira.