When, at age forty-nine, B.B. McKinney becae the Music Editor for the Baptist Sunday School Board, he began a career as probably the most influential man in Southern Baptist music, setting in motion the machinery that has made the Southern Baptist church music program among the largest in the nation. After six years with the Board, McKinney was promoted to Secretary of the newly-formed Church Music Department. Through his leadership state conventions were led to employ music secretaries to help train and assist churches with their individual music programs. Besides his continued editorship and composing, he set up, with his associate Hines Sims, the Church Music Training Course, and began the publication of a monthly journal, The Church Musician.

This research effort focused on developing a process model to include art in the individualized education programs (IEPs) of physically handicapped and health impaired students which followed guidelines prescribed by Public Law 94-142. A systems approach was utilized for the development of the model. The sequence of interrelated tasks involved stating needs, identifying the problem, assessing the resources, identifying the population sample, establishing definitions of disabilities, specifying objectives, defining methodologies, developing a programmatic plan, conducting the operational phase, evaluating and refining the model.

This study investigated the assessment of muscular endurance using the Universal Gym. Subjects included 19 women and 151 men (18-30 years). Measures of muscular endurance were evaluated at various percentages of 1 RM on twelve exercise stations and it appears that a percentage of 1 RM ranging from .7 for the arms, .5 to .9 for the legs, and ,5 to .8 for the trunk is required to produce fatigue state in the necessary repetition range.

This study was concerned with the description of nine college studio art instructors' aesthetic beliefs as exhibited in personal art style and ranking of aesthetic beliefs, compared to the content of their class critiques. The review of related literature provided a system for analysis and description of art works and aesthetic beliefs in three principal styles or trends: Formal Order, Expression, and Imagination.

Two isozymes of triosephosphate isomerase have been isolated to homogeneity from human placenta. Triosephosphate isomerase A and triosephosphate isomerase B were compared in terms of their chemical, and biological properties.

This study first traces the evolution of a new musical design, one which emphasizes textual elements in the structural foundation. It follows with an account of the life and musical style of Olivier Messian, a contemporary composer who has emphasized timbre as a structural parameter in his music - most notably in several works of the sixties. An analysis of his Couleurs de la Cité Céleste (1963) is offered in the final chapter, indicating in particular the important role that timbre, as well as other textual elements, plays on forming the large-scale design.

The lecture recital, given April 13, 1981, began with biographical background for Busoni's compositional development leading to his mature style, as found in the Toccata, the Carmen Fantasy, and the Mephisto Waltz. The three works--an original composition, an operatic paraphrase, and a transcription from an orchestral score--were then detailed with emphasis placed primarily on Busoni's aesthetic ideals in relation to the three works.