Jazz Lecture Series presentation by Don Sebeski on May 11, 1982 at 9:30AM at the UNT College of Music.

Jazz Lecture Series presentation by Grady Tate on May 4, 1982 at 9:30AM at the UNT College of Music. This includes lecture and performance by Grady Tate, drums, interspersed with questions from the audience.

Jazz Lecture Series presentation by Grady Tate on May 4, 1982 at 9:30AM at the UNT College of Music. This includes a lecture and performance by Grady Tate, drums, interspersed with questions from the audience.

Jazz Lecture Series presentation by Jackie Cain and Roy Kral on April 27, 1982 at 9:30AM at the UNT College of Music. This includes lecture and performance by Jackie Cain and Roy Kral, vocals and piano, interspersed with questions from the audience.

Jazz Lecture Series presentation by Jackie Cain and Roy Kral on April 27, 1982 at 12:30PM at the UNT College of Music. This includes a lecture and performance by Jackie Cain and Roy Kral, vocals and piano, interspersed with questions from the audience.

Recording of a Jazz Lecture Series presentation by Clark Terry on April 20, 1982 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Clark Terry, trumpet, interspersed with questions from the audience.

Recording of a Jazz Lecture Series presentation by Clark Terry on April 20, 1982 at 12:30PM at the UNT College of Music. It includes a lecture and performance by Clark Terry, trumpet, interspersed with questions from the audience.

Jazz Lecture Series presentation by Tom Scott on April 13, 1982, 9:30AM at the UNT College of Music. The lecture includes a performance by Tom Scott, tenor saxophone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Tom Scott on April 13, 1982, 12:30PM at the UNT College of Music. The lecture includes a performance by Tom Scott, tenor saxophone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Frank Foster on April 6, 1982 at 9:30AM at the UNT College of Music. This includes lecture and performance by Frank Foster, saxophone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Frank Foster on April 6, 1982 at 12:30PM at the UNT College of Music. This includes lecture and performance by Frank Foster, saxophone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Dizzy Gillespie on March 30, 1982, 9:30AM at the UNT College of Music. Includes lecture and performance by Dizzy Gillespie, trumpet, interspersed with questions from the audience.

Jazz Lecture Series presentation by Leonard Feather on March 23, 1982, 9:30AM at the UNT College of Music. This includes lecture by Leonard Feather, interspersed with questions from the audience.

Jazz Lecture Series presentation by Joanne Brackeen on March 9, 1982, 9:30AM at the UNT College of Music. The lecture includes a performance by Joanne Brackeen, piano, interspersed with questions from the audience.

Jazz Lecture Series presentation by Joanne Brackeen on March 9, 1982, 12:30PM at the UNT College of Music. The lecture a performance by Joanne Brackeen, piano, interspersed with questions from the audience.

Jazz Lecture Series presentation by Bob Brookmeyer on March 2, 1982 at 9:30AM at the UNT College of Music. The lecture is interspersed with examples, questions and answers.

Jazz Lecture Series presentation by Bob Brookmeyer on March 2, 1982, 12:30PM at the UNT College of Music. The lecture is interspersed with examples, questions and answers.

Recording of Alden Jenks's Nagasaki made in the electronic music studio of the San Francisco Conservatory of Music. Both electronic and non-electronic sounds were used (of the latter the human voice and music of the Japanese court, "gagaku", figure prominently). The human voice appears to be electronically generated, or electronic sounds appear to be gagaku instruments, singing voices, or a percussion ensemble. The words used are those of Fujio Tsujimoto at the age of five, of Nagasaki; on the tape they are spoken by the Japanese violinist Mayumi Ohira.

Recording of Trevor Wishart's Anna's Magic Garden. It is an impressionist work that attempts to recreate the agitation of the world from the view of a three-year-old child. The voice is that of his daughter, Anne Ruth. The piece contains sounds both concrete and synthesized. Recorded over five weeks in the studios of San José State University and University of Texas, Austin.

Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

Recording of Bruce Pennycook's Speeches for Dr. Frankenstein performed by Laurel Miller. The piece is for soprano and computer-generated tape. it was commissioned through the Canada Council for the Arts by Nera Pilgrim (soprano) and Dexter Morrill of Colgate University. It is a setting of four of the ten stanzas of the poem by Margaret Atwood, Canada's leading female author. This work has recieved numerous performances by Ms. Pilgrim and other in Canada and the U.S. This recording is a live performance of Laural Miller at the 1981 International Computer Music Conference in Denton, Texas.