This research effort focused on developing a process model to include art in the individualized education programs (IEPs) of physically handicapped and health impaired students which followed guidelines prescribed by Public Law 94-142. A systems approach was utilized for the development of the model. The sequence of interrelated tasks involved stating needs, identifying the problem, assessing the resources, identifying the population sample, establishing definitions of disabilities, specifying objectives, defining methodologies, developing a programmatic plan, conducting the operational phase, evaluating and refining the model.

When, at age forty-nine, B.B. McKinney becae the Music Editor for the Baptist Sunday School Board, he began a career as probably the most influential man in Southern Baptist music, setting in motion the machinery that has made the Southern Baptist church music program among the largest in the nation. After six years with the Board, McKinney was promoted to Secretary of the newly-formed Church Music Department. Through his leadership state conventions were led to employ music secretaries to help train and assist churches with their individual music programs. Besides his continued editorship and composing, he set up, with his associate Hines Sims, the Church Music Training Course, and began the publication of a monthly journal, The Church Musician.

The lecture, given on August 3, 1981, consisted of a discussion of the circumstances surrounding the composition of K. 413, 414, and 415; of specific compositional characteristics pertaining to each; and of their relationship to Mozart's later piano concertos. Additionally, their orchestration, effect with string quartet, idiomatic piano writing, considerations for amateurs, and passages for connoisseurs were explored.

Human glucosephosphate isomerase was subjected to a series of chemical modifications aimed at identifying residues essential for catalytic activity. Specific lysyl, arginyl, tryptophanyl and histidyl residues were found to react stoichiometrically with pyridoxal-5'-phosphate-NaBH4, 2,3-butadione, N-bromosuccinimide and N-bromoacetylethanolamine phosphate, respectively.

Two isozymes of triosephosphate isomerase have been isolated to homogeneity from human placenta. Triosephosphate isomerase A and triosephosphate isomerase B were compared in terms of their chemical, and biological properties.

The purpose of this study is to bring together the information necessary to assess the Mixtec goldsmithing techniques and the designation of these techniques as a culmination of New World metallurgy. Historical and technological backgrounds are examined in depth.

In Celebration is a through-composed work of approximately eight minutes in length for high baritone voice and orchestra. The text is taken from the Magnificat and Psalm 150 and was chosen for its celebrative nature. In Celebration is in four continuous sections. The first section, which is an orchestral introduction, is followed by three other distinct, vocal and orchestral sections. The introduction and following two sections are rhythmic and driving in nature, each section increasing in perceived tempo until the climactic final measures of the third section. The concluding section is slow, legato and reverent in mood. The function of this section is to release the tension built from the preceding sections and to bring the piece to a joyful, yet prayerful. close.

Voices of Advent is a Christmas cantata for tenor and baritone soil, octet (S.A.T.B.), male quartet, chorus, organ, and an instrumental ensemble of ten players. Five poems by William R. Mitchell provide the text for the works five movements. Four brief instrumental interludes connect the movements, and the work is to be played without pause. The duration of the work is approximately forty-five minutes.

This study first traces the evolution of a new musical design, one which emphasizes textual elements in the structural foundation. It follows with an account of the life and musical style of Olivier Messian, a contemporary composer who has emphasized timbre as a structural parameter in his music - most notably in several works of the sixties. An analysis of his Couleurs de la Cité Céleste (1963) is offered in the final chapter, indicating in particular the important role that timbre, as well as other textual elements, plays on forming the large-scale design.

Krum waste stabilization lagoon is a hypereutrophic system with relatively high thermal regimes and primary production. Corixids, particularly Corisella edulis and Corisella inscripta utilize the vast quantities of algae produced.

The dissertation consists of four recitals: one chamber music recital, two solo recitals, and one lecture recital. The repertoire of these programs was chosen with the intention of demonstrating the capability of the performer to deal with problems arising in works of varying types and of different historical periods.

Powdery mildew of wheat, Erysiphe graminis f. sp. tritici attacks wheat during periods of rapid growth, high levels of nitrogen fertilizer, high humidities, and cool temperatures. Yield losses due to mildew are caused by reduction in photosynthesis, increase in respiration and transpiration, impairment of heading and grain filling, and loss of plant vigor and growth.

The lecture recital was given on August 12, 1981. The discussion of Glick's i never saw another butterfly consisted of an analysis of the four songs followed by their performance. In addition to the lecture recital, four other public recitals were given; three of solo literature for voice and piano and one of vocal chamber literature.

The lecture recital, given April 13, 1981, began with biographical background for Busoni's compositional development leading to his mature style, as found in the Toccata, the Carmen Fantasy, and the Mephisto Waltz. The three works--an original composition, an operatic paraphrase, and a transcription from an orchestral score--were then detailed with emphasis placed primarily on Busoni's aesthetic ideals in relation to the three works.

This study investigated the assessment of muscular endurance using the Universal Gym. Subjects included 19 women and 151 men (18-30 years). Measures of muscular endurance were evaluated at various percentages of 1 RM on twelve exercise stations and it appears that a percentage of 1 RM ranging from .7 for the arms, .5 to .9 for the legs, and ,5 to .8 for the trunk is required to produce fatigue state in the necessary repetition range.

This study was concerned with the description of nine college studio art instructors' aesthetic beliefs as exhibited in personal art style and ranking of aesthetic beliefs, compared to the content of their class critiques. The review of related literature provided a system for analysis and description of art works and aesthetic beliefs in three principal styles or trends: Formal Order, Expression, and Imagination.