Recording of Francis Dhomont's "Transits élémentaires" ("Elementary Transits"). The piece is a question of a crossing that could be compared - very modestly - to that of Dante's Virgil. From fire through air, from central magma to the high layers of the atmosphere, the traveler crosses through then Alice's looking glass. The perception then becomes mental. At the formal level, the piece has five concave movements, all of unequal duration articulated by a constantly varied pattern, a sort of hinge. The piece was realized in Dhomont's personal studio as well of the GMEM (Centre National de Création Musicale) in Marseille for the synthesizer sound materials.

Recording of Teresa Rampazzi's Requiem per amanda. Key musical features include two female voices in an echoing pattern and synthesized sounds.

Recording of Roger Doyle's Switch performed by Olwen Fouere, actress with the Fairlight Computer Music Instrument.

Recording of Francis Dhomont's "Points de fuite" ("Vanishing Point").,It was realied at the composer's studio in Montreal in 1981-82 and was premiered on June 13th, 1982 at the 12th Bourges International Electroacoustic Music Festival.

Recording of István Márta's The Museum's Voices, for tape.

Recording of Zagorka Zivkovic's Extension 1 created at the Electronic Music Studio in Stockholm. It is the first in a series of works aiming to extend the sound quality of certain live-instruments. This piece focuses on the cello and manipulating the instrument in different ways - from a low degree (transposition) to an extremely high degree (a combination of layerings of loops and permutations through the use of a Buchla synthesizer). These sounds are then juxtaposed with some pieces of the original sound material in order to give depth to the perception of the instrument.

Recording of Horacio Vaggione's Octuor. Sound material is all computer synthesized. Techniques used include frequency modulation, nonlinear distortion, additive synthesis and wave array synthesis.

Recordings of Lars-Gunnar Bodin's "For Jon III." A electronic remix (?) of part of Bodin's cantata "For Jon" for chamber choir and soprano soloist.

Recording of Patrick Fleury's Stalker, an electroacoustic musical piece. The piece consists primarily of computer generated sounds.

Recording of Tommy Zwedberg's Röstband performed by Kerstin Ståhl (mezzo-soprano), Jorgen Johanson (trombone), and Göran Rydberg (percussion).

Recording of Tamas Ungvary's Ite Missa est (in memoriam Rudolf Maros). Ite, missa est ("Go, the mass is over") ends the mass in the Catholic liturgy. "Ite, Missa est" is in part based upon gliding sounds. The noted Hungarian composer Rudolf Maros, a good friend of Ungvary, was a remarkable humanist and pedagogue, for many Hungarian composers a father figure in the word's deepest sense. Ungvary began to compose this work during the last period of Maros's life. He died before the piece was able to be presented to him.

Recording of Trevor Wishart's Anna's Magic Garden. It is an impressionist work that attempts to recreate the agitation of the world from the view of a three-year-old child. The voice is that of his daughter, Anne Ruth. The piece contains sounds both concrete and synthesized. Recorded over five weeks in the studios of San José State University and University of Texas, Austin.

Recording of Åke Parmerud's "Yttringar (utterances)." Form and material derived from the Fibbonacci-series. One of the goals of the piece is to avoid the regular behavior of instruments and electroacoustic sounds as clearly separated entities by creating rapid "shadowings" between the tape-part and the live-part. The piece is performed with the conductor hearing a separate channel click-track in a head-phoneset, enabling him to keep in perfect sync with the tape-part.

Recording of David Jaffe's Silicon Valley Breakdown, a spatial work for a symphony of imaginary plucked stringed instruments ranging from the tiny piccolo mandolin to the immense bass "plucked Golden Gate Bridge", created through computer synthesizer. The piece includes elements of "bluegrass music" in both a serious and satirical way.

Recording of Claude Fatus's Voyager 2 for tape.

Recordings of Jeffery Bass's Hadron collisions for tape.

Recording of Arsène Souffriau's Fluctuations for electronic tape. The sound material of the piece consists of electronically synthesized sounds that are then manipulated in fluctuations at these levels: frequencies, harmonic spectra, ring modulations, tension voltage control, filter voltage control, various waveforms and attacks, frequency and voltage conversions, and impulses. Equipment used for the realization of the piece includes MOOG Synthesizer (Concertmate), EMS Synthesizer, EMS Sequencer, CASIO Sequencer, EMS Frequency and Voltage Convenant.

Recording of John Celona's Scatters. It was produced using DISTRA, a real-time movement computer performance program created by the composer for a New England Digital Synthesizer.

Recording of Ton Bruynel's Rain for two live pianos (four pianists) and two soundtracks (through loudspeakers). The sonority of a rainshower was a model for this piece. The sounds of rain were recorded on tapes and electronically remade for vibrating strings. The noises of the rain were also used to trigger voltage-controlled apparatus. The product becomes the sound of an indoor rainshower.

Recording of Werner Kaegi's Conversations: Partie 1: In Memoriam.

Recording of Eugenio Giordani's Voicings for two tracks tape. Electronically produced sound material based on a mixture of nine oscillators tuned up the the unison (with small detuning) with triangular, square and ramp waveform. Voicings has got an honour mention at the 11° International Electroacoustic Music Competition of Bourges and it has been performed in a lot of occasions at RAI and in many tape concerts.

Recording of Ton Bruynèl's radio composition on the theme of "Le Petit Prince" by Antoine de Saint-Exupéry, "Adieu petit prince." The text of the composition is partly taken from a critical analysis of the children's book entitled "Fantaisie et mystique dans le Petit Prince" by Yves le Hir. The piece was commissioned by the Netherlands Broadcasting Foundation.

Recording of Werner Kaegi's Conversations: Partie 3: Vers d'autres jeux.

Recording of Alain Marchal's Los. The sound material includes percussive metal events and often violent, simple chords of three soprano voices. These elements are antagonistic to one another, where the percussive sounds attack, alter and kill the chords sung by the soprano voices. "Los" in German means "foward!" As a suffix, however, it indicated deprivation or absence. L.O.S. are also the initial of the first words of the sentence by Dante at the gates of Hell "Lasciate Ogni Speranza voi ch'entrate" ("Abandon all hope, you who enter").